We could talk about 8-track cassettes too, because they are in vogue again, I believe.
We are talking about discoverability, but we can also talk about Canadian quotas. Do Canadian quotas apply to services like those provided by Spotify and others, even YouTube?
These days, discoverability can work with metadata and geolocation. I believe those two can go hand-in-hand and can offer Canadian content to Canadians. I think that, since the 1970s, it has been more or less Canadian cultural policy to provide Canadians with the works of Canadian artists.