My purpose was to make the connection between what you have to invest and pay in order to produce internally and what you use that is already produced. Ultimately, you have an inventory of a number of artists who are there, at the ready, prepared to appear day after day on your airwaves and who nevertheless represent the equivalent of a number of productions. You have hundreds and thousands of artists in reserve, in inventory: singers, performers, authors, musicians, except for dancers because you don't see them—
On March 3rd, 2011. See this statement in context.