I want to continue on this line. The other question I had was in regard to a concern in their brief that all this money was leaving the country and paying U.S. multinationals, or they said foreign multinationals.
I remember back when I was playing music, every now and then I'd get a royalty cheque that would come in from Europe. It might not be a lot, but it made me think they were actually tracking my song on radio in Europe. Do we not have licensing agreements with our international trading partners so that if one of our songs is played here, and it's from a U.K. artist, they're getting paid, and if it's one of our artists, they're paid over there? Is this not the reciprocal agreement that radio has been involved with since the 1930s or 1940s?