The way it works now, as it was explained earlier, is the music is digitally sent to us. At that point we download it into our database.
I will just add to what Mr. Maavara told you earlier. One of the reasons we have to manually identify everything is that we have to turn around and pay all of these collectives, so we have to identify whose music it is, and they require digital logs to do that. So we're doing this not just to facilitate our broadcast, but to then be able to turn around and be accountable as to what's payable to whom. That's another important factor I wanted to talk about.
Having said that, we pay the reproduction right, which is the transfer, of $21 million. We pay the performance right, and we pay that to authors, composers, record labels, and performers, and that's a total of $64 million. Those are the costs of playing music on radio in copyright.