I'm going to start with the reversionary rights, if I may.
I think this is an interesting area and one that probably does deserve attention. Certainly it's something that can create a surprise in the market for people who have acquired rights and are not aware of the reversionary interest. I think one of the bigger concerns around this is precisely that it takes away, essentially, rights that people thought they had, and the people who have rights don't necessarily know that they have them.
Of course, it's different in the U.S., where it has to be actually triggered by an act of the party who is seeking to retain the rights. The other difference, of course, is that ours always happens after the death of the author and 25 years thereafter.
It's an interesting issue for me, because I can see certainly that there is a sense in which it might benefit artists and authors and allow them to essentially reclaim rights and better use and enjoy or share those works with the public than under the commercial assignments they may have entered into earlier on in their lifetime.
For me, the problem really is the timing of it, which is to say I think that if you were going to say it's going to benefit artists and authors, then it has to be something that happens when the artists and authors are alive, or else this will just be benefiting the heirs. We've seen that heirs can be some of the most ardent and strenuous asserters of copyright interests in a way that is not conducive to the further circulation of the work.