Bill C-11 (Historical)

Copyright Modernization Act

An Act to amend the Copyright Act

This enactment amends the Copyright Act to
(a) update the rights and protections of copyright owners to better address the challenges and opportunities of the Internet, so as to be in line with international standards;
(b) clarify Internet service providers’ liability and make the enabling of online copyright infringement itself an infringement of copyright;
(c) permit businesses, educators and libraries to make greater use of copyright material in digital form;
(d) allow educators and students to make greater use of copyright material;
(e) permit certain uses of copyright material by consumers;
(f) give photographers the same rights as other creators;
(g) ensure that it remains technologically neutral; and
(h) mandate its review by Parliament every five years.

Copyright Modernization Act

[Jay Aspin, Conservative, Nipissing—Timiskaming, ON]

Mr. Speaker, this legislation, through Bill C-32 and now Bill C-11, has had 150 submissions from stakeholders. We have heard from over 70 organizations. We have studied this thing to death and it is time to move on. It is time for the opposition to stop the delaying tactics and get this bill into legislation.

[Jay Aspin, Conservative, Nipissing—Timiskaming, ON]

Mr. Speaker, every day the NDP delayed, another day went by without a modern, flexible copyright regime to help spur on our digital economy. When it comes down to it, that is what this bill is all about, how rights holders and consumers interact with the digital economy.

We know after listening to witnesses at committee stage on both Bill C-11 and Bill C-32 that this bill will create jobs and support the growth of Canadian businesses in a digital online environment. It will promote creativity and innovation, give Canadian creators the tools they need to combat piracy and better enable consumers and users to participate in a digital age. It is about ensuring that artists can profit from their work in the way that they choose. At the same time it ensures that consumers have access to the latest in creative content on the latest technologies in a way that makes sense.

We believe the bill is sensible. We believe that it is a balance. We believe it is time to pass this legislation once and for all, for the sake of consumers, artists, the entertainment industry and the Canadian economy as a whole.

[Jay Aspin, Conservative, Nipissing—Timiskaming, ON]

Mr. Speaker, I appreciate the opportunity to take part in today's debate on Bill C-11, the copyright modernization act.

I will say at the outset that I support this bill. It is the exact bill that was tabled in the last Parliament as Bill C-32, which reached the committee stage prior to the election last year. It is the exact bill that groups were calling to be passed more than a year ago.

It is the culmination of one of the most extensive consultations that any bill has undergone. More than 9,000 Canadian citizens and organizations have provided their thoughts regarding what a balanced copyright bill should look like. It is from that exercise that we arrived at the balance which we have today. It is a balance with which not everyone is 100% content, but everyone can agree that they have some specific measure that they called for. Canadians can also agree that what we have in this bill, especially with the amendments arrived at during committee stage, is in the right ballpark of what balanced copyright law should look like. It is a hard-won balance, the result of principled compromise, and one which the government is proud of.

Across the way, the opposition parties have talked about this balance in two separate, almost disjointed ways. On one hand, they pit artists against consumers and then they turn around and favour consumers over artists, all the while ignoring the need to ensure compromise.

Over here, we realize that this compromise is necessary because consumers and artists are two sides of the same coin. If artists do not trust the rules that protect their rights and govern Canada's digital economy, they will be reluctant to produce their content here. The government and members of Parliament have heard that time and time again. We have also heard that if consumers are unable to enjoy and use that content in legal ways that make sense to them, there will not be a market for the artists' work. That is why we have created a bill that strikes the right balance between the needs of consumers and users, while at the same time making strong exemptions for educational purposes, or fair dealing.

Given this, the bill is an important stepping stone to the establishment of a strong framework in which Canada's digital economy can thrive. We know that the economy is changing significantly. What we do with smart phones, tablets and computers has taken our economy in a new direction. Artists and rights holders are using the digital economy not only to create new markets, but also to create hundreds of thousands of jobs for Canadians. Those benefits are reflected in the raft of groups that are supportive of this legislation, namely, the Canadian Chamber of Commerce, the Entertainment Software Association of Canada, the Business Coalition for Balanced Copyright, the Canadian Anti-Counterfeiting Network, the Canadian Intellectual Property Council, and the Canadian National Institute for the Blind. I could go on, but I think the point is clear. This bill has wide-ranging support from those who see it as a key platform in the growth of the digital economy and the creation of knowledge economy employment.

I must say that in listening to the opposition members, it is as though they have forgotten the process by which we have arrived here. I have listened with interest to today's debate and it is eerily reminiscent of the budget debate.

In the budget, for example, we on the government side are putting forth a plan on how to sustain Canada's economic health in a time of global economic uncertainty and the opposition is dreaming up new ways to stop our economic growth right in its tracks. We are providing for new, reasonable and economically viable ways to help grow our economy, whether it is through investment in our knowledge economy, sensible changes to the Investment Canada Act, or opening up our telecom sector to increased foreign investment. Like copyright reform, these measures are important for the advancement of Canada's digital economy. The Minister of Industry's telecom announcement will mean great things for the advancement of a rural digital economy in ridings such as my own, as we saw that rural deployment is a strong focus of his. However, the opposition says no to these investments and no to changes that will create jobs and investment right here at home.

In the budget implementation bill, we have proposed practical changes to create a reasonable timeline for environmental reviews while creating stronger environmental laws. We know that in the next 10 years more than 500 projects representing --

[Scott Simms, Liberal, Bonavista—Gander—Grand Falls—Windsor, NL]

Mr. Speaker, this legislation is now at report stage after years of debate. One of the things that we keep saying about this copyright bill and its predecessors, in the form of Bill C-32 and before that in 2004-05, is that times change. Technology changes swiftly. The first time I spoke about this legislation in the House was in 2005 when Twitter and Facebook did not exist. They were not part of the popular culture by any stretch.

As a result of technology changing all the time, we find ourselves in a position where sometimes the argument varies. We have been debating this issue for 10 or 15 years. The last time amendments were made was in 1997. Because of the shifting sands and the scope of the argument that we are making, we should be debating this quite often. The debate today will take a different form than what it would have been five or six years ago.

Modernizing the Copyright Act should stand the test of time. It is essential that it be neutral and balanced. It should also be flexible enough in that it can apply to the many technologies that are with us today and will be in the future. These include social media, technologies in the education field, including books, digital or not, and the dissemination of any type of information for profit. In the artistic world, this includes works of art such as songs or movies. My hon. colleague brought up the video gaming industry. That is a prime example of how we need good laws on the books in order for it to protect its property.

All the stakeholders that have been mentioned generally support the bill but they also say that it needs to be changed, that amendments need to be made. No major changes were proposed within the committee structure. That is unfortunate because there seems to be some legitimate claims to this. I will give the House the illustration that I spoke about in my question earlier.

Take the education exemption. Material used for the purpose of education is exempted from copyright. That in and of itself any Canadian would understand. Any person in the world would understand that copyright material can be used to build upon education.

Artists and others base their work on someone else's work. There is nothing wrong with that. That is the whole point of being involved in the world of music and movies. There is nothing new under the sun so therefore we must protect some of this at its core.

When it gets to the point where someone's art or someone's creation is exploited, allowing people to generate money from hard work by someone else, without adding anything to it, without fundamentally changing it and building upon his or her own artistic merits, then we have problems. That is where this legislation comes in.

Let us take a look again at that education exemption. As a result of it being such a blanket exemption, a lot of issues will have to be determined by the courts to see whether the law is being broken. Sometimes there could be a situation in education where someone is breaking the law. Material is being taken and is not only being used for classroom purposes, but it is being dispersed to a wider field. That work is therefore being exploited for profit, or the ability of that piece of work to make a profit is being diminished, and it is quite obvious.

Witnesses told us that we could put in a multi-step test. Even though there is a blanket exemption on education, as responsible people, as legislators, as lawmakers, we could take the material before a court. A judge could look at it and put it to a test. If people feel that a university has used their material to affect their ability to make a profit, it should be put to the test: does it fulfill the requirements of one to six options? Many jurisdictions around the world have done this. There is just no test in the middle between blanket exemption and copyright infringement. There is nothing wrong with putting a filter there to see if it could work. Otherwise the courts will have to decide.

Let us look at another example of Bill C-11. If we look at the logic of it, we have to try to understand why it was written this way, without certain limitations and without certain ways of looking at the unforeseen.

Many jurisdictions around the world went through the same process before we did. They put digital locks or technical protection measures in place and said, “that is that, we will be fine, there are no exemptions to it”. If we digitally lock something, that is it.

However, jurisdictions like the United States of America, New Zealand and Australia realize that we end up roping some of the laws we have placed into our own legislation. Here is an example. Within Bill C-11, if people download a song, they have the right to share this piece of music among other ways of listening. They could listen to it on an iPod or they could download it from iTunes and put it on to a CD. How do they listen to a piece of music that they purchased? They have bought a piece of music that they should be allowed to share. However, if a company, such as Apple, decides to digitally lock it, the music cannot be shared among one's other devices.

If I downloaded a book that was digitally locked, I could not transport it to the new iPad I bought, because I went from a reader that was built years ago. I could not transfer it because of digital locks. According to the law, I should be able to do so. I could get an app that converts it, but the problem is, the right to convert now belongs, not to the people of Canada, not to the government, not to this legislature, but to Apple. I do not mean to specifically pick on Apple. It could be Microsoft or it could be any other corporation.

We need to look at measures by which we could circumvent this when it comes to education. For example, a teacher might get a movie to show the English as a second language class. What if it is digitally locked for the particular player the teacher has?

We have not specifically looked at what I would consider to be sound amendments in this legislation, like the multi-step process. The multi-step process has to specify that even though there is an exemption involved and it is being used in a classroom setting, by putting it out widely among the public, we are basically cutting into the profit of someone who has copyright of the material. That is a question we need to be asking. That is the fair balance that we feel should be looked at. The committee heard from many witnesses, but very few changes, if any, were made. Nothing was changed in the legislation.

I think that international pressure probably came to bear and the Conservatives had to put something out, in light of the situation in the United States or even the European Union.

[Phil McColeman, Conservative, Brant, ON]

Mr. Speaker, I am pleased to rise in my place today to speak to Bill C-11, the copyright modernization act, and the important provisions that this bill would give to help Canadian users take full advantage of the opportunities offered by the digital economy.

Since our government first began to address copyright modernization early in our mandate, we have been committed to ensuring that our approach be one based on balance. The Copyright Act as it stands today is woefully out of date. It was last updated in 1997 at a time when VCRs and Discmans were found in every household.

Like all MPs, for example, I make significant use of my BlackBerry. When I meet with constituents, most of them are connected as well. Moreover, we are all using new technologies to stay in touch with the people on the ground in the riding, whether it be through mobile devices, Facebook, Twitter or other online tools.

We are all seeing new and innovative ways in which our constituents are using digital tools to create, innovate, better their communities and strengthen their local economies. This kind of activity has surpassed the copyright legislation that we currently have on the books. That legislation does not reflect the world in which we live today.

As a result, it does not adequately protect copyright works in the digital economy nor does it respect the everyday uses of modern copyrighted works by users across the country. This has to change and that is why we have a bill as we do today.

It is no secret that copyright is a contentious issue. We had to be diligent in ensuring the myriad stakeholders had an opportunity to contribute and provide the perspectives on the way forward. That is why we engaged in an unprecedented online consultation in 2009. It is why our government has been working hard to tackle this issue since coming to office.

I know it has been said before but I think it bears repeating that it is why the legislative committees sat for over 20 days and heard from over 100 witnesses. The goal was to deliver a final bill that effectively takes into account the important and diverse views and balances the many competing interests.

Through this process, members on both sides of the aisle have learned a lot. In Bill C-11, we have achieved this balance. I think it is fair to say that the legislative committee has returned to this House a bill that is ready to be moved to the Senate.

As we have been discussing throughout these debates, the legislative committee, both in this Parliament and the previous one, has done tremendous work in maintaining this balance. With respect to what the bill does for consumers, our government believes that we have struck the right balance. We have brought into the copyright law many legitimate everyday activities, like recording a television show to view later and changing the format of a CD or music file, that have been long overdue.

Let us think of an iPod, not to tax it like the NDP would, but to imagine that downloading something onto these types of devices is illegal under the old law. I cannot think of a more crystal clear example of why change is necessary.

From those educators teaching their classes from a distance to creative people at home putting together mash-up videos and sharing them online, we have ensured that legitimate uses of copyrighted material are permitted under the law.

Finally, through this bill, we have updated provisions in the law that allow for the adaptation of copyrighted material for use by people with perceptual disabilities. The legislative committee tasked with reviewing this bill has made a number of targeted amendments to better deliver the government's intent without affecting the balance of the bill. The provisions relating to the perceptually disabled are an example.

The bill as it was introduced would allow a non-governmental organization to adapt and export a copyrighted work by a Canadian author or an author of another country to which the export will go. This is an important provision that would enable perceptually disabled people to access works that are not already available in the marketplace.

The committee heard testimony that it was not always easy to determine nationality. As a result, an amendment was made to ensure that mistakes made in good faith should not result in financial liability for the organization. That is a fair compromise and one I think members can support.

As with all the provisions in this bill aimed at consumers, this technical amendment helps to ensure fair balance on copyright. Through this and other technical amendments my colleagues have adopted, the bill represents the best way forward to modernize Canadian copyright for the modern 21 century digital economy.

A modern and balanced copy right regime is long overdue in our country. I urge hon. members to join me in supporting this bill and helping move it to the Senate. We cannot delay any longer. The day-to-day activities of Canadians and the digital market itself are changing and growing fast for our outdated copyright regime. We must act and we must act now to pass the legislation.

The House resumed consideration of Bill C-11, An Act to amend the Copyright Act, as reported (with amendments) from the committee, and of the motions in Group No. 1.

Motions in Amendment

[Pierre Nantel, NDP, Longueuil—Pierre-Boucher, QC]

Mr. Speaker, we are talking a lot about digital locks, which is understandable because they are one of the easiest things to see. When there is a digital lock, people see it and they know that a right is being protected under a padlock. We talk about this a lot, but I wonder whether people, the legislator, have not focused on this much because the corporations, the multinationals, are focusing on it in order to protect their works.

There is no doubt that the major multinationals in this world have been installing locks for decades, rightly or wrongly. They have been installing locks whether they have the right to or not. That is the issue. When we look at this legislation, we get the impression that those with the loudest voices and the most money are the ones who were heard: in other words, the major lobbies and the major industries.

That is rather pathetic because people forget that creation and culture are essentially the story of individuals, of people who have ideas, people who are encouraged to think differently and to see the world in a different way. Without arts and culture, everything would be black and white and that would be dull.

Today, all of these creators help form our identity, what is known as Canadian cultural heritage and Quebec cultural heritage. Creation is what matters. This is crystal clear, considering the whole process related to Bill C-32. I was not a decision-maker in the process at the time, but I once worked in the cultural industry. Now that I am a decision-maker in the process linked to Bill C-11, I can say that the Conservatives did not listen to creators. Instead, they listened to lobbyists and large corporations that have assets and want to invest here and there—major networks, cable, antennas—big business. That is fine, because it is important to have business. We need a way to disseminate people's ideas and our heritage.

The saddest part of all this is knowing that the Conservative government is behaving as it always does: blindly and lazily. Listening only to those who shout the loudest is the lazy way. Copying whatever the Americans are doing is also the lazy way. Our colleagues across the floor seemed to take an attitude of crass laziness towards the witnesses who appeared before us, telling us their stories and telling us about how they live—the people from the industry who create the heritage that makes us unique. We are all proud of our heritage. Whether one is from Quebec, Ontario, British Columbia or the Maritimes, we all have an identity that we want to protect. It is what distinguishes us from our neighbours.

Unfortunately, when these people come to the table, the questions they get asked are totally incoherent. These witnesses come to complain about the fact that they have lost—or will lose, if the bill passes—their broadcast mechanical, and the person across from me says that they are selling music to radio stations. The witnesses explain that they are not selling music to radio stations, that they are just suggesting music for the stations to play and that they are happy with that. Then they get asked why the radio stations should have to pay, since they are happy that the stations are playing music.

This system has been around forever, and it works well. According to radio stations and music producers, the system has always worked well. Then the government stomps in, saying that it is no good and that since the radio station people would rather not pay, then they do not have to pay anymore. The government tells artists that it is enough. Basically, that is what is happening. It happened with broadcasters, and with the transfer of use of cultural or literary material in schools. There were agreements, like Copibec—systems, shared royalty collection systems, a common management system for those rights.

These systems were working very well. Then the government came out and said that this was no longer how it was going to be done. Honestly, there was no problem. In general, the education sector was not complaining and did not feel that it was paying too much. When it is your job to teach young people and show them how to think independently, paying copyright fees to someone who is transferring knowledge via a page in a novel is not a problem. You pay the author. There has never been a problem with that. And then someone comes in like those guys over there, asking if people would rather stop paying, and all of a sudden people start thinking about how much they would save.

We are all aware that the education sector is searching for money wherever it can find it. And so, if the education system can save $3,000 a month, there is a lot of interest. Wow. Off we go. Thanks very much, ladies and gentlemen. Things were working quite well, and then—badabing—here comes the government and it is all over. This heavy-handed approach relies on listening to the industry rather than the creators. Unfortunately, when the creators are not heard, the ones that are heard the least are those in Quebec.

I have heard the hon. members opposite say that they recognize the Quebec nation, but I look at Bill C-11 and see that it is a worthless gesture. They care nothing about how they do business or about how Quebec's creative people make a living. It is not important to them; they want to do this, so they do not listen.

When the Minister of Canadian Heritage appears on Quebec television and sweetly rhymes off the names of Éric Lapointe and other artists, it is all a sham. Everyone in the arts watches him but does not wish him well, in fact.

As my colleague from Davenport was saying, the artists are losing $20 million. That is horrendous. And then what can we say about the other losses coming from adding sections 29.22 and 29.24 to the Copyright Act, a fine law that has served us well, by the way. These sections make it possible to make all the copies anyone might want, as long as they are not given to another person. What a big, fat joke.

The entire music industry in Quebec is outraged, because, once again, no one has been listening. There is no willingness to try to understand. No, they want to copy the big players, like Sony in the United States.

In reality, Quebec artists will now be like hawkers who sell their wares on street corners. They will no longer be able to earn a living by selling their music, as they did previously. They will have to put on shows.

We keep hearing that people such as stage technicians are pleased with this bill. Yes, I understand that they are pleased; that is obvious. However, I do not believe that sound engineers working in a studio or people who create music but do not put on live shows are happy with it. And when I hear that Canadian photographers are pleased, I can understand that, because there are no big corporations that take a cut in that sector. But there are in the world of music. Honestly, the only word that comes to mind to describe the bill is “lazy”. That is the reality.

The impact of this bill is clear: artists will lose about $50 million. How is it that we are interfering once again in a process that worked for artists? That bears repeating. Without getting into the specifics, a few years ago, the Copyright Board of Canada told the radio people that the situation regarding recorded music made things difficult for musicians and artists and that solutions had to be found to improve things. Radio broadcasters were asked to contribute a little more by paying mechanical rights. Previously, radio broadcasters made a copy and played the LPs on a turntable. Now that music is downloaded from the Internet, they have to pay a royalty if they make a copy for their operating system.

The broadcasters agreed because if you want to make cheese, you have to feed your cows. Cows have to eat. If we want music, then artists have to be able to make a living. The government is swooping in, cutting left and right and it is over. Broadcasters will be able to make copies without paying. Copyright is indeed very complicated, which is why I cringe when I think about these slapdash amendments, when people have not had the chance to attend these debates in committee.

How can the government just swoop in today and say that the broadcasters will not have to pay these mechanical royalties anymore without any proposal, promise or agreement to tell the musicians that we will look into it?

If I were an artist with a guitar, as my colleague was saying, I would do better here in this House. Honestly, what are artists supposed to live on? The Conservatives have said nothing about an alternative to paying mechanical royalties. Nothing.

[Stephen Woodworth, Conservative, Kitchener Centre, ON]

Mr. Speaker, I rise today to speak about an important aspect of Bill C-11, the copyright modernization act.

Copyright is not only about creators and users; it is also about the companies that act as mediators and intermediaries to connect users and creators across the globe. Never has this been as true as it is today, given the proliferation of new services on the Internet. They have quite simply changed all of our lives. Canadians are now accustomed to having a wealth of information at their fingertips.

The marvel of the 19th century was Alexander Graham Bell's electrical speech machine. The Internet will be looked on as the marvel of the 20th century. Information is becoming accessible everywhere, connecting everyone. Not only is the Internet changing the way people communicate, it is also enhancing the global economy.

The importance of the people who connect others through technology has long been recognized in Canada. Bill C-11 follows this theme, while reflecting the evolution of technology. It delivers safe harbour or shelter from liability under copyright law to those who merely provide the platform and tools that let people use and find things on the Internet. Bill C-11 recognizes the absolutely vital role played in realizing the potential of the Internet by mutual intermediaries such as Internet service providers and search engines.

Safe harbours are also formally recognized by Canada's trading partners that signed the 1996 World Intellectual Property Organization Copyright Treaty. All agreed that the mere provision of physical facilities did not in itself amount to a violation of copyright.

In the digital environment, it is crucial that neutral intermediaries are not held liable for the activities of their customers. So long as they are simply providing a connection, caching, hosting or helping to locate information, they should be exempt from copyright liability. Bill C-11, by providing clear limitations on their liability, would ensure that these services would continue to provide users with open access to the dynamic online environment.

At the same time, ISPs are in a unique position to facilitate the enforcement of copyright on the Internet. Because ISPs are often the only parties able to identify and warn subscribers accused of infringing copyright, the bill would require all of them to participate in the fight against piracy. The bill would bring into law what is sometimes called the “notice and notice” regime. This system is currently used on a voluntary basis within Canada's Internet service industry.

Under this system, when an ISP receives notice from a copyright holder that a subscriber might be infringing copyright, the ISP forwards the notice to the subscriber. I am proud to say that notice and notice is a uniquely Canadian solution to this problem. It would ensure that we would not view a truly neutral Internet service provider in the same light that we would an actual copyright pirate.

An amendment made at committee stage has clarified the safe harbour provisions so that the strongest efforts are made to catch only the true Internet pirates. At the same time, the bill clearly would not allow us to tolerate negligence.

During the clause-by-clause review of the bill, the legislative committee adopted technical amendments that would ensure that the notice-and-notice regime would be appropriately implemented. These amendments clarify that an ISP must send the notice “as soon as feasible”, rather than the previous language, “without delay”.

The committee did its jobs in this case and improved on the proposal it had before it. All of this would ensure that delays in forwarding notices due to circumstances beyond the ISP's control would be taken into account by any court.

Only ISPs that fail to live up to the notice and notice requirement would be liable for civil damages. Again, this approach to addressing online infringement is unique to Canada. It provides copyright owners with the tools to enforce their rights while respecting due process and protecting users.

Another amendment made at committee clarifies the responsibilities of Internet service providers and search engines to not interfere with monitoring software on websites, such as those that generate data sometimes used to monetize web traffic.

The bill requires ISPs and search engines to comply with instructions on websites relating to caching and indexing, as long as those practices are in line with industry standards. To avoid imposing an overly onerous burden on Internet intermediaries, amendments were adopted to clarify that ISPs and search engines must comply with these instructions, but only when they are specified in a manner consistent with industry practice.

We strongly believe that the bill, as amended, would encourage even greater participation of Canadians in the digital economy and would deliver incentives to Canadian businesses and creators to invest in digital technologies.

Copyright modernization is an important element of a strengthened economy and with other initiatives will position Canada for leadership in the global digital environment.

One of the other initiatives, for example, is the Minister of Industry's recent decision to open up the 700 megahertz spectrum to auction. That announcement also included a focus on tower sharing and stronger rural deployment, meaning greater coverage for people everywhere in Canada. It also included opening up our telecom sector to increased global investment, a measure that we see in the budget implementation bill, which also needs to be passed swiftly by Parliament.

Further, we have put a priority on ensuring wider broadband deployment. We intend to reach a target where 98% of Canadians will have access to broadband infrastructure. That is 98%. We are investing in programs to help students, communities and businesses adapt to the digital economy. We are moving forward with consumer protection measures, such as anti-spam and do-not-call measures.

Through these steps and, most critically, steps being taken by Canada's private sector digital economy leaders, we are becoming an increasingly digital nation. As I have mentioned, copyright reform and the broader protection of intellectual property is an important element of Canada's digital economic shift. In passing this bill, we would enhance Canada's capacity to innovate using digital technologies, help build a world-class digital infrastructure, provide the best conditions for the growth of our information and communications technology industry, and foster Canadian creativity.

With a riding like Kitchener Centre in Waterloo region which is home to the offices of Canadian digital giants like Desire2Learn, OpenText, Google, RIM, and others, I am keenly aware of the benefits of these new copyright provisions for all Canadians. I urge all hon. members to join me in supporting this bill so that the copyright modernization act can lead the way toward even newer digital marvels in the 21st century for all Canadians.

[Geoff Regan, Liberal, Halifax West, NS]

Mr. Speaker, I am pleased to rise on report stage debate on Bill C-11, the copyright bill.

My hon. colleague, the member for Timmins—James Bay, was just talking about the fact that at committee everything was shut down by the Conservative members in terms of any amendments proposed by opposition members. Before that, they ensured we would have not too many witnesses. We would also have very few meetings and a very short time for clause-by-clause consideration of the bill. In effect, they put into place time allocation, or closure, so that it would all happen very quickly. This was done in spite of the fact that not all members in the committee were here in the previous Parliament to take part in the debate and of course not all members of Parliament in this chamber were here before the last election. Many are new, as we know. Many are looking at these issues for the first time.

The minister included me among those who have been on this for three years. I guess that is a compliment if it seems like I have been on this for three years. I have only been the critic for industry since last June, so I was not on the previous committee. My colleague from Bonavista—Gander—Grand Falls—Windsor was. However, having been here in Parliament during that period, I certainly had some awareness of the bill, as we all did.

Unfortunately, for many Canadians the process of this copyright bill has been one of futility and frustration that they were not being listened to. Despite hearing from hundreds of witnesses, and receiving 167 briefs in the last Parliament, and more this time, the Conservative government chose to use its majority to push the bill through without any major changes, and really only minor tinkering.

Opposition members on the C-11 committee reflected on the evidence that was presented by witnesses, both in person and in writing, and brought forward numerous amendments to try to improve the bill. The government did not appear to be interested in those, even the most minor, those that made innocuous changes to make a slight improvement and perhaps prevent a problem. The Conservative members obviously had orders to shut down anything coming from the opposition. That does not seem to me like a government that is interested in a good democratic process of good give and take. In fact, the Conservative majority on the committee missed a great opportunity to try to improve the bill in a number of ways.

The government pushed through a few amendments, but these technical amendments did not actually change the intent of any section of the bill. They primarily clarified the wording in a few places. This was in spite of the fact that the special legislative committee heard a wide range of views and some very deep concerns about some elements of it. The committee listened, but did it make any really substantive change? No, it simply clarified the wording. There are still technical problems and major flaws.

The government speaks about bringing forward a modern copyright law but unfortunately, what it says and what it does seldom match, as we have seen in so many other areas. Bill C-11 is a clear example.

What we see with provisions on digital locks, for example, is that the government is going backwards. It is a regressive position. The minister spoke about a balanced approach, but allowing digital locks to trump the interests of consumers is the complete opposite of a digital lock. It does not make sense at all. The Conservatives are essentially saying that people could reformat or copy a movie, or song they bought onto their iPod, as long as there were no digital lock. Of course, all the company that sells this has to do is put on a digital lock and consumers are out of luck. Is that really going forward? Is that modernization? Is that going in the right direction? If a young mother wanted to transfer a DVD on to her iPad, she could not do that because she would be faced with perhaps a $5,000 fine. How is that possibly a balanced approach? Why would the government not be open to finding some way to deal with this kind of situation? It was not at all.

Bill C-11 also fails to include a clear and strict test for fair dealing for educational purposes. That is another major problem with the bill.

It also fails to provide any transitional funding to artists. The minister speaks about how this will protect artists. There are some creators that this will certainly protect, but many artists will lose out. We do not hear any response from the government to that.

When the minister speaks again, or when he asks a question or comments, maybe he can tell us how the vast majority of artists, small-time artists and artists who do not make much money, will benefit and find compensation under this bill. Where are the revenue streams that will replace the ones they have lost? Perhaps the minister has some theories. I would certainly be interested in hearing them.

Let us look at what this bill would do.

It has significant changes. It has the new fair dealing exceptions for education, parity and satire. If we could clarify the wording on education and fair dealing, that would be okay. It has changes allowing copying for personal use, such as recording TV shows, things like using a PVR to record a show and watch it later, although I think there are provisions that could have had some minor improvements to ensure people would be able to do that.

For example, if people will be hosting, not on their PVR but on a computer at their headquarters, they see that as a problem. The way the bill is currently worded, it will create problems for them. The government was not interested in amendments to correct that problem. It is the kind of problem one would think the government would have wanted to solve for those kinds of businesses.

There are new rules making it illegal to circumvent digital locks, or as we have heard them called in the bill “technological protection measures”. I suppose that is a much nicer term. It sounds like a good thing, protecting something. It makes it sound more positive than if we call them digital locks.

It contains new responsibilities. Wherever the phrasing comes from, it does not change what the apparent intent of that kind of wording is. When words are chosen, they are chosen for a reason. We should think about what words have been chosen to describe what has happened. In fact, what it is doing is it is locking up something so there is no access to it.

There are new responsibilities in the bill for Internet service providers to notify copyright holders of possible copyright violations, and that is a good move in the right direction. There was talk about the idea of “notice to take down”, as it is called, whereby an if Internet service provider was informed by copyright owners of a problem of an infringement happening through their website, the provider would have to shut it down right away.

The bill provides, in fact, that the company has to give notice to the offending person, the person who has put something on the company's site or through its system, that is problematic. A notice is given that the owner of the copyright has objected to that. Then it is up to the copyright owner to sue.

That is not perfect because we know the costs of lawsuits these days. If the copyright owner is not a huge company but a small individual songwriter, for example, it is pretty tough to enforce that. On the other hand, at least there is not the situation where there is no recourse and where someone who has put something online is not quickly shut down without any examination of whether copyright has been infringed. That is a positive change.

The Conservatives talk about playing politics. The minister talked about that earlier. I find that a bit rich coming from that side of the House. We cannot imagine the Conservatives ever playing politics. They would never do that unless it was a day ending in Y, I suppose.

[Charlie Angus, NDP, Timmins—James Bay, ON]

Mr. Speaker, I am very proud today to rise on behalf of the New Democratic Party at this stage of Bill C-11 and as we are dealing with the amendments. There is probably not an issue I have spoken to more than the issue of copyright.

Since 2004, when Jack Layton was the new leader, we have been identifying the need to modernize Canada's Copyright Act. For the New Democratic Party, it is a fundamental pillar, creating a modern 21st century digital economy. We understand how having good copyright is essential for the creation of artists, for ensuring that we have a good and solid Canadian industry for arts and creation but also for innovation and that we can use this to leverage ourselves internationally.

I listened to the Minister of Canadian Heritage when he talked about the openness of the government. I think the reality will show it is a bit different. The government's first bill, Bill C-61, was literally a dog's breakfast. It died the day the government brought it forward because it was such a mishmash and it was so poorly thought out.

The government then brought out the following bill that ended becoming Bill C-11. There were elements about the bill that were much improved over the previous legislation and, for us, we came at this issue to improve the bill. We had heard from many groups that felt that the bill was still fundamentally flawed and could not be supported. However, our position was that we would rather have copyright than go back to square one, that we needed to find a mechanism to update the copyright regime to provide security for Canadian industry, for Canadian artists and for Canadian consumers.

We set out to work with the government but there were a number of serious flaws with the bill that needed to be amended. My hon. colleague for the Conservatives said that this was not an ideological issue. I agree with him. I think this is about making good public policy. The amendments that we brought forward were addressing the serious shortcomings in the bill.

When we talk about copyright, the term has been defined by English common law that “copyright” is the right to make a copy. Under French law it is “droit d'auteur”, the right of the author. These are fundamental principles. The right of the author. The right of the author to remuneration. The right of whoever is making the copy to remuneration. That is the fundamental principle of copyright.

Now it is not an exclusive right. It is not a property right. It is not something that a person just owns, because it is also a public right. Parliaments going back hundreds of years decided that there was a balance between the right of the person who creates the work and the right of citizens to participate in that work. Sometimes the participation in that work is how they take those ideas and change them. This is how art and culture is created. It is a balancing act.

However, what we cannot do at any point is to take a right that existed and erase that right to favour someone else. We cannot say, “You were able to receive remuneration for this part of your right as an author but we don't think that's really a good idea any more”. That is an undermining of the principle of copyright.

How does this all play out n terms of the digital realm that we are in?

There are elements of the bill that we supported. We supported bringing Canada into compliance with WIPO countries. We supported the moral rights of artists. For many years our artist communities have been asking for the moral right to have a say over their work.

Even with the government's mash-up provisions, which garnered some attention, we liked the idea of not criminalizing people for creating all these new elements in the Internet realm, things that we would not even have been able to imagine 15 years ago in copyright law. However, we said that there needed to be a moral right element as well to ensure that what was being created in the new format was not impacting the commercial value in the old.

There are about five clear areas where the government has absolutely failed to listen and failed to move forward.

One is, as my hon. colleague from Davenport talked about, the deliberate decision to create a loophole on the mechanical royalties so that a certain industry does not end up having to pay copyright. We cannot create a loophole so that people do not pay what they are obligated to pay. However, we heard again and again from the Conservative members on committee that they were creating this loophole because they did not think that artists should get paid. That is not what legislation should be used for. We either strike legislation that gives the artist the right to be paid but we do not create a loophole. We heard from the radio industry again and again saying that it was unfair to create this loophole because now it would need to exercise this loophole. It wanted it gone altogether.

That is $20 million erased right off the table for artists. We remain deeply opposed to that.

In terms of the technological protection measures, our colleague from Saanich—Gulf Islands pointed to a whole series of very narrow technical exceptions that her party is bringing forth.

Our overall principle is simple. We support the ability of new industries to use technological protection measures to protect their right to create a market. However, and this is under the WIPO treaty, those technological protection measures do not usurp the legal rights that already exist under legislation. We cannot have two tiers of rights. We cannot have a set of rights in the paper, analog world and a lower set of rights in the digital world. However, the government says again and again, if people do not like it, they should not buy the product, as though it would allow a corporate interest to define the rights that are defined by Parliament.

Rights for exemptions under the breaking of a technological protection measure would be for study, for satire, for research, for innovation. These are very clear, straightforward things, for a purpose that a person has a legal right to access.

This brings me to the third issue, that of people with perceptual disabilities, students who are up against some of the most onerous difficulties in getting an education. Under this bill, they would only be allowed to impair the technology protection measure “if they do not unduly damage it”, as though the government thinks a technological protection measure is some kind of lock, which is okay for an individual to pick and go in, but the individual cannot leave that lock open. We are talking about a complicated piece of software, a code. For a student who is hard of hearing or blind, this provision should have been very simple. Students with perceptual disabilities are not breaking the law to make the print bigger on their Kindle so that they can participate in class.

That is an issue of fundamental fairness. We would not, by allowing that, destroy the market for books or film. Yet students with perceptual disabilities are unfairly implicated to defend this black and white world view the Conservatives have. They talk about copyright being a balancing act. It is a balancing act, but to have a balancing act, we have to understand that there are some nuances, some play.

The other area which deeply concerned us is the impact on education. We will not get into the issues of what is under fair dealing and how that should be remunerated, because that is something that is continually fought in the courts and at the Copyright Board. In the transfer of information that people are using, we have an opportunity in a country as big as Canada to transmit library data, for example, but under the bill, we would be allowed to have the library information for five days and then it somehow would have to disappear in the air. Maybe we would have to burn it, or a technological protection measure would have to be placed on it.

I do not know who thought up that provision. Obviously they have nothing to do with education. For example, I want to get the memoirs of old Mrs. O'Grady who lived in Red Deer and wrote about what it was like to homestead in 1900. The memoirs are in a little library in Alberta and I am studying in Nova Scotia. Now, the library makes a photocopy and ships it to me and I have it for a month to study. That seems fair. However, if the library made a PDF and sent it to me, I would have it for five days and I would have to magically make it go away. That does not make sense. Who does any research within five days?

For legal research or medical research, the fact is that we have great universities and small high schools. Information is being transferred back and forth. Then we have this provision that would give us five days' use. It just does not make sense.

We have shown a willingness. All our amendments were reasonable. The government refused to deal with them. At the end of the day we will not support the bill because it is an unfair attack on the rights of artists and it unfairly impinges on the ability of education and the development of new business models.

We remain willing to work with the government, but it will have to show a little more of what it calls openness when we are talking about moving forward the digital strategy.

[James Moore, Conservative, Port Moody—Westwood—Port Coquitlam, BC]

Mr. Speaker, why would the Liberals waste their one question on this topic on such a misleading and nonsensical question?

If the member were to look at Bill C-61, the original copyright legislation, and compared it apples to apples with Bill C-31, now Bill C-11, he would see that our government did listen. To say that there is no difference is laughable. It is enough to make a cat laugh.

Bill C-61 was a dramatically different approach and we changed it dramatically with Bill C-32, not only in substance but in the approach in which we took it. We re-tabled it. I have explained this 10 times before so I do not why I am explaining it again. However, we tabled the exact same bill, Bill C-11, as Bill C-32 in order to continue the debate and show respect for those members of Parliament who took this subject seriously and the public who had engaged in this process. For all the work that all those organizations and individuals put in to contribute to Bill C-32, we wanted to respect and continue it into Bill C-11. We then came back with 11 other amendments.

We would have considered some amendments from the Liberals if they had put some time and effort into putting forward substantive amendments rather than the constant game of politics and then they might have had some traction. Other parties in this House took the subject matter more seriously in a less partisan way and I congratulate them, but, of course, the Liberal Party is left out in the cold yet again.

[Andrew Cash, NDP, Davenport, ON]

Mr. Speaker, indeed, copyright is a very complex issue and requires a significant balancing act. However, there is one area where the government did not really get the act right. When the minister talks about the process and the thoroughness of the process, one wonders how the government arrived at the issue of creating a loophole that would allow broadcasters to avoid paying what they have previously paid, and that is the broadcast mechanical, to artists, creators and producers. This would take $21 million off the table for artists.

While the minister says that piracy picks the pockets of creators, Bill C-11 would pick the pocket of creators as well.

I would like the minister to answer specifically about the broadcast mechanical and how he can square that circle around taking off the table $21 million for artists.

[James Moore, Conservative, Port Moody—Westwood—Port Coquitlam, BC]

Mr. Speaker, I was going to say that I see the member for Timmins—James Bay's contributions to the legislation. I did not violate the rules.

This has been a long slog. I know that other members of the House, including the member for Halifax West and others, have been along this long journey of almost three years now of consideration of modernizing Canada's copyright legislation. When the time comes when we speak of our political careers in the past tense, we will think of how we had been elected for a while and talked about copyright, and some other stuff went on. However, this is important legislation, and I am glad that we have had such a thorough conversation with regard to copyright.

On the substance of this legislation, we have put forward in our throne speeches the need to advance Canada's copyright regime and to modernize it. It has been 13 years since Canada's copyright legislation has been substantively improved, but it has been about 22 years since it has been really looked at with this kind of depth and effectiveness.

When we started our process, we had legislation in the previous parliament, the 2006-2008 parliament. That copyright legislation generated a great deal of conversation and, it is fair to say, a great deal of controversy. Using that as a basis for kick-starting the conversation that led to Bill C-32, our government engaged in unprecedented consultations with regard to copyright. We had online consultations, round tables and open town hall forums all across the country. We received tens of thousands of views submitted from Canadians all across the country, written, online and in person. This has been one of the most open and transparent processes that I have ever seen in my 12 years of public life. The way in which this legislation was arrived at was not done in hiding or behind closed doors. It was arrived at in a very public and open way.

What we have achieved with Bill C-11 is a real balancing of Canada's intellectual property rights needs going forward, most important of which, by the way—and I appreciate the sentiment of the leader of the Green Party in the House—is the need for further tweaks to this legislation.

The reality is that intellectual property law is an ongoing moving target. It is not a black and white issue. It is not a simple left or right divide. There is not a simple regulate-deregulate divide. There is not a simple technological divide either.

What is really needed for this country to move forward is actually what I find the most important section of this legislation. It is the provision mandating that every five years, regardless of who is in power or who is Minister of Canadian Heritage or Minister of Industry, and regardless of political circumstance or minority-majority parliaments, Parliament has to re-engage the debate on intellectual property and copyright law to make sure we are not lagging the world but leading it in the best kind of intellectual property law structure possible. That is what we put forward with Bill C-11.

I am proud to stand by the substance of Bill C-11. We have arrived at an effective balance that will serve Canada very well. What is most important about this legislation is that it will continue a debate going forward so that we will continue to be on the leading edge of what is in the best interests of Canada when it comes to intellectual property law.

When we did consultations after we tabled the legislation in this House, Canadians spoke out quite clearly, and we have a very broad base of support all across this country for this legislation.

For example, the Council of Ministers of Education, which is every minister of education in every province of the country except for the province of Quebec, came out and said that this legislation provides the clarity that they had been looking for and that it was excellent that the bill would allow students and educators to use the Internet to learn and teach without fear of copyright infringement.

The Entertainment Software Association, which represents Canada's video game industry and constitutes about 15,000 very high-paying jobs in this country and important jobs for the future, said that it congratulates the government on this copyright legislation.

This legislation will help protect Canadian creators. It is good public policy and it is essential for our economy.

The Canadian Media Production Association said that it applauds the government's copyright reform and legislation.

The Canadian Anti-Counterfeiting Networks applauds our copyright bill as well. It stated:

Arriving at the correct balance between the rights of creators, users, producers and distributors of copyright works is a challenging task and CACN applauds the Government of Canada's efforts to do so.... [New legislation] is long overdue...[and] we strongly urge Members of Parliament from all parties to act quickly and decisively in passing legislation....

The Edmonton Journal, the media watcher of this House that has been paying attention to this debate for a long time, said this copyright bill is a welcome start and stated:

To be sure, something had to be done. It's been 13 years since the last changes were made—arguably 22 years since substantive reform—and...It's a different universe out there.

The Canadian Photographers Coalition stated that they welcome the government's copyright reform and said:

These amendments should allow Canadian small business photographers the opportunity to generate additiona; revenues for their commercial work.

The Canadian Chamber of Commerce said, “the bill lays the foundation for future economic growth and job creation. The bill is critical to ensuring competitiveness and a stable business environment in Canada's digital universe”.

The leader of the Green Party talked about the importance of education as part of this debate. The Canadian Alliance of Student Associations said, “The government has demonstrated a commitment to Canada's education community. Students across Canada are greatly encouraged. The government has a clear understanding of how this bill will impact Canada's students, educators and researchers”.

The Business Coalition for Balanced Copyright said, “The government has taken a common-sense, balanced approach to copyright legislation. It's a positive step toward modernizing Canada's copyright laws and it achieves balance between the interests of consumers and creators”.

It is not just those organizations but, as I said, cultural industries as well are speaking out strongly in favour of this. For example, the International Alliance of Theatrical Stage Employees said, “We applaud the government's move forward with Bill C-11. This bill will help over 16,000 workers in Canada's entertainment industry stay employed. Piracy is taking money out of our workers' pockets. Canada needs copyright legislation that will protect and create jobs, stimulate the economy and attract new investment into the cultural sector”.

I could go on but I have given a healthy and balanced sample of individuals and organizations who have come out and said that this legislation is the appropriate balance and it strikes the right chord for Canada's future. It would be unfair for me to suggest that all of these organizations are happy with all aspects of the copyright legislation because that would not be true either. Intellectual property law is incredibly complicated. It is a balancing act. It is balancing the needs of creators, consumers, individuals, organizations and industries with the rights of citizens to be able to use copyright material in effective and personal ways. It is about striking the right balance. It is also taking into account our responsibility on the international stage.

Many elements are at stake when drafting effective copyright legislation. Even after the consultations we did prior to tabling Bill C-32, after which it flipped into Bill C-11 in this current Parliament, we had well over 100 witnesses come before the two committees combined in both Parliaments. We still took written submissions from Canadians who had their views and wanted to have those views further heard on the legislation after we tabled it. Even with that, we amended our legislation further with 11 amendments that were important to strengthening the legislation to keep it moving forward. So we were more than open in the beginning and during the process and we have been open through all of this.

However, it is time now for certainty and for us to move forward. After almost two years of debating this legislation, it is time for us to get on with passing it, to get this done and to give Canada the best intellectual property structure and laws possible. Bill C-11 would strike that balance. Some people want some amendments that are not on the table, that we have not approved, but when we look at the core of this legislation and the balance we have struck, it is fair to say that our government has been more than open about listening to Canadians, arriving at legislation that works and putting in place a formula that would lead Canada in the right direction for years to come, for ongoing consideration of our intellectual property framework that would serve Canada's interests, both as creators and consumers, for generations to come.

[James Moore, Conservative, Minister of Canadian Heritage and Official Languages]

Mr. Speaker, I am very pleased to be here to resume debate of Bill C-11, An Act to amend the Copyright Act, with the other MPs here in this House.

This is a very important issue for Canada and for the government. This bill is one of our government's top priorities.

At the outset I would like to say thanks to all those members. June will mark two years since our government tabled Bill C-32, which was the predecessor legislation to Bill C-11. It is coming up on two years now since our government tabled legislation on this matter. A great deal of work went into Bill C-32, which led to Bill C-11. Months of consultations took place prior to that.

We are actually approaching three years of consideration of this legislation. I think it would only be fair to note all the members of Parliament, some who were not re-elected and some who are in the House today. I see the member for Timmins—James Bay. I know the member for Davenport and others—

[Elizabeth May, Green, Saanich—Gulf Islands, BC]

Mr. Speaker, I rise to speak for the second time to Bill C-11, an act to amend the Copyright Act. The first time I had the occasion to speak to the bill was at second reading, on November 22 last year. I had hoped at that time we would see significant improvements made to the bill through the committee process.

There have been several tries at amending copyright law. The first attempt to bring copyright law into the digital age was made back in 2005 by the previous Liberal government. Subsequent bills were brought forward, most recently, Bill C-32, which is what we see now, pretty much unchanged, as Bill C-11. In the process between the previous Liberal government's attempt in 2005 and the bill presented by the current Conservative majority government, we have seen a leaning toward the rights primarily of U.S.-based entertainment industries.

I am not a member of the parliamentary committees, and I certainly am not making that point to complain. I understand my position here as leader of the Green Party of Canada. The Green Party is a recognized party in the House, but my rights, obligations and opportunities are closely aligned with those I would have had if I had been an independent member, a member of no party at all. Strangely enough, that gives me superior abilities at report stage to bring forward amendments that are substantive, which I could not have brought forward today had I been a member of the committee.

With that small digression I will just mention that although I am not a member of the committee, I tracked very closely what occurred at committee. Thanks to the able assistance of the wonderful young people who work on my team, and I am very grateful for their help, I was able to carefully monitor the evidence and review the testimony of expert witnesses who came before the committee. It was very compelling testimony from very knowledgeable experts in the field of copyright law in the digital age, which admittedly is a complex field.

One of those experts who is often cited and has made valiant efforts to see this legislation improved is one of the country's leading experts, Michael Geist, a professor at the University of Ottawa. He has been saying for some time, and I invoked his words when I first spoke to this bill at second reading, that the bill was “flawed but fixable”.

We had a chance to fix it at committee and we did not. It is my hope that the hon. Minister of Canadian Heritage, who I think deserves a lot of credit for the bulk of what he has done on this legislation, will allow Conservative Party members to consider favourably amendments being put forward now so that the bill, when passed, will not just be new copyright legislation, but will be excellent copyright legislation. We have that possibility but we will need amendments to get there.

The 18 amendments that I am putting forward today fall into two general areas. The Speaker has grouped them as such, and I recognize that, but I propose to speak to both groups at once. The two areas are to improve the clarity around the term “fair dealing”, particularly in relation to the new insertion of educational provisions, and to address the overly onerous provisions to protect material against digital locks. Digital locks are referred to in the law as technological protection measures, TPMs.

I propose to try to explain these in layman's language in the next few minutes to make sure they have a fair chance of being accepted by other members of the House who, like me, were not on the committee, but perhaps, unlike me, were not following the evidence as closely.

“Fair dealing” is a very straightforward term, but it does not have the meaning one may think. “Dealing” sounds as though we are making a deal with someone. This is basically copyright law, so we are asking whether the way one uses someone else's creative work is fair. We have a lot of case law on fair dealing. We cannot define what it is or is not. It is not a question of being able to quote a paragraph or a page and acknowledge who the author was. In certain circumstances we could quote a page, and in other circumstances we cannot quote a paragraph. It depends on what the purpose and intent is and whether the intent infringes the creator's rights under copyright law.

In the concept of whether one is using someone else's creative work fairly, we have changes in the legislation which, for the most part, are quite good. We are now saying one can use someone else's work if the purpose is for parody or satire. Those words are not creating any problems for us today at report stage.

However, the government threw in “education, parody or satire”, and the use of the word “education” does create some concern, primarily because “education”, as a term or exception under copyright use under fair dealing, has not been previously defined in the courts. It could lead to significant litigation to expand or narrow the meaning in ways that would be prejudicial to the average person who wants to use the material. Given that those people who might want to change the law in ways that restrict consumer access and normal opportunities to use materials are those with the greatest and the deepest pockets to go to court to prove this, it seems that down the road we might want to improve the way the bill currently reads and to create an opportunity by regulation for the Governor in Council to provide a definition of “education”, which is currently not in the bill, in order to leave that flexibility in place down the road. That is what my Motion No. 3 stands for: that the Governor in Council may make regulations defining “education”.

This very specific amendment comes from testimony by Giuseppina D'Agostino, a professor in intellectual property at Ogoode Hall Law School. She also teaches at York University. Back in 2010, when this legislation was Bill C-32, the comment that Professor D'Agostino made to explain this amendment was this:

This would allow for a more evidence-based approach and allow government departments with expertise to helpfully collect evidence and be specific on what they need to cure by legislation, and to be nimble and flexible in making adjustments to copyright problems in the educational sector as they arise from time to time.

That is all I propose to say on fair dealing. It is a big topic, but I want to move on to the question of digital locks. Most of my amendments relate to this problem.

Digital locks make sense. The whole scheme of this legislation is about protecting the rights of a creator and balancing the rights of the creator with the rights of the consumer.

This legislation attempts to bring Canadian law up to speed with the international obligations that Canada has undertaken through what is generally called the WIPO, the World Intellectual Property Organization, copyright treaty.

The problem I have with Bill C-11 is that it extends well beyond WIPO requirements; in fact, the scheme it would create would be among the most restrictive schemes anywhere in the world. The plain common sense explanation of this is to imagine that an individual has the right to put on a lock on something to protect it if that individual has the right to do so. No one has a right to break the lock if that is the person's property, and getting through that lock is the same as stealing.

However, we have exceptions in the bill that say people's intellectual property can be used for creative purposes, for satire and for parody.

What if the individual does not have the right to lock it away? Under this legislation, breaking the lock would still be illegal.

It was explained well by John Lutz of the Canadian Historical Association when he was testifying about previous Bill C-32 before committee. He said that the new law brings copyright legislation last amended in 1997 into the digital age: “Consumers will, for example, be able to make private copies of digital works to carry on different devices like an iPod, a smart phone or a laptop without breaking copyright. There is, however, one important exception, and that is if the vendor does not want you to make a copy. All a vendor has to do is make otherwise legal uses illegal is put a digital lock on it. A digital lock...”, and he goes on to describe it.

This legislation not only indicates that a digital lock cannot be broken but also indicates that it would be illegal to produce the kind of equipment or technology that would help someone break a digital lock.

I will not go through each of my amendments one at a time. They essentially speak to the following principle: if in all other circumstances under the bill the use of the material under a digital lock would be legal, an individual should be allowed to break the digital lock. A digital lock should not trump all other rights under the bill when it is fair dealing, when it is otherwise appropriate and someone wants to get access to that material.

It could be as simple as a mistake I once made in Amsterdam: I bought a movie that I really wanted to watch and when I arrived back in Canada I could not watch it. I still cannot see it.

I ask the Minister of Canadian Heritage to consider these circumstances in which no one has any intention of breaking copyright. They just want to be able to view or access something that they normally would have a legal right to do. Digital locks should not trump all other rights.

I commend the Minister of Canadian Heritage for his hard work. I ask him to please consider amendments at report stage to improve this legislation.