For the societies that we represent, we receive the reproduction royalties that are collected for our repertoire in the countries of Europe, in South America and so on. And, of course, for commercial radio, for example, when we allocate the royalties that we collect, we give royalties, equivalence, to foreign societies.
That's based on the repertoire that we own, but I can assure you that the royalties that we collect from outside Canada are greater than those we send outside Canada.