Mr. Fewer, you talked about your work with documentary filmmakers. I've spoken with many documentary filmmakers who are concerned already about the inability to access material that maybe in the United States would be under public use or would be under fair use, the ability to actually sign off on so many legal requirements already existing, but they're now very concerned about the digital lock provisions because of the inability to extract works.
Do you think this will have an impact on creative ability that we see? Our documentary filmmaking community is second to none in the world, but they seem to have numerous issues with this bill.