An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts

This bill was last introduced in the 43rd Parliament, 2nd Session, which ended in August 2021.

Sponsor

Status

In committee (Senate), as of June 29, 2021
(This bill did not become law.)

Summary

This is from the published bill. The Library of Parliament often publishes better independent summaries.

This enactment amends the Broadcasting Act to, among other things,
(a) add online undertakings — undertakings for the transmission or retransmission of programs over the Internet — as a distinct class of broadcasting undertakings;
(b) update the broadcasting policy for Canada set out in section 3 of that Act by, among other things, providing that the Canadian broadcasting system should serve the needs and interests of all Canadians — including Canadians from racialized communities and Canadians of diverse ethnocultural backgrounds — and should provide opportunities for Indigenous persons, programming that reflects Indigenous cultures and that is in Indigenous languages, and programming that is accessible without barriers to persons with disabilities;
(c) specify that the Canadian Radio-television and Telecommunications Commission (the “Commission”) must regulate and supervise the Canadian broadcasting system in a manner that
(i) takes into account the different characteristics of Indigenous language broadcasting and the different conditions under which broadcasting undertakings that provide Indigenous language programming operate,
(ii) is fair and equitable as between broadcasting undertakings providing similar services,
(iii) facilitates the provision of programs that are accessible without barriers to persons with disabilities, and
(iv) takes into account the variety of broadcasting undertakings to which that Act applies and avoids imposing obligations on a class of broadcasting undertakings if doing so will not contribute in a material manner to the implementation of the broadcasting policy;
(d) amend the procedure relating to the issuance by the Governor in Council of policy directions to the Commission;
(e) replace the Commission’s power to impose conditions on a licence with a power to make orders imposing conditions on the carrying on of broadcasting undertakings;
(f) provide the Commission with the power to require that persons carrying on broadcasting undertakings make expenditures to support the Canadian broadcasting system;
(g) authorize the Commission to provide information to the Minister responsible for that Act, the Chief Statistician of Canada and the Commissioner of Competition, and set out in that Act a process by which a person who submits certain types of information to the Commission may designate the information as confidential;
(h) amend the procedure by which the Governor in Council may, under section 28 of that Act, set aside a decision of the Commission to issue, amend or renew a licence or refer such a decision back to the Commission for reconsideration and hearing;
(i) specify that a person shall not carry on a broadcasting undertaking, other than an online undertaking, unless they do so in accordance with a licence or they are exempt from the requirement to hold a licence;
(j) harmonize the punishments for offences under Part II of that Act and clarify that a due diligence defence applies to the existing offences set out in that Act; and
(k) allow for the imposition of administrative monetary penalties for violations of certain provisions of that Act or of the Accessible Canada Act.
The enactment also makes related and consequential amendments to other Acts.

Elsewhere

All sorts of information on this bill is available at LEGISinfo, an excellent resource from the Library of Parliament. You can also read the full text of the bill.

Votes

June 22, 2021 Passed 3rd reading and adoption of Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts
June 21, 2021 Passed Concurrence at report stage of Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts
June 21, 2021 Passed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.22; Group 1; Clause 46.1)
June 21, 2021 Passed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.18; Group 1; Clause 23)
June 21, 2021 Failed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.13; Group 1; Clause 10)
June 21, 2021 Failed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.8; Group 1; Clause 8)
June 21, 2021 Failed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.5; Group 1; Clause 8)
June 21, 2021 Passed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.4; Group 1; Clause 8)
June 21, 2021 Passed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.10; Group 1; Clause 8)
June 21, 2021 Failed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.2; Group 1; Clause 7)
June 21, 2021 Failed Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts (report stage amendment — Motion No.1; Group 1; Clause 3)
June 7, 2021 Passed Time allocation for Bill C-10, An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:20 p.m.
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Liberal

The Assistant Deputy Speaker (Mrs. Alexandra Mendès) Liberal Alexandra Mendes

Questions and comments, the hon. member for Timmins—James Bay.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:20 p.m.
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NDP

Charlie Angus NDP Timmins—James Bay, ON

Madam Speaker, this issue is really important. Facebook has $19 billion in global revenues, and it does not pay any tax.

What concerns me, however, is that our previous heritage minister was supposed to regulate and bring taxes in, but her chief of staff was a top Google executive brought in by the Prime Minister's Office, Leslie Church. The Prime Minister's close connections to Google and Facebook raise really serious questions.

When I look at this bill, I see the fact that Facebook and Google, which have 64% of all the Internet advertising dollars in Canada, are not going to be paying any tax on that advertising, still. This is one of the biggest outstanding issues, and the government is ignoring it.

How can we have a level playing field when all advertisers, artists and cable companies pay advertising and taxes, yet under this bill Facebook and Google still will not be paying tax?

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:20 p.m.
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Liberal

Hedy Fry Liberal Vancouver Centre, BC

Madam Speaker, that is a very important question the hon. member is asking. In fact, in our 2017 House of Commons heritage report, we pointed out that level playing field with regard to GST and HST being levelled against Canadian media and Canadian content, and not being levelled against the Internet giants.

This bill will be going to committee, and there will be an opportunity for people to talk about levelling the playing field. However, when we brought it forward at the committee, it was very clear that the Conservative Party was spreading the rumour that we were taxing people.

We are talking about levelling the playing field. It could mean removing taxes Canadian media has to pay. We could talk about increasing the taxes on international media. I do not know, but I agree with the member about taxation. I think it is an important piece that we have to look at, because it gives the international giants a 15% advantage over Canadian media.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:20 p.m.
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Bloc

Denis Trudel Bloc Longueuil—Saint-Hubert, QC

Madam Speaker, I thank my colleague for her speech.

This bill is obviously very important for us Quebeckers. It could become something that helps to protect the French language, even though it does not right now.

Does the member agree with her hon. colleague from Saint-Laurent and the Quebec president of the Liberal Party of Canada, who think that the decline of the French language is a myth and that Bill 101 is oppressive?

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:25 p.m.
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Liberal

Hedy Fry Liberal Vancouver Centre, BC

Madam Speaker, I know how our Prime Minister feels about Bill 101, and I am not here to talk about that right now.

In our Speech from the Throne, the Prime Minister said very clearly that the Government of Canada has a responsibility to ensure the French language inside and outside of Quebec is promoted, and it is assured we are going to tell the stories outside and inside Quebec. This is something that we—

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:25 p.m.
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Liberal

The Assistant Deputy Speaker (Mrs. Alexandra Mendès) Liberal Alexandra Mendes

Resuming debate, the hon. member for Lac-Saint-Louis.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:25 p.m.
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Liberal

Francis Scarpaleggia Liberal Lac-Saint-Louis, QC

Madam Speaker, Canada did not happen by accident. Canada is a conscious act of will to create a distinct political, economic and cultural space in the upper reaches of the North American continent. Today we are focusing on our cultural space.

Ensuring the continued vitality of Canadian cultural content is what this bill is all about. In so many ways, Quebec is the model and inspiration for Canada's broader cultural affirmation. It is proof that it is possible to preserve and fortify one's cultural voice against unrelenting pressure, and that it is possible, and indeed a duty to oneself and one's fellow citizens, to build and sustain a cultural realm that reflects, supports and strengthens our collective identity.

Culture is a reservoir of ideas, values, symbols, ways of doing things, and individual stories woven together into shared stories. We need to keep replenishing that reservoir if we want it to remain full and deep. If we do not, it will evaporate over time or be refilled by other sources that no longer reflect who we are or offer up nothing but faded outlines.

Quebec has taken care to sustain its cultural reservoir, and so has the rest of Canada, often inspired by Quebec.

This affirmation of the value of one's culture as an alternative lens through which to view the world accounts in part, I believe, for the long overdue attention now being given to supporting Canada's indigenous languages and cultures, including, incidentally, through the provisions of the bill we are debating today.

As Canadians, it is vitally important that we be able to see ourselves in books, plays, TV shows and films, and hear ourselves in music. When we see ourselves reflected through these media, we see ourselves in motion doing, accomplishing, overcoming challenges and sorting out contradictions and complexities moving forward. We are also witnessing our potential. What could be more invigorating and motivating than that, on both an individual and collective basis?

For well over a century, we in Canada have proved there is no such thing as cultural determinism. There are no foregone conclusions about a culture's ability to survive and thrive, even in the face of powerful outside cultural forces. The strength of a culture, its staying power, is a function of people's determination and ability to craft effective cultural strategies that are continuously adapted to a changing environment.

Whether our culture survives and thrives depends on us, on our desire to keep creating content and to ensure we have the means to share that content. Everything depends on us tuning in and paying attention to the sometimes rapid changes and technological and economic challenges that keep coming our way.

The creation of the CBC was an act of political will. It was a conscious collective response to the challenge of a new medium: radio. Cancon on radio was an act of political will that spawned a homegrown music industry that, 30 years later, conquered global markets in the genres of country, jazz and rock.

The list of studies, analyses and policy initiatives we have undertaken over decades with the aim of shoring up Canadian culture in the face of technological and economic challenges is too long to describe in the time I have, but here is a sample.

In 1929, the Royal Commission on Radio, called the Aird commission, recommended that Canada establish a single national, publicly owned broadcasting system. Not long after, in 1932, the Canadian Radio Broadcasting Act was passed.

In 1936, a parliamentary committee called for a corporation resembling the BBC. Thus the CBC was created and, in 1937, it opened a French-language radio station in Montreal that became the beacon Radio-Canada is today for francophone culture in Quebec, for francophones outside of Quebec and, it should be added, for francophiles across the country, whose numbers increased following the adoption of the Official Languages Act by the government of Pierre Trudeau.

When I think of our cultural infrastructure, which Canada cannot do without, one of the things I think of is CBC/Radio-Canada. We cannot underestimate the crucial importance of Radio-Canada in particular. It disappoints me to hear the Conservatives talk about privatizing CBC/Radio-Canada. In many ways, the Crown corporation is the spring that keeps Canada's francophone cultural reservoir full.

To continue, the Massey commission was created in 1949 and tasked with examining radio and television broadcasting in Canada. In 1958, the Broadcasting Act was passed. In 1959, quotas for Canadian content on TV were instituted.

In 1969, the CRTC noted that cable technology had become a major factor in the Canadian broadcasting system, and it set out rules for the services cable systems were required to carry, which we refer to today as “must-carry” rules.

In 1971, the Canadian content regulations came into force for AM radio music and the CRTC allowed simultaneous substitution, whereby a local TV channel was substituted for a U.S. one on cable if both stations were carrying the same program. This was designed to help local stations keep their local audiences and the advertising dollars that go with those audiences.

In 1983, the broadcast program development fund was created to ensure the production of high-quality Canadian television in the under-represented categories of drama, variety, children and documentary.

In 1984, the Federal-Provincial Committee on the Future of French-language Television was created to examine challenges facing French-language television.

In 1992, the CRTC issued its policy on gender portrayal.

In 1996, the minister of Canadian heritage, Sheila Copps, announced the creation of the Canada television and cable production fund, combining the cable production fund and telefilms broadcast fund.

In 2002, the House of Commons Standing Committee on Canadian Heritage, published “Our Cultural Sovereignty: The Second Century of Canadian Broadcasting.”

Jumping to 2018, our government created a six-member panel to review Canada's Broadcasting Act, Telecommunications Act and Radiocommunication Act. The Yale report, entitled “Canada's Communications Future: Time to Act”, is the basis of today's bill.

There was a time not long ago when conventional wisdom held that we could not interfere in any way with the Internet, and that resistance to the all-encompassing juggernaut of the worldwide web was, plainly, naive and futile. Partly in keeping with this view, in 1999 the CRTC exempted Internet retransmitters from the requirement to be licensed or regulated under the Broadcasting Act. The decision was reviewed and upheld in 2009.

In 2001, Bill C-48 attempted to bring Internet retransmitters under the umbrella of Canada's copyright regime. However, the bill was amended in favour of a continued prohibition on retransmitters using proprietary content.

In a sense, Bill C-10 is taking care of unfinished business. Bill C-10 will bring online streaming services within the scope of the Broadcasting Act. Internet-based platforms such as Crave, Netflix, Amazon Prime and Spotify will be required to contribute a percentage of their gross revenues to the creation of Canadian programming, as is required of traditional broadcasters.

Furthermore, cabinet will have the power to order the CRTC to ensure that adequate funding is dedicated to French-language programming. In the modern world of mass communications, cultural transmission has become extremely high tech, whether we are talking about radio, television, film, recorded music or online content. This bill will strengthen our modern cultural infrastructure. In order for a culture to thrive, it takes a collective will, as well as resources, meaning money. This bill aims to ensure that the necessary resources are made available to ensure that our beautiful, magnificent culture survives and thrives.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:35 p.m.
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Conservative

Jeremy Patzer Conservative Cypress Hills—Grasslands, SK

Madam Speaker, I have a question for the member opposite that I would appreciate his feedback on. Any time the CRTC seems to get involved in making decisions on regulations and different things like that, the one person who ends up always paying more and, in the end, losing, is the end user or the consumer.

I am wondering what the government would do to protect the end user, or the consumer, from being the one who ends up losing in this situation.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:35 p.m.
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Liberal

Francis Scarpaleggia Liberal Lac-Saint-Louis, QC

Madam Speaker, I do not agree that the end user ends up losing. The end user in Canada has access to an array of programming but also to homegrown programming through private broadcasters, and especially through CBC/Radio-Canada. Yes, we pay fees for cable and so on, but we do not pay a fee when we buy a television. That used to be the case, but the CRTC removed that fee many decades ago, so I do not agree with the premise of the member's question.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:35 p.m.
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Bloc

Xavier Barsalou-Duval Bloc Pierre-Boucher—Les Patriotes—Verchères, QC

Madam Speaker, I listened to the speech given by my colleague across the aisle in support of Bill C-10.

I must say that I personally am very disappointed with Bill C-10. The web giants are still not paying taxes. Now web giants might be required to produce Canadian content, but not French-language content. Of course, Canadian content is not French content.

These are still foreign-controlled and foreign-owned companies. The government's refusal to require the production of French-language content is perfectly consistent with the comments made by the member for Saint-Laurent, who said that French does not need to be protected. It is perfectly consistent with the comments of the president of the Liberal Party of Canada, who said that Bill 101 is an oppressive law. It is perfectly consistent with the government's opposition to requiring knowledge of French for people to immigrate to Quebec.

Rather than shedding crocodile tears, can the member opposite be honest and admit that the Liberals do not care about French in Quebec?

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:35 p.m.
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Liberal

Francis Scarpaleggia Liberal Lac-Saint-Louis, QC

Madam Speaker, according to some estimates, this bill will allow us to collect approximately $1 billion that could go towards Canadian programming, which obviously includes Quebec programming.

One of the government's priorities is to ensure that we have enough French-language programming to allow Quebeckers and all French-speaking Canadians to express their views, values and culture.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:35 p.m.
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NDP

Niki Ashton NDP Churchill—Keewatinook Aski, MB

Madam Speaker, my question to the government member is with respect to the concern that we have raised about the documented close and collaborative relationship that this government has been proven to have with web giants, and the extent to which that relationship is coming ahead of good policy on behalf of Canadians, whether it is affordable service or Canadian content, including French content from Quebec. We are very concerned about the role that web giants have had with respect to this government. We also believe that they should be taxed, and that is something we have not seen leadership from the federal government on.

Does the Liberal government believe that web giants like Netflix, Amazon and others should be taxed like everybody else?

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:40 p.m.
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Liberal

Francis Scarpaleggia Liberal Lac-Saint-Louis, QC

Madam Speaker, this bill is going to raise almost $1 billion from the web giants that was not being raised before. I am not sure what relationship the hon. member is talking about between the government and web giants, but that relationship is going to result in almost $1 billion more for Canadian programming.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:40 p.m.
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Liberal

Adam van Koeverden Liberal Milton, ON

Madam Speaker, I will be sharing my time with the member for Toronto—Danforth, and I would ask that she go first.

Broadcasting ActGovernment Orders

November 19th, 2020 / 1:40 p.m.
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Toronto—Danforth Ontario

Liberal

Julie Dabrusin LiberalParliamentary Secretary to the Minister of Canadian Heritage

Madam Speaker, I am happy to speak to the bill and I will be sharing my time with the member for Milton.

The bill is about building sustainability back into the Canadian broadcasting system and putting Canadian broadcasters on equal footing with their online competitors. The objective of the bill is to ensure that online broadcasting services that operate in Canada contribute to the creation of Canadian content and support the Canadian audio and audiovisual creative ecosystems, just as licensed Canadian radio and television broadcasters have been doing for decades.

Up until the web giants came along, the broadcasting system was managed by the Canadian Radio-television and Telecommunications Commission, CRTC, as a Canadian regulated sector. To operate a broadcasting service in Canada's protected market, one had to get a licence from the CRTC. As a condition of that licence, these broadcasters had to contribute to the overall broadcasting system. They had to support the creation and promotion of Canadian stories and music. This was the framework of the Canadian regulatory bargain.

This regime worked well for decades as our broadcasting system grew and matured. Over time, Canadians went from receiving two or three TV channels, I actually remember having that clicker on my TV for those, to the hundreds that are available now. As a result of the globalized ecosystem, the CRTC established new rules and regulations to allow some foreign channels such CNN to be distributed on cable and satellite systems in Canada, while ensuring that Canadian operators would remain competitive.

Even as it expanded, the closed licence broadcasting system was maintained. TV stations, radio stations and cable and satellite distributors were largely profitable and film and video creators and musicians benefited from sustained and stable support from the broadcasting system. However, the emergence of multinational web giants has changed the game. Early on, the CRTC chose to exempt those services from licensing in order to encourage the development of innovative technologies and business models. As a result of this, foreign online broadcasters are now able to sell their services to Canadians while avoiding the regulatory obligations placed on traditional broadcasters, including the requirement to support Canadian creators.

However, these online broadcasters do not get a free ride any longer. The revenues of online video services have grown some 90% each year over the last two years, while the situation for Canadian traditional broadcasters has worsened. They have seen a steady decline in revenues of 1.8% per year over the last five years. Not to put too fine of a point on it, the legislation as it stands has been putting our own Canadian companies at a disadvantage. We need to help the home team. For too long, we have been helping the away team.

Traditional Canadian broadcasters are forced to compete against online platforms that are playing by different rules. This needs to change. Bill C-10 would restore competitive balance to the system. It would provide the CRTC with the tools it needs to establish a modern regulatory framework for broadcasting that is appropriate for the digital, online and on-demand era that we live in today.

Importantly, this new regulatory regime would encompass both traditional broadcasters as well as online services. Our approach is a balanced one, which includes strong guardrails. We would be excluding user-generated content, news content and video games from any regulation.

Additionally, while these amendments would apply to online broadcasters, obligations would only be imposed on those that have a material impact on Canada. In practice, this means it would only impact common household name streamers. The very first broadcasting policy objective that would appear in the amended Broadcasting Act would state that all broadcasting undertakings shall contribute in a manner that furthers the implementation of the broadcasting policy for Canada. This would help level the playing field and restore equity and fairness to the system. Online broadcasting services would be required to support the creation and promotion of Canadian stories and music. This would help stabilize funding for Canadian film, video and music creators and establish sustainable support for a new generation of Canadian artists.

Canadians have benefited from the flexibility and choice that online platforms have to offer. Canadian creators, stories and music have achieved international success and reached new audiences through global streaming platforms. When I think about it, I think of people like Alessia Cara or programs like Anne with an E, the TV show that many people have loved.

However, I need to emphasize for hon. members that the intent of this bill is not to restrict the ability of Canadians to access online broadcasting services or to subject foreign online platforms to rules that do not also apply to Canadian broadcasters. The intent is equally not to subject Canadian online broadcasting services to rules that do not apply to foreign ones.

The CRTC, as the expert regulator, would be expected to put in place a regime that does not discriminate and treats similar services in a similar manner. No online broadcaster, Canadian or foreign, would require a licence from the CRTC. The message is that they are welcome to come in and join the game, but must play by the same rules as the other players on the field.

The Minister of Canadian Heritage has indicated that the bill before us is just the first step in a broader approach that the government plans to implement to position Canadian broadcasting for the on-demand online environment. He has indicated that he intends to direct the CRTC to act quickly to ensure that online broadcasters contribute appropriately to the Canadian broadcasting system. The CRTC would be asked to address existing regulatory asymmetries. Regulatory requirements should be flexible, yet predictable, recognizing the amazing diversity of creators Canada has to offer, as well as business models and technologies in the Canadian broadcasting system today.

We need to restore a measure of fairness in the broadcasting system. A lot has changed from the time I mentioned when we had TV sets with a turn dial, and we had maybe six channels. This bill maps a way forward toward a more equitable regulatory framework that would allow traditional broadcasters to compete on a more level playing field. It would have direct impact toward increasing stable and sustained income to Canadian creators.

Bill C-10 would put the online broadcasters on fair footing with traditional Canadian broadcasters, and it is up to us, as members of this House, to pass this bill quickly in order to restore competitive balance to the broadcasting system and give our Canadian broadcasters a fair shot at getting back into the game.