Yes. Now the private copy levy money that comes in, that is collected and it goes to all the people involved. I think that's a very important distinction, because that's where the danger lies.
When the session musicians and the background singers are not participating in the revenue that is coming in and being generated by this song, they themselves cannot then make a living. Not to use the rather histrionic “the sky is falling” and “the industry is going to collapse” terminology, but this is something that has helped individual musicians, session players, participate in the money being generated by songs being played or becoming popular. Would you expand on that?