Thank you very much.
You talk about a so-called balanced bill, and I must admit that I fail completely to understand you. When we read it, we see that it sets out a good many exceptions. The Bloc Québécois, Quebec performers, a whole slew of organizations, that I could list for you, involved in culture or consumer rights, as well as the Barreau du Québec, find that this bill is unbalanced. Do you know why?
One of the reasons is that we analyse the issue differently. Our approach is not the same. In English, you talk about "copyright", in other words the right to copy. In French, and based upon our Quebec values, we talk about "droit d'auteur" and the "Loi sur le droit d'auteur", in other words an act dealing with the rights of authors. We are respectful of these rights. Every new exception included in the act is therefore for us a new infringement on the rights of authors. That makes a world of difference, in Quebec in particular, but especially in the arts community. This is an act the purpose of which is to defend their rights, but every time we include an exception, we take one of these rights away from them.
It is so much so the case that three measures contained in the bill will deprive creators of artistic content of $74.8 million. The non-modernization of copying for private use will take $13.8 million away from them. With regard to the exemption for education, I wish to tell you that non-respect of copyright is a very bad message to deliver to children and students. Indeed, because they are studying, they are authorized to not pay copyrights. I do not see how you are able to defend such a thing. Tomorrow morning, once the bill has been passed, we will be able to copy this beautiful book you have to our heart's content, using education as a cover. It could even apply to an automobile driving school.
In the case of the exception for education, we are talking about $40 million less, and in that of the abolition of ephemeral recording, the loss amounts to $21 million. Those three exceptions alone represent a $74.8 million reduction. The gentleman provided a very good description a little earlier of the "YouTube exception". It is indicated that it is for non-commercial use, but never before have consumers been granted user rights that do not even require the consent of the author.
The fact that statutory damages are capped at $20,000 in the case of musical works makes no sense at all. In other words, any individual wishing to steal a musical work simply has to find $20,000 and wait for charges to be laid. The digital lock, however, is a measure that a large enterprise truly needs, especially in the game software industry. But if a person circumvents a digital lock, he or she is subject to criminal sanctions of a fine of $1 million and a term of imprisonment of five years. Do you see the difference? When you infringe on rights relating to a musical work, the penalty is $20,000, but when you circumvent a digital lock, it is of $1 million. This provision of the bill is clearly advantageous for big business. It is a double standard.
This imbalance comes into play at several levels. Given that I wish to provide you some time to react—and, in any event, there will be a second round—, I will give you the floor right away.