Bill C-10 (Historical)

An Act to amend the Broadcasting Act and to make related and consequential amendments to other Acts

This enactment amends the Broadcasting Act to, among other things,
(a) add online undertakings — undertakings for the transmission or retransmission of programs over the Internet — as a distinct class of broadcasting undertakings;
(b) update the broadcasting policy for Canada set out in section 3 of that Act by, among other things, providing that the Canadian broadcasting system should serve the needs and interests of all Canadians — including Canadians from racialized communities and Canadians of diverse ethnocultural backgrounds — and should provide opportunities for Indigenous persons, programming that reflects Indigenous cultures and that is in Indigenous languages, and programming that is accessible without barriers to persons with disabilities;
(c) specify that the Canadian Radio-television and Telecommunications Commission (the “Commission”) must regulate and supervise the Canadian broadcasting system in a manner that
(i) takes into account the different characteristics of Indigenous language broadcasting and the different conditions under which broadcasting undertakings that provide Indigenous language programming operate,
(ii) is fair and equitable as between broadcasting undertakings providing similar services,
(iii) facilitates the provision of programs that are accessible without barriers to persons with disabilities, and
(iv) takes into account the variety of broadcasting undertakings to which that Act applies and avoids imposing obligations on a class of broadcasting undertakings if doing so will not contribute in a material manner to the implementation of the broadcasting policy;
(d) amend the procedure relating to the issuance by the Governor in Council of policy directions to the Commission;
(e) replace the Commission’s power to impose conditions on a licence with a power to make orders imposing conditions on the carrying on of broadcasting undertakings;
(f) provide the Commission with the power to require that persons carrying on broadcasting undertakings make expenditures to support the Canadian broadcasting system;
(g) authorize the Commission to provide information to the Minister responsible for that Act, the Chief Statistician of Canada and the Commissioner of Competition, and set out in that Act a process by which a person who submits certain types of information to the Commission may designate the information as confidential;
(h) amend the procedure by which the Governor in Council may, under section 28 of that Act, set aside a decision of the Commission to issue, amend or renew a licence or refer such a decision back to the Commission for reconsideration and hearing;
(i) specify that a person shall not carry on a broadcasting undertaking, other than an online undertaking, unless they do so in accordance with a licence or they are exempt from the requirement to hold a licence;
(j) harmonize the punishments for offences under Part II of that Act and clarify that a due diligence defence applies to the existing offences set out in that Act; and
(k) allow for the imposition of administrative monetary penalties for violations of certain provisions of that Act or of the Accessible Canada Act.
The enactment also makes related and consequential amendments to other Acts.

Online Streaming Act

[Kelly Block, Conservative, Carlton Trail—Eagle Creek, SK]

Mr. Speaker, you stole my thunder.

I am pleased to have this opportunity to rise and speak to Bill C-11, the online streaming act, which, as we know, amends the Broadcasting Act and makes consequential amendments to other acts. I want to start by recognizing my colleague, the member for Lethbridge, who has done incredible work to bring to light the facts about the impacts this bill would have not only on the rights of Canadians but also on content creators here in Canada.

I will be splitting my time with member for Calgary Nose Hill.

This is an immense bill, as it would affect not only online streaming but also user-generated content online, including on social media. Let us review. The first iteration of this bill, Bill C-10, was introduced in 2020. The government claimed that the purpose of it was to modernize the Broadcasting Act and to make large online streaming services meet Canadian content requirements and to bring them in line with TV and radio stations. We have heard that again here.

In its original version, the former bill, Bill C-10, included an exemption for programs that users uploaded onto their social media or “user-generated content”. During the committee’s study, the Liberals voted to remove this exemption from their own bill and refused to allow the Conservatives to reintroduce it. The bill died on the Order Paper when the 2021 election was called, but was reintroduced by the government in this Parliament. Here is what it did.

Bill C-11 would create a new category of web media called “online undertakings” and would give the CRTC the same power to regulate them and would require them to invest in Canadian content, even though they would not be required to apply for licences. While the government put the exemption back in this new version, it went on to also include an exemption to the exemption, which made it effectively meaningless. Unfortunately, this is another bill that the government seeks to pass that would dictate to industries what is best for them, rather than listening to the experts and stakeholders.

Numerous experts such as law professors and former CRTC commissioners believe that this bill would threaten the right to free speech. As we know, section 2(b) of the Charter of Rights and Freedoms guarantees the right to free speech, which can only be exercised effectively if one has the ability to be heard. Law Professor Michael Geist explains this:

To be clear, the risk with these rules is not that the government will restrict the ability for Canadians to speak, but rather that the bill could impact their ability to be heard. In other words, the CRTC will not be positioned to stop Canadians from posting content, but will have the power to establish regulations that could prioritize or de-prioritize certain content, mandate warning labels, or establish other conditions with the presentation of the content (including algorithmic outcomes). The government has insisted that isn’t the goal of the bill. If so, the solution is obvious. No other country in the world seeks to regulate user content in this way and it should be removed from the bill because it does not belong in the Broadcasting Act.

The government wants to give bureaucrats living in Ottawa the sole discretion of determining what content should be considered Canadian and what should be shown to Canadians at large.

Setting aside concerns regarding free speech for a moment, this bill would also threaten the livelihood of individual content creators, artists and influencers who earn their living through the videos they post on social media and the advertising revenues that they generate. By their testimony, many fear they will not qualify under the CRTC’s rules promoting certified content. They are also afraid of the effects of regulation on their international audiences.

Canadian creators do not need the Canadian media industry to intercede for them to succeed. Canadians are already punching above their weight, and there are many success stories. The reason we have so many Canadian success stories is that we allow the creativity of Canadian creators to flourish. We do not throttle it with excessive bureaucracy or red tape.

In the current landscape, content creators rise to the top through the merit of their content. The Internet offers infinite opportunity for new creators to reach audiences worldwide, allowing small creators to build up audiences through their own creativity and determination.

The bill would seek to stifle that freedom, only allowing those creators that the government deems worthy to be seen. Instead of one’s search bar directing one to the content one is looking for, it would direct one to the content that the government has approved and wants one to see. This would be yet another case of government gatekeepers picking winners and losers based on their own arbitrary criteria.

It is important to note that the Senate made approximately 29, mostly minor, amendments to Bill C-11. This is why it is back before the House of Commons. The most significant amendment proposed would attempt to narrow the scope for social media regulation by adding discretionary criteria that appear to encourage the CRTC to focus on regulating professional audiovisual content rather than amateur user uploads.

While this makes the bill less bad, given that the criteria are discretionary, they do not change the powers of the CRTC to regulate social media or its discoverability powers. Besides that, the heritage minister has already indicated that the Liberal government will reject this amendment.

We should make no mistake: Homegrown talent and creative content here in Canada will no longer succeed based on merit. Content will be subject to a set of criteria that bureaucrats in Ottawa will use to determine its level of Canadianness, resulting in traditional art forms being favoured over new creative content.

Over 40,000 content creators affiliated with Digital First Canada signed letters calling for the discoverability rules in Bill C-11 to be removed.

Since the bill was introduced in its first iteration as Bill C-10, I have heard from many constituents who do not want the government dictating the content that they are allowed to see. They have written to me and expressed their shock and dismay at the government's attempt to control speech and online content.

They want the ability to find their favourite creators and enjoy the content that appeals to them. They do not want to see the favourite content of an Ottawa bureaucrat.

For all the Liberals’ claims, Canadians understand that if this bill passes—

[Martin Shields, Conservative, Bow River, AB]

Mr. Speaker, my hon. colleague's speech is interesting, as I see that my colleague is much younger than I am, yet some of the things he talks about are from a long time ago. It is interesting that in February, for example, vinyl outsold CDs, which is a change that is happening.

I have a challenge with what the member is saying. I sat on the heritage committee for Bill C-10 and Bill C-18. Bill C-18 talks about money transfer, but it does not talk about the CRTC. That is the challenge that I have with Bill C-11. The Liberals could do the monetary thing but not involve the CRTC. People understand support for artists and understand royalties or whatever they want to call it. However, why involve the CRTC?

Back when Bill C-10 was passed, it was without that “user-generated” part. It was in there and the Liberals took it out. However, why do we need to involve the CRTC if they keep talking about monetary support going to the artists? The Liberals quote a lot of professional organizations that like the money, but why are they not talking about the artists themselves and a mechanism for where the money would go? In Bill C-18 they talk about where the money goes. Why do we need the CRTC? If they want the money to go to artists, why is that not what they are doing?

[Arif Virani, Liberal, Parkdale—High Park, ON]

Mr. Speaker, I think the Senate amendments deserve scrutiny and careful study. We are thankful for the intense study that took place on the Senate side. We believe that, given the extensive study of Bill C-10 in the 43rd Parliament, and given the nature of the legislation we have tabled in the House already, which is replete with user-generated content protections that relate to the exact issue my friend opposite is raising, those protections are already in place and that potentially introducing further aspects of this would superfluous and unnecessary.

[Arif Virani, Liberal, Parliamentary Secretary to the Minister of International Trade]

Mr. Speaker, I am pleased to rise in the House.

As I rise today, it is a bit like Groundhog Day. I am rising to speak on Bill C-11. The reason why it is so familiar to me is because I rose to speak on virtually the same bill in the last Parliament, when it was known as Bill C-10. I am rising again today on this issue because, once again, it is before Parliament.

There are certain issues that perhaps do not transcend from one Parliament to another, perhaps they are more temporal in nature, however, this issue has only become exacerbated with the passage of time. The issue and the pressing need to address the Broadcasting Act, to modernize that legislation and bring it into the 21st century has become even more acute and more critical. Thus is the reason why it has been presented by our government and why it is being debated today, and being debated with urgency. I do believe that the passage of this type of legislation is urgent.

When we are talking about the Broadcasting Act, we are talking about fundamentally Canadian content. We just heard a very impassioned speech by my colleague from the Bloc Québécois, talking about the importance of promoting English Canadian and French Canadian cultural content. This has been a critically acute issue for Canada for literally decades. The principle reason is because of our geographic proximity to our friend and ally, a nation whose president was in this chamber literally short of a week ago, a cultural behemoth that has the potential to overshadow and really eclipse content that is being produced in other nations, including the nation that is its most proximate neighbour.

We realized this many decades ago, and that is why we put in place, as a government, as parliamentarians, protections for Canadian content, so we could have Canadian stories told, told via television, film and music. Those were important protections. Those protections were put in place in legislation that hearken back to a different era, when people received their content through things like the radio. It is not coincidental that in French, when people talk about the CBC, it is called Radio-Canada, because that was the principle medium for the transmission of communications, including entertainment at the time.

Radio and television dominated the landscape for nearly a century. However, things have changed. In the old era, what we would do and what we continue to do today is put, as a condition of a licence for a television or a radio broadcaster, that it must invest in Canadian culture and Canadian artists. That has produced significant results.

However, the status right now is very different. I will include myself as one of the Canadians who have changed. Times have changed. Canadians are not using cable very much anymore. I think I might be one of the rare households in this chamber that still has cable. I use it for watching things like the Toronto Blue Jays, and God bless them today on the opening day of the season. I hope they have great season.

Independent of sports, most people are consuming their content online, on streaming services. Streaming is everywhere. People stream on their phones, in their cars, on their televisions. Many people are enjoying this.

I was actually looking up some of the statistics, and it is quite startling. Right now, eight out of 10 Canadians, or 80% of our entire country, uses at least one streaming service. Just in 2016, one year after our government took office, that number was five out of 10. Again, I will include myself in the people on the outside looking in back in 2016. People would talk to me about streaming Netflix and I did not know what they were talking about. I am being quite honest.

Now, not only am I streaming Netflix, but we have a Disney account, and my kids want me to get Amazon Prime, which I really do not know about. There is a number of different streaming platforms that people are attracted to or are already using. Six out of 10 Canadians, or 60% of the country, subscribe to two platforms or more.

However, the basic point is that while we have, on the radio and television side, things like Bell and Rogers contributing to Canadian content, which is a good thing and it is something we want to continue, streaming platforms, such as the Amazon Prime, YouTube, Crave, Netflix and Spotify, are broadcasting to Canadians, using Canadian content to market to those Canadians, but they are contributing absolutely nothing to the flourishing and development of more Canadian content on their platforms. They do not have the same requirements applied on those platforms as are applied on standard radio and television broadcasters.

There is the problem. From a very basic perspective, what are we here for as parliamentarians, if it is not to identify problems and seek to address them for the benefit of Canadians. That is something quite fundamental, and I think all 338 of us try to do that every day, that we are privileged to hold these types of positions.

Nevertheless, the legislation has not kept pace. I found it quite fascinating that the last time the Broadcasting Act was amended was in 1991. I was in my second year of university at McGill at that time. I do not even think I had an email address at that point. I think I got one my fourth year. It was really long and basically never used, because in order to use it, I had to walk into a separate office on the west floor of the building to access something called email. At that point, the Internet was mainly the purview of the U.S. military that had invented it years before.

There was no such thing as smart phones. There was certainly no such thing as apps. We were living in a completely different world and that was merely, on my account, about 32 or 33 years ago.

Back then, given that landscape in 1991, the Broadcasting Act was perfectly useful and suitable to the landscape as it was then. It dealt with radio and television broadcasters, because that was where people found their content, and we ensured that those radio and television broadcasters were promoting Canadian content.

It is now 2023 and the landscape has changed dramatically in the last decade, but certainly in the last few years. What we are seeking to do with this legislative amendment to the Broadcasting Act is to ensure that we promote, and continue to promote, great Canadian stories dans la langue de Molière, mais aussi en Anglais wherever those stories are found.

This bill would give the CRTC the ability to require that online streaming companies that profit from playing Canadian content, including Canadian music, film and TV shows, make financial contributions to support Canadian creators. This is a critically important objective.

What I am equally pleased about with the bill is that if we are to reopen a piece of legislation, we may as well improve upon it. We are modernizing it to deal with this new online landscape. We are also doing something that is quite targeted and deserves some attention. We are promoting the diversity of Canadian creators. What do I mean by that? We are promoting indigenous creators.

I spent a lot of time in our first Parliament working on indigenous language protection when I was the parliamentary secretary to the then minister of heritage. What we heard, in all the consultations we did and in all the work that turned into what is now the Indigenous Languages Act, which thankfully got support from everyone in this chamber, every party, as it should have, was that in order to promote indigenous language, the restoration and revitalization of those languages, we needed to ensure that we were also supporting indigenous creators. This bill would do that. It is an important aspect.

It also addresses persons with disabilities. We talk a lot about changes to things like the accessibility act. We talk about the Canada disability benefit act that we are rolling out. At the same time, we need to ensure that people's sense of inclusion and understanding of persons with disabilities is enhanced by ensuring that persons with disabilities are seen and included in the Canadian content we all absorb.

The same can be said for people of diverse sexual orientation. The LGBTQ2 community is specifically mentioned in this legislation as a group of creators whose content we want to promote.

I will finish on this idea of other diverse creators, which is Black and persons of colour. As a racialized member of this chamber, this has been a weak spot for our country, quite frankly. Our Canadian content creators need to have an applied focus that directs them to enhance and empower the voices so Black persons and persons of colour can see themselves reflected on what they are consuming on television, in film and on musical platforms when they are streaming. It is important for all Canadians to be able to see themselves in the content.

I need to address an issue that was raised repeatedly in the last Parliament and it has been raised repeatedly during this Parliament about this bogeyman of restricting freedom of expression. I have two broad responses to what I feel is an improper and incorrect attack on this legislation.

It is logically flawed to posit that this is a challenge to freedom of expression. It is also inaccurate in terms of the substance of the bill. It is a logical flaw.

On the logic of this kind of argument, the fact that we have been promoting, for decades now, through financial contribution requirements, things such as radio and television broadcasters, those promotion efforts would have restricted or diluted the creation of Canadian content as opposed to enhanced it.

We know for a fact that the enhancement has occurred by ensuring that broadcasters, in that physical and traditional context, are required to apply money and funds from their profits toward the creation of Canadian content. We have had, on the musical side, the Arkells and The Tragically Hip. We have had Rush and Drake from my city.

On the television side, we have had everything from the Beachcombers to Kim's Convenience and everything in between.

We do not get those great Canadian success stories without that applied directive to ensure there is financial enhancement in the industry by broadcasters to support creators. Therefore, with that simple logic, if this model were flawed, it would have diminished the amount of Canadian content as opposed to enhancing it, and the same reasoning applies here.

The same would apply for ensuring that online streaming companies are classified as broadcasters. What we will see, far from diminishing Canadian expression, is enhanced Canadian expression. What do I mean by that? It is going to compel the Amazon Primes, Netflix and the Spotifys of the world to ensure that they are making Canadian content discoverable and are contributing monetarily from their very healthy bottom lines, balance sheets and profits to the creation of more Canadian content. That is a good onto itself.

However, the argument on the challenge of freedom of expression is flawed even in terms of the bill itself. If there is one thing that changed between the last Parliament and this Parliament is that, although the framework of the bill is the same, and we heard this argument so many times in the 43rd Parliament, we went to great lengths to ensure that there would be multiple provisions, not just one, that stipulate that this bill was not about restricting freedom of expression.

The bill would not dictate what Canadians can see and do on social media. The bill explicitly excludes all user-creator content on social media platforms and streaming services. Those exclusions mean that the experience for users creating, posting and interacting with other user-generated content will not be impacted whatsoever. Multiple clauses in the legislation explicitly state that the regulations the CRTC imposes on platforms through the Broadcasting Act cannot infringe on Canadians' freedom of expression on social media. Provisions indicate that the act would not apply to uploaded content.

All regulatory requirements and obligations in the bill would only affect the broadcaster or the platform and never the user or the creator. For the individual Jane and John Doe in their basement seeking to upload something, create a music video or put something online about how they are playing the guitar, how their guitar level is increasing or singing a song and uploading it online, this does not speak to them. It speaks to the Amazons and Spotifys of the world, and that is an important delineation that has been emphasized by the text of the legislation.

Why is it important to support these creative industries? It is critical. Not only is it about the value, which I indicated at the outset of my comments, it is about the importance of telling Canadian stories particularly when we are threatened by a sea of non-Canadian stories from our neighbour south of the border. It is also important when we think about what Canadian creators, many of whom I am very privileged to represent in Parkdale—High Park, do for us as a nation.

During the pandemic, we heard extensively about the contributions of Canadian creators to Canadian society. When people were going through difficult times, when there were higher levels of anxiety and depression through lack of physical contact with one another, it was our Canadian creators who were there to support all of us, to tell stories and support us in some of our most troubling times as nation, literally since probably World War II.

Those creators are also economic contributors to Canada. It is not just the people who actually make the film, direct, act and produce the screenplay, it is not just the people picking up the instruments or microphone, it is a whole host of supplementary supports for the industry that contribute to the economic uplifting of Canadian society. For no other reason than the economic benefit, I would hope His Majesty's loyal opposition would support the bill for the economic productivity that stands to be gained by this type of legislation.

It is really important to look at the host of cultural creators who have lined up in support of this bill: The Canadian Association of Broadcasters, ACTRA, SOCAN. I will read what Alex Levine, the president of the Writers Guild of Canada, has to say. He says:

Private, English-language Canadian broadcasters have reduced their spending on Canadian television production every year for nearly a decade, while foreign streaming services have taken over more and more of the Canadian market. This threatens our whole industry, and the tens of thousands of jobs it supports. Canadian broadcasters have long been required to contribute to the culture and economy of this country. It’s time for global streamers profiting in Canada to be held to the same standards.

Mr. Levine is talking about levelling the playing field. It is a very simple concept. If something benefits from Canadian content and access to the Canadian market, it needs to contribute to the Canadian content it is benefiting from. It is as simple as that. By pursuing a level playing field and modernizing this legislation, we could bring the Broadcasting Act into the 21st century. For that reason, I hope every party in this chamber will support this legislation.

[Martin Champoux, Bloc, Drummond, QC]

Mr. Speaker, I did not think that we would make it to this point. Sometimes when we are expecting a quiet day, we realize that there can be a lot of excitement in the House.

I want to begin by saying that I will be sharing my time with my very entertaining colleague from Longueuil—Saint-Hubert, which means things will be relatively calm and composed for the first ten minutes and then they should get a bit more exciting once he takes the floor.

To begin, I would like to say that I am not exactly disappointed we are approaching the end of our study of Bill C-11. We are considering the amendments proposed by the Senate. I suggest that members mark the date on their calendar because, as a Bloc Québécois member, I commend the thoroughness of the work done by certain senators. I know that some of them really took to heart their task of proposing amendments and improving a bill that, I admit, could still use some tweaking. I would like to acknowledge the dedication of those who took the work seriously and tried to change things by returning a document that they believe is better. There is a reason why the government accepted a great many of the proposed amendments in its response. The amendments passed the test and will appear in the final version the House returns to the Senate. I commend this work.

I also want to acknowledge the work of all the members of Parliament who worked on Bill C-11, formerly Bill C-10. I would remind members that the bill was introduced in November 2020. That was quite a while ago. When the bill was introduced, the cultural industry and the Quebec and Canadian broadcasting system had already been awaiting it for decades. The Broadcasting Act had not been updated since the early 1990s.

I already mentioned I was working in radio back then. At the time, we had cassettes that we inserted in cassette players. We played CDs, and some stations still played vinyl records. Young people can do an online search to see what a vinyl record looks like. All this to say that, today, we no longer know what the equipment looked like, given how much the industry has changed. The technology, recording methods and ways of producing and consuming culture have changed in surprising and unexpected ways over the past three decades. There is no reason to believe things will be any different in the next three decades. That is why we need to implement a flexible broadcasting law that can handle the technological changes we will see in the years to come.

Today there is a lot of talk about artificial intelligence, and we are already questioning that technology because we are concerned about where it will lead. We do not know what broadcasting will look like in the coming years. That is why we need to implement a flexible broadcasting law that can adjust to change.

One of the Bloc Québécois's proposals was retained by the Standing Committee on Canadian Heritage and found its way into the version of Bill C‑11 we are currently studying. It was the proposal that we should not have to wait another 30 years to revise the new act. It is a sunset clause. Every five years, we will be required to reopen the act and see whether it is still sufficiently up to date. I think that it is a responsible and intelligent provision that will make us do our job properly.

Every time I have spoken about Bill C-11, the underlying concern has always been Canadian culture. Francophone Quebec culture is what really matters to the Bloc Québécois, but we did not limit ourselves to proposing amendments and improvements to Bill C‑11 just for the benefit of Quebec culture. Of course, that is what is most important to us, since it is in our nature, but our proposals to promote Quebec culture will have an impact on all French-speaking Canadians.

We stood up for francophones across Canada, and everyone will benefit. The Bloc Québécois made substantial improvements to Bill C‑11. Thanks to these improvements, consumers will be able to find content produced by Quebec creators, artists, singers and songwriters on digital broadcasting platforms, just like they hear it on the radio. They will also see our talented creators' work on video streaming platforms such as Netflix and Disney+.

That is huge, because right now, we are under-represented on those platforms.

There is a lot of disinformation circulating around the concept of discoverability. The Conservatives came up with this idea that web giants would be required to tinker with their algorithms in order to force Quebeckers and Canadians to watch one type of content rather than another, or to stop them from watching one type of content rather than another. I do not understand how Quebeckers and Canadians could swallow such claptrap.

That is not at all what these regulations will do. What they will do is showcase our culture, our industry that generates billions of dollars annually. This will enable it to keep thriving in this new realm, which will also continue to evolve. We need to make room for our culture.

Discoverability is not a matter of imposing content on people, but of making content available. Take the playlist of someone who listens to Bryan Adams. I may be showing my age with that example. Perhaps I should have said Justin Bieber. Why not show that person some francophone artists? They are only suggestions. This is just about suggesting that culture. That is all.

Right now, the cultural industry is losing millions of dollars a month because there are no regulations requiring web giants to contribute the same way broadcasters and cable companies have contributed in the past. In addition to the tens of millions of dollars in lost advertising revenue, there are also tens of millions of dollars in royalties that artists are not receiving.

That is what Bill C-11 will fix. It will force web giants to follow the same rules as traditional broadcasters. I do not see how anyone can be against making billion-dollar companies like Netflix, Apple TV+, Disney+, Amazon Prime Video, Spotify, YouTube and Apple Music contribute to the industry they are making their money off of.

This industry is not just made up of CEOs and big-shot producers. There are also people like self-employed cultural workers, film crew and recording studio producers. Many of them left the industry because they knew that it would take time for things to get back to the way they used to be, especially because of the pandemic. If, on top of that, we do not enact regulations to promote investment in the sector, they will never return, and we will lose an incredible valuable resource.

Remember, I am talking about hundreds of thousands of jobs in Quebec and Canada. Culture and broadcasting represent billions of dollars in revenue. To me, it is a no-brainer that those who benefit should also contribute.

We are finally approaching the end of our study. We will be sending our response to the Senate. I hope that the senators will waste no time doing what we expect them to do, that is, ratify what is coming so that the web giants have to contribute and that our cultural industry can prosper and continue to show the world what it means to be a Quebecker or a Canadian.

Our culture is not American, Chinese or European. We have our very own culture, and it is up to us to protect and showcase it. That is what this bill is all about.

Digital Charter Implementation Act, 2022

[Blaine Calkins, Conservative, Red Deer—Lacombe, AB]

Mr. Speaker, I thank you for generating that much enthusiasm and excitement for what I have to say because it is riveting. It is going to save our privacy and information, if people would just listen to what I have to say here right now, but I digress.

In that 23 years since I started teaching at Red Deer college and since the passing of the original act, PIPEDA, as it is affectionately known, IT, our information systems and our networks have developed so rapidly that the legislation has not kept up. That lack of urgency is not only in the government in getting it wrong in the previous Bill C-10. I am not talking about the disastrous Bill C-11 we have been talking about recently. I am talking about the previous version of Bill C-11 back when the current Bill C-11 was Bill C-10. As I said earlier in my speech, there are so many pieces of legislation that the government has had to redo that it gets difficult to keep track of all the numbers over the years and over the Parliaments.

I would just urge my colleagues to stop to consider the very important nature of this legislation as it pertains to the protection of our personal information. Are there some things in this bill that I could support and that others in the House should be supporting? Of course there are. The bill presented in the House today allows us to have a conversation about the future of Canada's privacy protection and other technological advances, such as those found in artificial intelligence, which is the next great breakthrough. It will challenge us as lawmakers in this place to keep up with the technological advances, all of the good and bad that come from artificial intelligence.

As I understand it, the EU's 2016 General Data Protection Regulation, otherwise known as the GDPR, is the gold standard for this type of regulation and I hope that, despite some of our differences here, and there are many, we could at least agree to strengthen the privacy protections for Canadians.

Online Streaming Act

[Tracy Gray, Conservative, Kelowna—Lake Country, BC]

Madam Speaker, I will be splitting my time with the member for Selkirk—Interlake—Eastman.

I am always proud to rise to speak on behalf of the residents of Kelowna—Lake Country on legislation we have before us. Bill C-11 is before us tonight at this very late hour. It would amend the Broadcasting Act.

Our constituency office has received hundreds and hundreds of emails, letters, phone calls and messages on this bill. Every time I am out in the community, people come up to me, letting me know how they do not want Bill C-11 to pass, as well as the former Bill C-10.

I think it is amazing that along with soaring gas and grocery bills and rising rent and mortgage payments, residents in my riding are letting me know that in addition to these very important topics, they are also concerned about this bill, which would affect their use of the Internet. I think it is because all of these topics affect their lives every day.

That level of attention is warranted because of what the government is proposing for this legislation to pass. It would cause unprecedented changes in how Canadians go about their daily lives online. Local residents in my community, Mitch and Lori, wrote to me to say that Bill C-11 represented the tipping point of government overreach.

Benji wrote to me to say that Bill C-11 would represent a major step back for our country.

Were Bill C-11 to pass, which it looks like it will with the Liberal-NDP coalition, those members in this House would be gifting the Liberals the power to play censor on what Canadians can see, if it does not match what they determine to be classified as Canadian content. The beneficiaries are the oldest legacy companies whose viewership has decreased. This bill would allow the government to have a policy directive implemented through actions like criteria. The government would give authority over online licensing and other matters. The only thing is that we have no idea what these would all be.

Bill C-11's twin bill, Bill C-18, would help failing legacy media companies looking for government cheques. They have found a perfect partner in the Liberals' desire for greater control of everyday Canadians' lives. A free and democratic country like Canada should never seek to empower the government with censorship powers to protect failing companies.

Canadians are rising up against the bill and against the Liberals for not listening. Bill C-11 is the government's proposed updating of the Broadcasting Act to provide the Canadian Radio-television and Telecommunications Commission, the CRTC, the power and authority to regulate online content platforms.

The stated reasoning behind Bill C-11 is to bring the CRTC into the 21st century, while supporting Canadian artists and promoting the spread of Canadian content over that of international competition. While that may seem like a noble goal, there are reasons Canadian artists, legal experts and digital content providers are speaking out against this bill. In fact, this legislation is going to suck content creator innovation into an antiquated Broadcasting Act black hole.

There are profound questions about using the CRTC bureaucrats as online regulators, as would be granted by Bill C-11. Here I am again in this House standing against bureaucracy and government overreach. This bureaucracy, the CRTC, took over a year to implement a three-digit number for mental health emergencies, despite that action being called for unanimously by all members of this House. This organization has proven to lack accountability. It regulates the telecoms and we know that Canadians pay some of the highest rates on the planet.

The questioning we did at the industry committee last summer of the CRTC, that I was part of at the time, on the Rogers' outage was like we were questioning a telecom executive and not an executive of the regulator.

The CRTC's expertise is primarily regulating radio waves, television feeds and advertising. If this bill passes, it would also be tasked with regulating user-content generating websites, like YouTube, where users upload hundreds of thousands of hours of video content every minute but even assuming they could do it, the federal government should not be policing what will be defined as Canadian content when using social or digital media platforms.

Canadians are right to question an organization having the power to censor or impose what content will be prioritized for Canadians to see online.

Here is the most concerning part: The criteria will come later and we have no idea what the criteria will be. We are just to trust the Liberals.

A free and open Internet is the gold standard of open, democratic nations around the world. The bottom line is that what we will search for and see online will be different after the CRTC puts in place its regulations, which will change online algorithms.

The former vice-chair of the CRTC, Peter Menzies, has come out strong, all along the way of this legislation. Of this legislation from the past Parliament, to which there really are few changes in the new legislation, he said, “Overall, it ensures that going forward all Canadians communicating over the internet will do so under the guise of the state.”

Then, in November 2022, Mr. Menzies stated, “If Bill C-11 passes and Internet regulation falls into political hands, Canadians will regret it for the rest of their lives.”

Many of the very people the Liberals say Bill C-11 would help do not even want it. There was extensive testimony, at both House of Commons and Senate committees, by content creators, digital experts and professors. Without Bill C-11, Canadian artists are succeeding in making their full-time livings producing content on digital platforms with the support of fellow Canadians and viewers from around the world, receiving billions of views.

Canadian social media stars bringing their concerns to the federal government about their content being hidden because of Bill C-11's regulations found themselves ignored. Over 40,000 content creators affiliated with Digital First Canada called for the discoverability rules in Bill C-11 to be removed. The government is not listening to all of these voices.

What is discoverability? It really is about, when one searches online, what comes to the top based on what one is asking about and what one's interests are. This legislation would change discoverability, because the CRTC would come up with criteria that would rise to the top.

The Liberals have refused every offer of good faith regarding Bill C-11, not just from regular Canadians but also from the government's appointed senators. Most of the senators are independent who sent an unusually high number of amendments, after months of study, back to the House of Commons.

The minister responsible made it clear he was rejecting all amendments that attempted to restrict the powers he sought for himself and the CRTC.

Once again, this has never been about good legislation, better regulation or updating our laws. It is about control for the Liberal government.

Some Canadians have already gotten a sneak preview of what life with Bill C-11 might be like. Recently, Google announced that, because of another overreaching online law, Bill C-18, it started a test run to temporarily limit access to news content, including Canadian news content, for some Canadian users of Google.

This was not an outright ban. However, people were searching and not seeing what they did before, and that is my point here. Censorship by big government or big tech has the same results.

When I debated the government's original version of this bill in the previous Parliament, I said that Canadians did not want this deeply flawed legislation that would limit speech and online viewing.

The number has changed from Bill C-10 to Bill C-11. Sadly, everything else has stayed the same, with some minor amendments from the Senate. The most important Senate amendments have been rejected by the government.

Canadians still do not want it, but the Liberals and their coalition partners insist on passing it. It is time for a government that protects consumer choice and encourages Canadian creators instead of getting in their way.

[Dave Epp, Conservative, Chatham-Kent—Leamington, ON]

Madam Speaker, and be heard, as the member aptly interjected.

This includes those who upload content to social media platforms and other digital platforms. They expect to be just as visible as their neighbours, regardless of how Canadian the CRTC thinks their content is.

Even with the amendments put forward by the senate, Bill C-11 remains a misguided and deeply flawed piece of legislation. It is one that ironically does not reflect Canadian values and the realities of digital content creation. Canadians are rightly concerned about the infringement on their freedom of speech and the implications of possible government overreach that this bill, like Bill C-10 before it, could have on them, on the freedom of speech and on the freedom to be heard.

The government does not trust Canadians with freedom.

If ensuring citizens were accessing local content online was truly a pressing issue, would we not see other governments around the world enacting similar legislation? We have heard the criticism of comparing the bill to other authoritarian states, but when it comes to online censorship or the possibility of it, that is exactly where this potential legislation can go. These are not countries that we want to emulate.

Initially, the government put forward, in clause 7, unprecedented power of the government over the CRTC. The Senate rejected this amendment and, fortunately, in the light of day, the government accepted that rejection. Many stakeholders were concerned about the amount of regulatory authority this would give the government over communications in Canada.

It is difficult to imagine how the government could put forward legislation with so many unintended side effects and areas of ambiguity. It has led many to speculate that the so-called side effects were actually the true intention of the bill. I must admit, I do not blame them for entertaining such thoughts. The alternative seems to be that so little thought was put into a bill of such consequence that they did not realize the impact it would have on Canadian creators and Canadian internet users.

We are seeing a large number of Canadians, both content creators and consumers, expressing serious and valid concerns about the way their government is handling their livelihoods and entertainment. Under Bill C-10, the attempt by the Liberal government to regulate the Internet and limit Canadians' free speech and free hearing was unacceptable, and it is still unacceptable in its current form under Bill C-11.

The number of jobs created by content creators who have enough audience to monetize their channels, like YouTube, in Canada is estimated at about 28,000 full-time jobs. Instead of hindering this type of digital-first Canadian content creation, we should be supporting it. The best way to ensure Canadian content is allowed to thrive is by empowering our creators and not limiting them.

We must not only support our Canadian artists but also pave the way for the next generations' success. We have an obligation to ensure that new bills do not hinder the creativity and the individuality of our creators so that innovation can be fostered. This country has a wealth of venues where inventive ideas emerge daily, and it is in our best interests to help our creators export their talent around the world.

As Conservatives, we will always support Canadian creators, artists and broadcasters by protecting their rights and freedoms. Bill C-11 remains an unacceptable attack on those freedoms, as it provides both the CRTC and the government with unprecedented control over online content.

This is a misguided piece of legislation that will see the potential end of free speech and free hearing for Canadians online. Why does this government not trust Canadians with freedom?

[Dan Mazier, Conservative, Dauphin—Swan River—Neepawa, MB]

Madam Speaker, if we want to talk about the bill in particular, let us get to what we are supposed to be debating tonight.

On Bill C-10, there was a portion in there that had an exemption for programs and that users could upload on social media. In other words, there was an exemption for user-generated content. I do not know if the member is actually familiar with that term.

In Bill C-11, they put the exemption back in. What clause was that? Moreover, in what clause did they actually put an exemption on the exemption?

If the member knows the bill that well, why did they put that exemption on an exemption and what clause was it?

[Alexandre Boulerice, NDP, Rosemont—La Petite-Patrie, QC]

Madam Speaker, I thank my Green Party colleague for her question. I think it is an important one.

If we are being realistic, the Conservatives are using scare tactics for political fundraising purposes. That is what we are seeing. They are doing this for purely partisan reasons, to collect data, collect money and fill the Conservative Party coffers. They are spreading misinformation and worrying people for nothing.

In my opinion, the Conservatives are demonstrating a distinct lack of sensitivity when it comes to culture, the cultural sector and artists, when all of the artists' associations in Quebec and Canada strongly support Bill C-11, formerly Bill C-10, and think it is absolutely necessary for their future and our future as a cultural nation.

[Alexandre Boulerice, NDP, Rosemont—La Petite-Patrie, QC]

Mr. Speaker, I want to let you know, in a very polite way, that I will be sharing my time with my very hon. colleague from New Westminster—Burnaby, who has some very important things to tell us and all Canadians.

Before I get to the heart of the matter, I will say that I have been listening to my colleagues from the Conservative Party for a few hours now and I am seeing things that are rather fascinating and disturbing.

The first thing I find fascinating is their insistence on quoting Margaret Atwood. I would just like to remind my Conservative colleagues that Margaret Atwood is a great defender of women's rights, including the right to abortion. If they are fans of Margaret Atwood, I hope to hear them quote her soon to defend a woman's right to abortion. I am sure that they watched the series The Handmaid's Tale and they were able to learn a few lessons.

The second person they are quoting, and I think that is amazing, is George Orwell. I would just like to remind my Conservative colleagues that George Orwell was a socialist who fought in Great Britain and went to Spain to fight with the republicans against the fascists. I hope to hear them quote George Orwell often in the weeks and months to come, maybe even during the election campaign. I have some quotes for them, free of charge, if they want. It would be my pleasure.

We are talking about something that is very important for Quebec, Canada, all our regions and our communities, but also first nations: the cultural sector. It is really important for our identity, be it the Québécois nation, the Canadian nation, first nations, Métis, francophones outside Quebec, that we have the means and resources to be able to tell ourselves our own stories. It is important to have the resources to create our television programs, which describe what is happening in our communities, along with our challenges and hopes, and that we give this work to our local creators and artists who will work to be able to say, here is what is happening in Quebec, Ontario, the north, the Maritimes or British Columbia.

We have a system that was put in place years ago in which the government has a role to play in supporting our artists, creators, artisans and technicians, as does the private sector, which benefits from this cultural production. This production has value in its own right, intrinsic value, that makes us stand out from other countries and nations around the world and enables us to say that this is who we are, here are our ideals, here is what is happening in our country, here are our concerns and here are our expressions. I think it is essential to have the right legislative, regulatory and financial framework to keep that. We are also talking about thousands of jobs in almost every community across Canada, and it is extremely important to maintain this capacity to produce cultural content.

In the agreement created 30 years ago, those who supplied the pipeline needed content for it. They made money from this content. Therefore, they had to help finance the content. The cable companies at the time were the pipeline and were forced by the Broadcasting Act to contribute, in particular, to the Canada Media Fund, which helped produce Canadian television and film. This balance was a given and benefited everyone. Cable companies made a very good profit. They had certain obligations, but it made it possible to produce content in Canada, with Canadian artists who told Canadian stories. That was 30 years ago.

The problem is that cable companies are no longer the only ones in the picture. Digital broadcasters have arrived. When the act was written, the Internet did not exist.

This law must be modernized to ensure that these web giants, who are using a new medium, are also required to contribute to and support Quebec, Canadian and indigenous artists and creators.

Essentially, that is what Bill C‑11 is about. We keep saying this over and over again, and I am going to say it again, despite the Conservative fearmongering. There is something I cannot understand: If Vidéotron, Bell, Shaw and Rogers must contribute to cultural production under the bill, why would YouTube, Google, Disney+, Netflix and Apple TV be excluded? These web giants have basically been given a tax gift for the past 10 years. They have basically been told that they have the right to profit from Canadian content and cultural production without having to participate in it. It is like giving them a giant tax break that is completely unfair and unjust. I find it absolutely fascinating that the Conservatives are now saying it is okay that Google, Apple TV and Netflix do not need to pay.

The Conservatives are defending big corporations, multinationals that are making tons of money off Quebec and Canadian consumers. The Conservatives are lining up behind these web giants and these big corporations. That is what they are doing right now, using completely false pretences to scare people.

When it comes to Bill C‑10 and Bill C‑11, it feels like every day is Halloween for the Conservatives. They wake up every morning and think of ways to scare Canadians. They use emotionally charged words like “dictatorship”, “censorship” and “totalitarianism”. Wow. I have to wonder whether those folks have ever even seen a CRTC decision. That is not exactly what is going on. These decisions have actually been used to promote local cultural creations. I do not see how we are becoming like North Korea because we want to promote our television programs, our films, our artists, our singers. No one is being forced to watch or listen to anything. If someone is not interested, they can simply turn off their TV, radio, iPhone or iPad screen.

Give me a break. This fearmongering is an attempt to convince people that the federal government is suddenly going to decide what Canadians will see. That is ridiculous.

A couple of weeks ago the leader of the official opposition called the CRTC a woke organization. I could not believe it. Anything the Conservatives do not like they call “woke”. I attended CRTC hearings in a previous life, and I can say that CRTC officials are quite beige. It is a pretty square organization. They are talking nonsense on the Conservative side.

I believe that the CRTC has made good and bad decisions. There are reasons to criticize this organization, but it is a bit of a stretch to call it a far-left organization. Words have meaning, after all, and we need to be careful.

We recently celebrated the International Day of La Francophonie. One of the themes of the Organisation internationale de la Francophonie is discoverability of works. We must be able to ensure that people can find songs, works, broadcasts and movies in French on Netflix. Everyone celebrated the Francophonie in the House, but when Bill C‑11 is being studied, the Conservatives forget all that. It is no longer important now.

The NDP put in the work and improved Bill C‑11 to ensure that French-language works are more readily accessible and also to provide more support for first nation and Inuit cultural productions and for community organizations that make content and news.

I realize that Bill C‑11 may not be perfect. However, this bill has all the provisions needed to guarantee freedom of expression and to support our culture, artists and artisans. That is why the NDP is proud to support it.

[Blaine Calkins, Conservative, Red Deer—Lacombe, AB]

Mr. Speaker, it is a pleasure to rise today and speak on behalf of the constituents of Red Deer—Lacombe about an issue that I am hearing quite a bit about. Before I go any further, I will note that I am splitting my time with my friend from Dauphin—Swan River—Neepawa.

Bill C-11, the online streaming act, and in the previous Parliament Bill C-10, is causing a lot of concern and a lot of debate here in Canada. We are not debating the bill per se anymore in the sense that it has been returned to this place. This does not happen very often. Those who are still able to freely watch this at home need to understand that it is very rare for the Senate of Canada to return a piece of legislation to the House of Commons, because normally MPs do their due diligence in the legislative process here. It goes through committees, where we hear from witnesses and hear from experts, and we can generally amend legislation in the House of Commons. I am not saying it ever goes to the Senate in perfect format, but if we are actually doing our job here, the Senate would have very few recommendations or changes to propose for a piece of legislation.

That is not the case with this particular piece of legislation. I believe there were 26 or 29 amendments made by the Senate. I can tell members how many Conservative senators there are in the Senate. I think there are 15, so that tells us that the vast majority of senators in the Senate are not in the Conservative caucus. However, that Senate, by a majority vote, decided to report the bill back to the House of Commons with well over 20 amendments, some of which the government has decided to accept. They are largely the innocuous ones. The important ones, dealing with what people can freely say online, what constitutes Canadian content and what the government and the CRTC can regulate, have not been accepted by the government, so we are in this debate now, in this standoff.

I want to be fair to the government in my analysis of the legislation, so I want to talk about the correspondence I have gotten in my office from Canadians and from my constituents in regard to the bill. We know how it is when we go to a convention. There is the “yes” microphone and the “no” microphone, with people speaking in favour of something and people speaking against something, so in fairness to the government, I will talk about the correspondence I have received that have a positive view on Bill C-11.

Now that that is out of the way, I am going to talk about all of the negative things we are hearing from constituents. Not since the proposals on firearms have I had this much uproar in my constituency. Actually, I have not had this much uproar since back in 2017, when the previous finance minister, Bill Morneau, tried in the summertime to change the tax laws in this country, which created so much furor.

Not one person in my constituency has written into my office to says they agree with everything the government is doing on Bill C-11, and there are people in my constituency who use social media, watch Netflix and watch Disney+. They are those who have not cancelled Disney+ and saved themselves from financial ruin, according to the current finance minister. All kidding aside, they have not, and here is why: It is because they trust the people who are being very critical about this piece of legislation. They are largely objective people.

Margaret Atwood has said, “bureaucrats should not be telling creators what to write” and that bureaucrats should not be in charge of deciding what is Canadian. She has referred to all of this with two words that I think should make every member of this House stand still and think for a second: “creeping totalitarianism”. That is from Margaret Atwood, a voice of reason. Everybody around the world has read, understands or has access to some of the fine works of Margaret Atwood.

Senator Richards, who was appointed by the current Prime Minister and is himself a novelist, in his January speech in the Senate said that Bill C-11 is “censorship passing as national inclusion”. I hear this all the time. I do not know what my colleagues hear, but basically when we hear the government talk about inclusion, what it really means is that everybody who agrees with it is included and everybody who disagrees with it finds themselves on the outside looking in and feels like they are foreigners in their own country. Our country has never been more divided, and there has never been less trust in institutions. We only have to go back to a little over a year ago to see what the reaction has been to the divide-and-conquer approach the current Prime Minister and the government have taken.

Senator Richards goes on to say, “Cultural committees are based as much in bias and fear as in anything else. I’ve seen enough artistic committees to know that. That what George Orwell says we must resist is a prison of self-censorship.” This is Orwellian language being invoked by a Senate appointee of the current Prime Minister. He also said, “This law will be one of scapegoating all those who do not fit into what our bureaucrats think Canada should be.” That is what an intelligent, articulate senator, a novelist appointed to the Senate of Canada, is on the record as saying in a speech in the Senate.

It is shocking that we find ourselves here in this place reviewing this legislation again after everything we said when it was Bill C-10 and before Bill C-11 went to the Senate. It has now come back to us with the senators confirming all of our suspicions, all of our concerns and all of the problems we identified for the Canadian public.

Professor Michael Geist, who has been a perennial witness here, is one of the most learned people when it comes to free speech and all of the laws pertaining to it. He is the University of Ottawa's Canada research chair in Internet and e-commerce law. On digital content, he says, “Canada punches above its weight when it comes to the creation of this content, which is worth billions of revenue globally. We are talking about an enormous potential revenue loss for Canadian content producers.”

This is at a time when Canadians are having an increasingly difficult time making ends meet with inflation, the carbon tax, the cost of living and the cost of housing. Everything is going up in this country. If we go back to January, Jack Mintz wrote an article about this. In 2015, the cost of the federal government service was about $38 billion a year. Today, eight years later, the cost of public service salaries is $58 billion, an increase of $20 billion. It is an increase in the size of the federal public service in Canada of over 30%, so there are 30% more people working for the Government of Canada now than there were in 2015. Have things gotten better? Have people gotten their passports quicker? Are people getting across the border quicker? Are people getting anything done? Are any of the services needed by my fellow Canadians getting done in a quicker and more timely fashion? The answer is clearly no.

Why on earth, why in the name of everything that is good about the free country we live in, would we increase the size of the bureaucracy even more through the CRTC and give it the ability to do to the Internet what it has done to cable TV and radio? Canadians are no longer watching. They have tuned out. They have tuned out to the point where the government has had to spend $600 million just to prop up legacy media outlets because nobody is interested in their mandatory content.

Why do we not hear from them? We can hear from many people. I have been a member of Parliament here for 17 years, and I hear from people I disagree with all the time, but that does not make me a bitter or jaded person. It does not make the information I am hearing more or less valuable. We need to hear from everybody, and everybody should have the ability to say what they need to say. When they are not heard, when they feel like they are not being heard and when they feel like their government is working against them all the time, they start doing things they would normally not do. We saw that manifested on this Hill for three weeks last year. This is the kind of governance we are getting from the folks across the way.

The implementation of this bill is going to be a blunder. There is no reason for me to believe that increasing bureaucracy and the capacity of the CRTC is going to create a better outcome for the people of Canada than the current 30% massive increase in the size of the government we have already seen. On behalf of my constituents who have written me, I would urge the government to at least reconsider its position on the amendments and accept all of the amendments the Senate has proposed, because it would at least make a horrible bill somewhat more bearable.

[Tom Kmiec, Conservative, Calgary Shepard, AB]

Mr. Speaker, I am glad I caught your eye so I can speak to this piece of legislation. I know I started speaking on it, but I guess the government made a mistake in its original motion. I was so keen to make sure I was here to add my voice and the voices of my constituents on this.

Years ago, when this bill was known as Bill C-10, which then got converted to Bill C-11, I remember standing at a Calgary Stampede pancake breakfast in my riding in the community of Auburn Bay. The hosts served two to three thousand people that day. I stood at the front of the line, and before people got their pancakes, they had to interact with me.

I had a great many constituents tell me the number one issue they wanted to talk to me about was Bill C-11. I was floored that some of them knew the number for a piece of legislation. A lot of young people wanted to talk about it. What they knew was that Bill C-11 was coming through and would have an impact on free speech, and they did not like it. I asked them what they knew, and we had an exchange about it.

The majority of emails I get are in opposition to Bill C-11 and also in opposition to Bill C-21. I have had a handful, which I could literally count on one hand, of people who have had positive things to say about Bill C-11.

People are extremely upset with the government over the Senate amendments and which of the amendments it has chosen to proceed with and which it has not. One of the Senate amendments it rejected would have protected user-uploaded content.

As we know, with most user-uploaded content, there is a possibility for someone to make revenue from it when they have a channel. All of it is captured by these amendments that the government would be accepting in Bill C-11. Bill C-11 is still a deeply flawed piece of legislation.

Before I continue, I want to say that I am splitting my time with the member for Lakeland, who I am sure will do a terrific job speaking on behalf of her constituents as well.

I want to go through the legislation, specifically section 7, which I have the most concerns with.

In my home, my kids go on YouTube and streaming services exclusively. We do not have cable. There is no over-the-air TV like back in my day. When I say “back in my day”, I still remember when there were black and white channels.

In Communist Poland, there were only two channels we could get. They were both in black and white. The joke always was that the regime had set up a second channel to prove to people the first one was not that bad. I do not remember it, but the first time I got to watch TV in colour was when I came to Canada in 1985. It was a nice thing to see that colour TV was something we could get.

My kids do not have that experience at all. They go onto YouTube and I go onto YouTube as well. I am going to mention two particular channels I love, because they are by Canadian content creators who would be impacted by Bill C-11.

The first one is an Ontario channel called TheStraightPipes. It is two guys from Ontario who review cars. They just get vehicles and review them. They would have to go to the CRTC to get a licence that says the videos they post are Canadian content.

They are from Canada. They are Canadian content creators. Even when they travel to America, I still think of their videos as Canadian content. Would they be eligible for a licence for their Canadian and international audience to be able to look at their videos if they go to America and do them?

The second one I want to mention is my favourite, and I mentioned it earlier in the previous stage of debate on Bill C-11 It is Leroy and Leroy. If people are not on Instagram checking out these guys from Saskatchewan, they are missing out.

Leroy and Leroy is the funniest comedy channel about funny street signs all over Canada. I will always remember the one video they uploaded of a “no parking” sign on a straight road somewhere in Saskatchewan. I know it is really difficult to figure out one straight road from another in Saskatchewan. It is a rural road, there is a “no parking” sign and there is just nothing there that someone would be concerned about vehicles blocking.

I wonder whether they would have to keep reapplying to the CRTC as Canadian content creators. Are they Canadian enough? When they travel outside of Canada to do their comedy routine, would they be Canadian enough?

I have a Yiddish proverb. I always have a Yiddish proverb. I am going to butcher the pronunciation of it.

[Member spoke in Yiddish]

[English]

It means, “Truth has all the finest qualities, but it is shy.” I am glad we are having this debate this evening, because it is an opportunity for the shyness to come out and the truth to come out.

Many members on the opposite side do not like the fact that we call this a censorship bill. We say the CRTC is going to be able to control what people see and hear online, but that is what many of the witnesses have been saying.

Countless witnesses, professors and academics, people who have specialized in writing, including a constitutional lawyer who used to work for our justice department, have expressed concern over the content of the bill and how the bill is written. When there is a disagreement between experts and the common, everyday people who write to my inbox telling me they are upset with the contents of the bill, I am going to trust my constituents, the real experts when it comes to legislation before the House. They are the ones I represent here. They are the ones who are going to have to live with the decisions we are making and the types of legislation we are going to pass.

I am very concerned with section 7. It reads, “For greater certainty, an order may be made under subsection (1) with respect to orders made under subsection 9.1(1) or 11.1(2) or regulations made under subsection 10(1) or 11.1(1).”

We write these laws in this manner. I am not burdened with a legal education, thankfully, but I did go back to the Broadcasting Act to see under which sections the government would be able to direct things. This one would allow cabinet to issue, under the heading “Policy directions”, any of the objectives of the broadcasting policies set out in a different subsection, or any of the objectives of the regulatory policies set out in a different section. It starts by saying, “the Governor in Council may...issue to the Commission directions of general application on broad policy matters with respect to”, and then it goes into detail.

The next section I will talk about is licencing. Everything to do with licencing would be impacted as well, because the government would be able to direct the CRTC through a policy directive and tell it what to do. That is all in section 7. It goes on to talk about regulations generally, and we find that in many pieces of legislation.

For those constituents who are perhaps watching this and will use this as an explanation when I go through this, it goes from literally 10(1) all the way down from (a) to (k), and the government covers everything down to what respects the audit or examination of the records of licencees.

What does that mean? Is it that, if Leroy and Leroy gets a licence with the CRTC to prove its creators create Canadian content, the creators can be audited, such as with respect to how many videos they did in Canada versus not in Canada? If TheStraightPipes brings in an American vehicle, or a vehicle perhaps manufactured elsewhere, are the creators going to be audited on that?

The bill talks about distribution, mediation rules and respecting the carriage of any foreign or other programming services by distribution undertakings. What happens if TheStraightPipes decides to do a joint episode with an American channel? Does it need a special licence, a different licence, and have to pay a fee? Is it Canadian content enough?

All these broadcasting rules are being brought into the age of YouTube, and they do not really apply here where the cost of production is so low and so close to people. However, in the bill, there are things about advertising, Canadian programming and what constitutes Canadian programming, which is where this Canadian content comes in.

Again, there are a schedule of fees, performing of the licence and the undertakings, which are all being covered, and it starts with the policy directives that can be set by the Government of Canada. A lot of different groups have expressed concerns about it. Like I said, it is probably the number one issue emailed to me or in the phone calls I get in the office.

I talked about the Calgary Stampede pancake breakfast outside the Auburn Bay A&W, which was hosting it. The gentleman who runs it, Balwant, is a great community activist. He is always helping different charitable groups and supporting them.

There are a lot of groups and individuals who think this is bad legislation: Digital First Canada; OpenMedia; J.J. McCullough, who is an independent journalist but has his own YouTube channel as well; Justin Tomchuk, who is an independent filmmaker; and the Digital Media Association. The list goes on and on.

This piece of legislation is bad. It is about censorship, or it would give the opportunity for it, and if the government really meant for it not to be not to be known by that, it would have abandoned this piece of legislation. It would have gone back to the drafting process and drafted a better bill.

This entire situation could have been avoided. Motions were tabled that actually did not do what they were supposed to do, and then the government came back and tabled a different motion because it is just trying to ram the bill through the process, and that has not worked out for the government. I think there are way more Canadians who know about Bill C-11 and about the CRTC than ever before, and the vast majority of them in my riding are opposed to Bill C-11.

I am going to vote against Bill C-11. I will continue to advocate against it, because that is what my constituents want me to do. Hopefully, through this intervention here in the House of Commons, I have been able to demonstrate that the legislation, particularly section 7, and its amendments to the Broadcasting Act are completely on the wrong track. The government needs to kill Bill C-11.

[Martin Shields, Conservative, Bow River, AB]

Mr. Speaker, it is an interesting debate today, and I rise to speak on Bill C-11.

I was here for Bill C-10, which went on until the Liberals finally realized it was problematic, shipped it off to the Senate and called an election because they knew they had a bad piece of legislation.

The Internet is an interesting place, but the expression of opinions has been going on for a long time.

I do not know if anybody in this House has been to Speakers' Corner in Hyde Park, London. People can stand there and express any opinion they want. There are libel laws in the Criminal Code; we understand that. However, people can stand on that corner and express their viewpoints. There is no censorship and no control. If they attract an audience, the audience might like to listen. If they do not attract an audience, so be it, but they still have the opportunity to do that.

In 1989, the World Wide Web was introduced as a tool for communication and connection, for the free flow of information no matter where one was located. One did not have to be on Speakers' Corner but could be anywhere in the world. According to Tim Berners-Lee, who is credited with founding the Internet, the web was a universal linked information system that “evolved into a powerful ubiquitous tool because it was built on...principles and because thousands...have worked...to expand its capabilities based on those principles.” That is how the modern-day inventor of this particular tool stated it.

Since then, it has exploded. At least five billion people in the world are using it. I remember being on a corner in Beijing, China, and the street vendor selling a watermelon was using the Internet. It has exploded around the world. It can be used to shop, browse and communicate freely. It can be used for anything one wants at just about the click of a button. This is the power of the Internet.

The government wants Bill C-11 to level the playing field, but I do not think this is the leveller. Despite what the government says, Bill C-11 would change the way Canadians interact with the Internet, and I do not agree with the how. Bill C-11 flies directly in the face of the Internet Rights and Principles Coalition Charter. The charter talks about the right to network equality, “universal and open access to the Internet’s content, free from discriminatory prioritisation, filtering or traffic control on commercial, political or other grounds.” It talks about the right to accessibility and expression, “the right to seek, receive, and impart information freely on the Internet without censorship or other interference.”

However, the heritage minister has continued to stonewall against some of our concerns. As Conservatives brought forward amendments that people were sharing with us, the government did not accept them and then went to the Senate after ignoring the amendments we wanted to make. Unfortunately, Bill C-11 stands in the way of Canadian innovation and tells Canadian creators that their aspirations can only be achieved with the help of the government. There is a phrase: “I'm here to help you. I'm from the government.” In my world, I tell people to run now and run like hell. When somebody from the government says they are here to help, people should run.

For decades, the Canadian arts and cultural sectors have reached global audiences without government choosing the next success story. In my riding, as in many rural ridings, over 40% of the people do not have access to broadband. The Auditor General stated that less than 60% of rural Canadians have broadband access. Maybe that is what the Liberals should be working on, not controlling the Internet.

When there are people in Canada who do not even have reliable Internet, we should be looking at that. However, the crux of Bill C-11 culminates in what the government has been doing since it took office. It wants to spend, regulate and control more. Enter Bill C-10 and then Bill C-11 to mandate the CRTC to regulate the Internet.

I have been on the heritage committee for a long time. There was a report with a recommendation that people should only be board members on the CRTC if they lived in the 613 area code. That was the Yale report recommendation. I am not sure about the CRTC when people have to live in Ottawa to be on the board.

Often during committee we heard that the CRTC was the only organization capable of achieving such a wide regulatory order. This bill would lead to the addition of even more government employees and costs, which would be significant whether done in-house or contracted out. It would be a huge cost. Not only would the scope of the CRTC reach Canadian radio waves and TV screens, but now it would also reach the Internet.

In 1997, a former Liberal MP, the Hon. Roger Gallaway, said:

[T]he Internet is the system linking computers all over the world, allowing the free flow of information. Now the new chair of the CRTC...has stated that her commission intends to regulate the Internet to ensure adequate levels of Canadian content. If information is flowing freely how and why is [the commissioner} going to measure its Canadiana?

Rather than spend our money in such a fashion perhaps a suggestion of redirecting her cash to libraries, book publishing or literary programs would be infinitely more meaningful. Regulating the flow of information is in a historical sense an extraordinarily dangerous step. I would suggest that regulating the flow of information is in fact censorship.

As parliamentarians I suggest that we stop the CRTC's flight of fancy before it takes one further step.

Does it sound familiar? History repeats itself, this time at the behest of the government. In 1997, when the Internet was but a fraction of what it is today, the concerns of regulatory censorship in what is Canadian content was being raised by the Liberals.

More recently, Canadian writer-director Sarah Polley adapted a screenplay from a novel by Canadian author Miriam Toews. She won an Oscar for her film Women Talking. Will the CRTC acknowledge that this production qualifies as Canadian content? Whether productions have significant involvement by Canadians is not considered by the CRTC to qualify as Canadian content.

Turning Red is a Pixar film written and directed by a Canadian, set in Canada and with Canadian characters. Does it count? No, it does not; it is not Canadian. Under Bill C-11, that decision would fall to cabinet, its order in council, the governor. Yes, that is the one that says they are going to give the directions to the CRTC. I do not think any party should be making those decisions and directing the CRTC.

At least the previous Bill C-10, a bill that died in the last Parliament, included an explicit exemption for user-generated content. However, then the Liberals removed it from their own bill. Members of the government realized they would not be able to tighten the grip on Canadians' viewing habits should that exemption remain. Therefore, they tried again with Bill C-11 and told Canadians not to worry but to trust them. That is another phrase. It gets scary when somebody says, “Trust me”.

A careful examination revealed complicated ways in which they can still be regulated. The Senate introduced an amendment intended to explicitly rule out user-generated non-commercial content, but the government rejected that too. The Liberals rejected the Senate, Canadians and the exemption. That must say it all.

As Canadians' foremost expert on Internet and copyright law, Dr. Michael Geist said, “For months, [the Minister of Heritage] has said ‘platforms in, users out’.... We now know this was false. By rejecting the Senate amendment, the government’s real intent is clear: retain the power to regulate user content. Platforms in, user content in.”

If the CRTC is given this mandate, it may direct social media platforms and streaming services to develop the algorithms to favour and disfavour based on a certain criterion, but one we do not know. No one but the government knows. The screening occurs through discoverability. When one opens a browser on a platform, such as YouTube or Facebook, such results would be screened artificially based on a CRTC directive. This needs to stop.

[Kevin Waugh, Conservative, Saskatoon—Grasswood, SK]

Mr. Speaker, did the member for Nunavut know the indigenous met with the minister and stormed out of the office, they were so upset over the regulations on Bill C-11, even Bill C-10? The indigenous, the Inuit and others are not happy with what has transpired.

They do need their voice up north. If CBC was doing such a good job, we would probably not have needed APTN in this country. It is funny that APTN has taken over the voice of the indigenous people because the public broadcaster could not carry it. That has opened a window for those in Winnipeg and at APTN.