Yes.
I just wanted to clarify something Rob was saying. I think there are a lot of things to be explored about the role of over-the-top services per se within the system. I also agree with Andy that, to a large extent, in terms of pure copyright, it's a matter of the contractual relationships they're entering into.
I know that a lot of Canadian producers are very happy with their relationships with Netflix, and that's to the consternation of some of the Canadian media companies that are competing for rights. I want to clarify, just for the record, that Shaw isn't a vertically integrated company when it comes to having media holdings, so I say that quite objectively. We have an affiliated company that's a separate, public company, which is Corus. We are a connectivity company.
Getting back to your question about whether or not there's a role for the intermediaries in supporting the artists or—I don't want to veer too far away here—Canadian content, I think from Shaw's perspective, it's very important to look at the genesis of the current exemptions in the common carrier idea that underlay ISPs. That was established, originally, in the Railway Act. That should continue, because we're trying to build out advanced networks across this country. Saddling ISPs with those sorts of support mechanisms for artists, in the context of either copyright or broadcasting, is something that Shaw wouldn't support.
