Evidence of meeting #129 for Industry, Science and Technology in the 42nd Parliament, 1st Session. (The original version is on Parliament’s site, as are the minutes.) The winning word was copyright.

A video is available from Parliament.

On the agenda

MPs speaking

Also speaking

Marie-Josée Dupré  Executive Director, Société professionnelle des auteurs et des compositeurs du Québec
Dan Albas  Central Okanagan—Similkameen—Nicola, CPC
Ann Mainville-Neeson  Vice-President, Broadcasting Policy and Regulatory Affairs, TELUS Communications Inc.
Hélène Messier  President and Chief Executive Officer, Association québécoise de la production médiatique
Marie-Christine Beaudry  Director, Legal and Business Affairs, Zone 3 , Association québécoise de la production médiatique
Gabriel Pelletier  President, Association des réalisateurs et réalisatrices du Québec
Mylène Cyr  Executive Director, Association des réalisateurs et réalisatrices du Québec
David de Burgh Graham  Laurentides—Labelle, Lib.
Michael Chong  Wellington—Halton Hills, CPC
Antoine Malek  Senior Regulatory Legal Counsel, TELUS Communications Inc.

4:45 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

No, I'm sure my producer receives some money—maybe not royalties, but....

4:45 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

If you're not given royalties, how are directors compensated?

4:45 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

We are paid a fee for our services originally, and we give out a licence for the original use of the film or television program. Then secondary use is where we have a problem getting paid.

An example is Xavier Dolan. If his film goes on television, he's not paid because he's represented by SACD. He's not paid as a director. He does—

4:45 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

What's an example of an original use and then a secondary use for television?

4:45 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

The original use would be in the theatres.

4:45 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

Okay.

4:45 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

Secondary uses are television or other platforms.

4:45 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

Then it would be basically like a book author: they get paid for the initial sale of the book, but if somebody sells it used, they're not getting paid for that.

4:45 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

Yes.

Directors whose works are sold outside the country—Xavier Dolan sells in France—get royalties.

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

But just not in Canada.

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

Not in Canada.

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

I'm aware that actors—

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

In his case, he gets royalties as a director and as a scriptwriter, because he does both.

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

I'm aware that in the United States, actors are paid something and they're not called royalties. They're called residuals, I believe.

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

I'm sorry; where?

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

An actor in the United States, for example, gets paid a residual.

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

Any time there's a rerun, they get a cheque in the mail.

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

Is that currently the case in Canada? Do actors receive residuals?

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

Yes, it's the same way. That's why in my films or television—because I have done television as well—the actors I direct all get

neighbouring rights.

They do get paid. I'm the only one who doesn't get paid for secondary use.

4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

The artists who make the cinematic soundtracks are also telling us that they're not getting any royalties.

4:50 p.m.

President, Association des réalisateurs et réalisatrices du Québec

Gabriel Pelletier

I'm not a musician, but they get reproduction rights and they do license their music to the director.

As I say, I'm paid for the original use for my services and the original licence, but it's collecting royalties for secondary uses that's a problem.

October 1st, 2018 / 4:50 p.m.

Conservative

Dane Lloyd Conservative Sturgeon River—Parkland, AB

Thank you. That's very illuminating.

My next questions are for Telus.

You're talking about PVRs. I've used a timed recording thing myself. I just want some clarification.

Every time an individual makes a recording, you maintain a copy of each individual's recording. What you would like this committee to recommend is that there would be just one recording that would be kept.

Is there a legal requirement that you are to keep every individual recording? Why should this committee recommend what you are asking?

4:50 p.m.

Vice-President, Broadcasting Policy and Regulatory Affairs, TELUS Communications Inc.

Ann Mainville-Neeson

Under the act presently, in order to avoid liability as a network provider, we would have to store an individual copy. For each person who records, we store that individual copy.

We're suggesting that's extremely inefficient, and it would require excessive duplication of memory storage, which ultimately is not conducive to additional innovation, because it's costly—