Copyright Modernization Act

An Act to amend the Copyright Act

This bill was last introduced in the 41st Parliament, 1st Session, which ended in September 2013.

Sponsor

Christian Paradis  Conservative

Status

This bill has received Royal Assent and is now law.

Summary

This is from the published bill. The Library of Parliament often publishes better independent summaries.

This enactment amends the Copyright Act to
(a) update the rights and protections of copyright owners to better address the challenges and opportunities of the Internet, so as to be in line with international standards;
(b) clarify Internet service providers’ liability and make the enabling of online copyright infringement itself an infringement of copyright;
(c) permit businesses, educators and libraries to make greater use of copyright material in digital form;
(d) allow educators and students to make greater use of copyright material;
(e) permit certain uses of copyright material by consumers;
(f) give photographers the same rights as other creators;
(g) ensure that it remains technologically neutral; and
(h) mandate its review by Parliament every five years.

Elsewhere

All sorts of information on this bill is available at LEGISinfo, an excellent resource from the Library of Parliament. You can also read the full text of the bill.

Votes

June 18, 2012 Passed That the Bill be now read a third time and do pass.
May 15, 2012 Passed That Bill C-11, An Act to amend the Copyright Act, as amended, be concurred in at report stage with further amendments.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 15 on page 54 the following: “(3) The Board may, on application, make an order ( a) excluding from the application of section 41.1 a technological protection measure that protects a work, a performer’s performance fixed in a sound recording or a sound recording, or classes of them, or any class of such technological protection measures, having regard to the factors set out in paragraph (2)(a); or ( b) requiring the owner of the copyright in a work, a performer’s performance fixed in a sound recording or a sound recording that is protected by a technological protection measure to provide access to the work, performer’s performance fixed in a sound recording or sound recording to persons who are entitled to the benefit of any limitation on the application of paragraph 41.1(1)(a). (4) Any order made under subsection (3) shall remain in effect for a period of five years unless ( a) the Governor in Council makes regulations varying the term of the order; or ( b) the Board, on application, orders the renewal of the order for an additional five years.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 11 on page 52 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 51 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 1 to 7 on page 51.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 24 to 33 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting line 37 on page 49 to line 3 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 17 to 29 on page 48.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 38 to 44 on page 47.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “(5) Paragraph (1)( a) does not apply to a qualified person who circumvents a technological protection measure on behalf of another person who is lawfully entitled to circumvent that technological protection measure. (6) Paragraphs (1)( b) and (c) do not apply to a person who provides a service to a qualified person or who manufactures, imports or provides a technology, device or component, for the purposes of enabling a qualified person to circumvent a technological protection measure in accordance with this Act. (7) A qualified person may only circumvent a technological protection measure under subsection (5) if ( a) the work or other subject-matter to which the technological protection measure is applied is not an infringing copy; and ( b) the qualified person informs the person on whose behalf the technological protection measure is circumvented that the work or other subject-matter is to be used solely for non-infringing purposes. (8) The Governor in Council may, for the purposes of this section, make regulations ( a) defining “qualified person”; ( b) prescribing the information to be recorded about any action taken under subsection (5) or (6) and the manner and form in which the information is to be kept; and ( c) prescribing the manner and form in which the conditions set out in subsection (7) are to be met.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) No one shall apply, or cause to be applied, a technological protection measure to a work or other subject-matter that is intended to be offered for use by members of the public by sale, rental or otherwise unless the work or other subject-matter is accompanied by a clearly visible notice indicating ( a) that a technological protection measure has been applied to the work; and ( b) the capabilities, compatibilities and limitations imposed by the technological protection measure, including, where applicable, but without limitation (i) any requirement that particular software must be installed, either automatically or with the user's consent, in order to access or use the work or other subject-matter, (ii) any requirement for authentication or authorization via a network service in order to access or use the work or other subject-matter, (iii) any known incompatibility with ordinary consumer devices that would reasonably be expected to operate with the work or other subject-matter, and (iv) any limits imposed by the technological protection measure on the ability to make use of the rights granted under section 29, 29.1, 29.2, 29.21, 29.22, 29.23 or 29.24; and ( c) contact information for technical support or consumer inquiries in relation to the technological protection measure. (2) The Governor in Council may make regulations prescribing the form and content of the notice referred to in subsection (1).”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) Paragraph 41.1(1)( a) does not apply to a person who has lawful authority to care for or supervise a minor and who circumvents a technological protection measure for the purpose of protecting the minor if ( a) the copy of the work or other subject-matter with regard to which the technological protection measure is applied is not an infringing copy; and ( b) the person has lawfully obtained the work, the performer’s performance fixed in a sound recording or the sound recording that is protected by the technological protection measure. (2) Paragraphs 41.1(1)( b) and (c) do not apply to a person who provides a service to a person referred to in subsection (1) or who manufactures, imports or provides a technology, device or component, for the purposes of enabling anyone to circumvent a technological protection measure in accordance with subsection (1). (3) A person acting in the circumstances referred to in subsection (1) is not entitled to benefit from the exception under that subsection if the person does an act that constitutes an infringement of copyright or contravenes any Act of Parliament or of the legislature of a province.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 21 to 40 on page 46.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 45 with the following: “measure for the purpose of an act that is an infringement of the copyright in the protected work.”
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 30 to 34 on page 20.
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 33 to 37 on page 19.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 62.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 49.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by deleting line 42 on page 23 to line 3 on page 24.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by replacing lines 23 to 29 on page 23 with the following: “paragraph (3)( a) to reproduce the lesson for non-infringing purposes.”
May 15, 2012 Failed That Bill C-11, in Clause 21, be amended by adding after line 13 on page 17 the following: “(2) The Governor in Council may make regulations defining “education” for the purposes of subsection (1).”
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 2.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 1.
May 15, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than one further sitting day shall be allotted to the consideration at report stage of the Bill and one sitting day shall be allotted to the consideration at third reading stage of the said Bill; and That, 15 minutes before the expiry of the time provided for Government Orders on the day allotted to the consideration at report stage and on the day allotted to the consideration at third reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and in turn every question necessary for the disposal of the stage of the Bill then under consideration shall be put forthwith and successively without further debate or amendment.
Feb. 13, 2012 Passed That the Bill be now read a second time and referred to a legislative committee.
Feb. 13, 2012 Passed That this question be now put.
Feb. 8, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than two further sitting days shall be allotted to the consideration at second reading stage of the Bill; and that, 15 minutes before the expiry of the time provided for Government Orders on the second day allotted to the consideration at second reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and, in turn, every question necessary for the disposal of the said stage of the Bill shall be put forthwith and successively, without further debate or amendment.
Nov. 28, 2011 Failed That the motion be amended by deleting all the words after the word “That” and substituting the following: “the House decline to give second reading to Bill C-11, An Act to amend the Copyright Act, because it fails to: ( a) uphold the rights of consumers to choose how to enjoy the content that they purchase through overly-restrictive digital lock provisions; (b) include a clear and strict test for “fair dealing” for education purposes; and (c) provide any transitional funding to help artists adapt to the loss of revenue streams that the Bill would cause”.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 5:45 p.m.
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NDP

Jonathan Genest-Jourdain NDP Manicouagan, QC

Mr. Speaker, I thank my colleague for his question. He will agree with me that social considerations carry very little weight on the other side of this House. This is a pattern that we are going to see in the coming years, namely that those who detain the monetary and economic power will always prevail over those who care about other considerations, whether environmental, cultural or social. The legislation before us today is no exception and it is a reflection of that pattern.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 5:45 p.m.
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Liberal

Kevin Lamoureux Liberal Winnipeg North, MB

Mr. Speaker, the member talked about aboriginal artists. Aboriginal artists and artists from all ethnic backgrounds have a great deal to contribute. Many of those contributions come from their heritage. It is one way we are able to benefit from the rich heritage of many of the communities that make up our beautiful country. I believe it is one of the reasons the government overlooks the importance of those artists. We should encourage that aspect of the industry. We can do a lot more in terms of supporting it.

Would the member give a general observation in terms of what he believes the impact of the bill would be on that industry? Also, would he agree that there is much more that we could be doing for that industry?

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 5:45 p.m.
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NDP

Jonathan Genest-Jourdain NDP Manicouagan, QC

Mr. Speaker, I thank the hon. member for his question. As regards communities, I am always going to refer to my own community, namely the Innu of Uashat Mak Mani-Utenam. One should realize that they are not at all familiar with the debates that are taking place in this House, particularly in the case of the current bill.

One should also realize that my community is very distrustful and rather reluctant to share its information and culture, for reasons that are now rather obvious. There have been problems like embezzlement and abuse, whether on a cultural or other level. So, it goes without saying that implementing the measures proposed in this legislation will not improve dialogue, and even less so the sharing because, ultimately, it is the industry that will hold the key and enjoy all the privileges. The artist as such will be pushed aside and will play a very minor role.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 5:45 p.m.
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NDP

Romeo Saganash NDP Abitibi—Baie-James—Nunavik—Eeyou, QC

Mr. Speaker, I would like to thank my colleague from Manicouagan for his excellent speech in this House.

My question is similar to the one asked by my colleague who spoke before me about the impact of the bill. The situation of aboriginal artists is quite unique. Does this bill take that into account, or have aboriginal artists again been forgotten in this bill to modernize the act?

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 5:50 p.m.
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NDP

Jonathan Genest-Jourdain NDP Manicouagan, QC

Mr. Speaker, I thank my colleague for his question. The text of the bill makes no mention of aboriginal people, contrary to the 2004 study, which was carried out by Parliament. It makes one wonder if people were paying attention. At the time, aboriginal groups pointed out what they needed and wanted. This bill, which updates the Copyright Act, clearly pays very little, if any, attention to the transmittal and protection of ancestral knowledge and the expression of oral culture. We all know that ours is a predominantly oral culture. It is marginalized, as it always has been.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 5:50 p.m.
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Liberal

Ted Hsu Liberal Kingston and the Islands, ON

Mr. Speaker, I will be sharing my time with the member for Westmount—Ville-Marie.

Copyright legislation, the issue of digital locks and Bill C-32 have accompanied me from the beginning of my political journey a couple of years ago.

I live in a riding that has a large population of post-secondary students, and when I said I was running for the nomination in the riding, many of them wanted to talk to me about Bill C-32 and the concerns they had over the digital lock provisions in that bill. These are students. These are text savvy people. Many of them are the next generation of artists and creators. The bill is important to me.

Copyright is at the heart of how our society treats creators, artists, musicians, and composers. It is very important that we recognize their contribution, that we value what they have created, and the value that it brings to our society.

My brother is one of these people. He is a musician. He is a jazz saxophonist. He teaches for a living. He plays. Sometimes he records. It matters to me a lot that our artists are treated fairly.

However, every time technology changes there is a need to modify copyright law. A very simple example of that is photocopying. When it becomes much easier to copy a book, we have to think about what that means for protecting written material. When it becomes very easy to copy music, we have to think about how to adjust our copyright laws. One thing that has happened in the past to deal with that adjustment is that a levy has been imposed on the sale of cassettes and CDs to compensate artists for the work they have done.

Now we are in an age where technology has changed again, very radically. I am sure that when I was a young person, nobody had on their desks all the things I have: a phone, a couple of computers, and so on. Technology is all around us and we can copy all sorts of digital material from one device to another.

It is very important that the legislation before us is technology neutral. Probably the best way to talk about technology as far as this legislation is concerned is just to ignore all the technology in front of us and just think about all the copies of digital materials in the cloud, on the Internet. We do not even have to think about the hardware in front of us.

It is important to have digital locks, since a lot of copyrighted material, material that is created by our artists, writers, musicians, is in the cloud, but we can improve this legislation as it pertains to digital locks.

The students I met with very early on in my political career were very quick to bring this to my attention, which is that digital locks should not trump the other rights that are being given to consumers in this legislation. Consumers should have the right to buy material and to copy it for their own use. Students should have the ability to have copies of materials so that they can learn.

A really good example of that is something my brother, the musician whom I want to get back to, related to me. I really did not appreciate it, but when he explained it to me, things suddenly became very clear. My brother says that the training, education of musicians today, as compared to, say, 20 years ago, is radically different. The reason why it is radically different is because young musicians today can listen to a lot more music than they could have 20 years ago, a lot more variations of music from around the world.

That is because of the Internet. Not only does the Internet allow a lot of different kinds of music and creative things to be brought to people, but a lot of creative people can communicate what they have created to others around the world through the Internet. This is a tool for the next generation of creators and artists and people who are creating.

This is really something special that has changed how artists, musicians and writers are being trained and educated. They are really able to immerse themselves in what is happening around them and what has been in the past as well.

I think it is very important that we take a bit of time. I hope this happens in committee, if the bill goes to committee. We must be more careful about defining fair dealing and education. I am not so sure what my brother related to me, this training of musicians which is not necessarily in schools and not necessarily in a formal setting, if that is something that would be properly considered in a definition of education.

As far as fair dealing is concerned, there are definitions that we could incorporate into the bill. The Supreme Court has made rulings about what fair dealing means in certain cases and has established certain criteria. These criteria could, I understand, be incorporated into the bill.

That is why in the recent amendment that has been brought forward by my party there are two provisions. One is to first of all uphold the rights of consumers to choose how they enjoy the content that they purchase, to avoid the overly restrictive digital lock provisions that would seem to take away the rights that are being granted consumers in this legislation, which does not make sense. The second is to take some time and write down a clear and strict test for fair dealing for education purposes.

There is a lot of controversy over this legislation. There are people for it and against it, and it is probably because, in my humble opinion, the legislation could be made clearer. Forgive me for throwing out this example, but I often find that in my experience as a scientist, if people disagree about something we should really sit down and look at the numbers and write down the equations, put everything on the table and define the terms more carefully. Often, in the field of science and research a lot of disagreements melt away when definitions are made precise and people look at actual numbers and hard data.

It makes sense to me, from my experience, that if we were to take some time and write down clear definitions of fair dealing and education in the exceptions to the copyright protections in the legislation that we could probably resolve some of the controversy around the legislation.

The third provision in the reasoned amendment is that there are certain streams of revenue that will be affected by this copyright legislation. We should take some time and think about how the streams of revenue will be affected and think about providing transitional funding for artists who adapt to the changes and the loss of some revenue streams that would be caused by the bill.

These are the reasons why the provisions in the reasoned amendment make sense to me. That is why my party and I are supporting this reasoned amendment.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6 p.m.
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Edmonton—Mill Woods—Beaumont Alberta

Conservative

Mike Lake ConservativeParliamentary Secretary to the Minister of Industry

Mr. Speaker, I find the hon. member's proposal kind of interesting. He talks about the amendment like it is just a simple amendment to a bill. This is of course a bill that has been consulted on probably more than just about any bill that I have seen in six years here. There have been thousands and thousands of submissions, 39 hours of committee testimony, and the Liberals today have introduced an amendment that the House decline to give second reading to the bill.

It is not an amendment to make changes to the bill, just an amendment to wipe out the bill altogether, instead of going through the process of continuing the committee hearings that we have had, and hearing from witnesses that have not had a chance to appear yet. The Liberals would just wipe out the 12 years, I think it has been, of consultation on the bill and four different iterations of the bill to this point.

In the interests of co-operating, why would the Liberal Party not just bring forward suggestions for amendments according to the regular process, get those to the committee stage, and put ideas on the table there as opposed to wiping out the bill here today?

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6 p.m.
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Liberal

Ted Hsu Liberal Kingston and the Islands, ON

Mr. Speaker, I assure the member that Liberals will be proposing amendments. If we wanted to jettison this bill, we would have proposed a hoist motion. The reasoned amendment allows us to specify the reasons why we oppose this bill going to second reading and they are very clear. I read them out before and will not read them again. They explain what is wrong and the sorts of amendments that should be made.

The member talked about all of the testimony that was given. Why did the Conservative government not look at all of that testimony and maybe make a few changes between the legislation that appeared in the last Parliament and Bill C-11 that is before us today? There were no changes made, so I do not believe the government has really paid attention to all of that testimony.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6 p.m.
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NDP

Don Davies NDP Vancouver Kingsway, BC

Mr. Speaker, I have received a lot of correspondence from constituents about Bill C-11. I received an email from a constituent named Mark Burge, who said what I thought was very thoughtful. He said, “A solution to Bill C-11's contentious core problem and the means to avoid the unintended consequences generated by the broad protection for digital locks is to amend the Bill to permit the circumvention of digital locks when done for lawful purposes. This approach is compliant with the WIPO Internet Treaties, provides legal protection for digital locks, and maintains a much better copyright balance--”.

He urges the House to either add an infringing purpose requirement to the prohibition of circumvention or add an exception to the legislation to address circumvention for lawful purposes. Mr. Burge believes that in addition to linking the prohibition of circumvention to the act of infringement, it is paramount for consumers to have commercial access to the tools required to facilitate such lawful acts.

I am wondering if my hon. colleague would care to comment on what I think are some very thoughtful suggestions from someone who clearly has studied this issue in my riding.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6 p.m.
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Liberal

Ted Hsu Liberal Kingston and the Islands, ON

Mr. Speaker, I thank the member for his comments, which accord very much with what I have been hearing from my constituents, many of whom understand the need for digital locks but also concede that the digital lock provisions are too stringent. They go beyond the need to protect lawful uses of material. It makes a lot of sense and I hope the member and his party will propose those amendments in committee.

The House resumed consideration of the motion that Bill C-11, An Act to amend the Copyright Act, be read the second time and referred to a committee, and of the amendment.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6:15 p.m.
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Liberal

Marc Garneau Liberal Westmount—Ville-Marie, QC

Mr. Speaker, I am pleased to rise and speak to this extremely important copyright bill. When I was the science and technology critic before the last election, I had the pleasure of sitting on the committee that addressed this extremely important issue which, as we know, goes back a long way.

Canada, of course, signed on to the WIPO treaty back in the 1990s. We all know that it has been a long tortuous road with respect to modernizing our copyright bill. We in the Liberal Party attempted to do so; unfortunately, with changes in government and other things, it did not happen, so here we are today with Bill C-11.

I participated in a legislative committee before the election when the bill was known as Bill C-32. As has been pointed out many times today already, there is no change in the wording of Bill C-11 versus Bill C-32.

This is surprising to me. In reality we listened to a very large number of witnesses from many different fields. They represented what I would call the three main stakeholders: industry, the producers of video games, movies, music sets, electronic books and those kinds of things; consumers, all of us who buy these copyrighted materials; and finally the third group, the artists. There are a great many artists who are ultimately the producers of the works that we buy.

We heard from a large number of these people, and from other groups in the education field, as well as librarians, photographers and a great many people who have an interest in modernizing the copyright law.

When we finally saw Bill C-11 as it was presented just recently, we discovered, as I said, that there had been no changes whatsoever to it, yet there were some very compelling testimonies presented by the witnesses who appeared earlier this year. Personally I would have thought, and I had hoped, that the version we would be dealing with today would have had some changes put into it.

In relation to many areas that needed to be modernized under copyright, I would say this is a good bill, and the Liberal Party is ready to support those aspects. However, there are also a number of areas on which we feel the points brought up by witnesses were valid. We feel there should have been consideration given to changing it to make it a more balanced copyright bill. Unfortunately, that did not happen.

I have to say that the thought went through my mind as to whether there had been any intention to listen to any of the witnesses who had appeared. So far, on face value, I would have to say no, because nothing has actually changed between Bill C-32 and Bill C-11.

Although we will be going to committee with Bill C-11, my question is this: are we going to end up with exactly the same bill at the end of that process, or is the government really willing to actually listen to some of the inputs? That is my concern.

This morning the heritage minister said that they did not change anything in Bill C-32 when they made it Bill C-11 out of respect for all those witnesses.

Now, there are two ways to take that, and I am not quite sure what he meant. One possibility is that the Conservatives have stored up the witnesses' input and at the end of the process will make changes. The other is that they are really telling us that we will go through this charade for whatever amount of time Bill C-11 will be debated in committee and otherwise, but will end up with exactly the same bill that was presented a while ago. We therefore introduced an amendment this morning.

As I have said, there are a lot of good things in Bill C-11 that we fully support. For example, I come from a riding where there is a major video game presence. It is a large industry. Canada is a leader in this area, and I support the desire and the need to protect against piracy. That is very important for Canada. That is an example of something we support entirely.

We also have no problem with certain other things, such as some of the fair dealing provisions that would deal with parody and satire.

However, there are other areas where valid points have been brought up. The first one, of course, has to do with digital locks.

Our point of view in the Liberal Party is that if people buy a copyrighted product such as a piece of music, a video, or an electronic book, download it and pay for it legitimately, then they have bought the right to that product. If they choose to transfer it to another device, again for their personal enjoyment and for a non-infringing personal purpose, then we do not believe they should be forbidden from doing that, even if it has a digital lock on it. That is fundamental in our position. It is because those people have paid for the product, and it remains a product that they want to use for personal purposes.

The argument presented by the minister of heritage is that if it has a lock on it and the buyers intend to transfer it, they have a choice of either breaking the law or not buying the product. We do not think that is the way we should approach this particular issue of digital locks, nor do the majority of Canadians.

The second thing has to do with fair dealing and the definition of fair dealing. As members know, “fair dealing” is defined under a number of criteria in the Berne Convention. The particular issue that was probably the most contentious was bringing education under fair dealing. When that happened, we in the Liberal Party and a lot of the witnesses asked for a definition of “education” under “fair dealing”. In fact, we proposed, constructively, to codify a number of criteria established by the Supreme Court that would establish whether fair dealing had been infringed because, as members know, if people feel that fair dealing has been infringed, the onus is on them to get themselves a lawyer and say that there was an infringement of the fair dealing with respect to the use of their copyrighted material.

A number of criteria were proposed by the Supreme Court. We believe these are good criteria and that they should be codified. We made that suggestion during the hearings for Bill C-32; a lot of the suggestions were listened to and a lot of people mentioned this same idea, yet we do not find it in Bill C-11. That is something else we find very preoccupying.

Finally, there is the issue of transitional funding to help artists, particularly if we look at an example like the music industry. In relation to this industry, we recognized a number of years ago that artists should be compensated when their music is copied. As members know, we established a levy on CDs and cassettes, and for a while this gave a very good compensation. It got up to about $28 million annually. An organization responsible for sharing that money out among artists did so, and that was accepted by the artists.

Of course, CDs and tapes are not used very much today for recording musical works, so we suggested that an alternative should be put in place, and we still believe it is important to address the requirement for fair compensation for artists who produce works and whose works are copied to other media.

That is the why we proposed this reasoned amendment today. We hope that the Conservative government, as it listens to the debate here and as it goes to committee, is sincere in paying attention to what witnesses say and to all the written submissions.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6:25 p.m.
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NDP

Alain Giguère NDP Marc-Aurèle-Fortin, QC

Madam Speaker, my question is for the distinguished hon. member for Westmount—Ville-Marie, who seems to find some positive aspects in this bill. However, if he thinks they are positive, how does he explain that this copyright bill is being unanimously rejected by creators and is not getting any support from arts groups and organizations? How can we interpret this move by the government, which claims to be a true defender of culture? How can you claim to defend culture when every creative artist rejects this legislation?

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6:25 p.m.
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Liberal

Marc Garneau Liberal Westmount—Ville-Marie, QC

Madam Speaker, I want to thank the hon. member for the question.

Indeed, among the key people affected by this issue, it is true that creators are getting the short end of the stick. I agree. We in the Liberal Party have worked on that. We have even proposed creating a fund to ensure that our musical artists are adequately compensated for works that are copied. We have shown through this example that we were prepared to make special efforts and create a special fund to compensate our artists. We met with them. We proposed changes. I think the approach we took with the artists was constructive and tried to recognize that they are getting shortchanged in this bill as it is currently worded.

Copyright Modernization ActGovernment Orders

October 18th, 2011 / 6:25 p.m.
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Edmonton—Mill Woods—Beaumont Alberta

Conservative

Mike Lake ConservativeParliamentary Secretary to the Minister of Industry

Madam Speaker, I listened with interest as the hon. member talked about amendments that the Liberals had moved to the bill. The Liberals did not actually move any amendments, plural; they moved one amendment to the bill, and that amendment basically wipes out the bill. It is an amendment to wipe out the bill.

Of course, we have 12 years invested in this bill, as I mentioned earlier to his colleague on a question. We have seen four different versions of it. As was explained earlier today, we moved the same version that we had spent a lot of time on as colleagues. We spent time on the same committee last time discussing this bill. We heard the same testimony from literally dozens and dozens of witnesses in over 39 hours of committee testimony.

I do not really have a question. It is more of a comment. If we are actually going to be able to move forward, if we are actually going to respect the process and the dozens of witnesses who came forward to say how important it is for us to pass legislation, perhaps we can work more co-operatively than just moving an amendment to wipe out all the work--