I would like to add that you have to distinguish between stardom and compensation. It is true that there are people profiting from the fact that the physical distributor is no longer an obstacle. Now, with YouTube at our fingertips, it is true that people can take advantage of it. They do so to get a degree of stardom, but it is fleeting. One day, those people are going to want to be compensated for continuing. If not, they will give up. So if they want to be compensated, a compensation system must be put in place. Otherwise, they may be stars, but they are starving ones.
The copyright system that has been set up for a long time includes public performance and mechanical reproduction. We must not let the platform, the Internet in this case, cause established principles to be changed. Those established principles must be applied to this new platform, this new way of distributing music.