I think you've raised a good point. I think it is important to clarify that we are certainly not coming here as Luddites or haters of technology. Music publishers have always dealt in an intangible. We deal in the business of the song. So whether it's a player piano or an eight-track tape or an MP3 file, it's just another day at the office to us. We are not wedded to a particular technology or a particular format. I think we've shown over the years that we can adapt fairly quickly to different kinds of technology. We are not anti-technology at all. We see tremendous opportunities within the Internet.
Certainly having the ability to expose the kinds of music that radio is not always comfortable playing goes exactly to your point. Take a look at the great new service on CBC, CBC Music, on which you have all kinds of channels and all kinds of music that doesn't get played on typical radio in Canada. Right now there's tremendous potential for exposure of music with technology. What we haven't caught up with is the same kind of tremendous ability to be compensated, and that's the piece that we have to put into place. It doesn't mean that we—