Thank you for this opportunity to testify before you today.
I am a full-time professional writer from Cape Breton, Nova Scotia.
In Canada, creators of intellectual property number over 140,000. A quarter of us live in rural or small communities--about 36,000, the same number of artists who live in Toronto and Montreal combined. In all, Canada's $46-billion arts and cultural industry employs more than 600,000 Canadians.
A professional book writer usually earns about 10% of the cover price of a book. The remaining 90% is disbursed to others who work in the book publishing industry. Most professional writers in Canada earn less than $20,000 annually from their writing.
I am here before you today to put a face behind some of these statistics.
Some of my income is derived from royalties on book sales, but as time passes, interest in a published work diminishes. Writers also depend upon book launches, festival readings, and school workshops. However, that market is rapidly diminishing. A school board in the district where I live has been asked to cut back 22% of their budget. The first cuts will be music and arts teachers, and of course visiting writers.
Writers can and do apply for Canada Council grants and other grants, but demand always outweighs availability. As writers usually spend between two to four years working on a new book, these grants, if awarded, only go so far.
I also depend upon revenue from Access Copyright, a collective agency that issues licences to authorize the copying of my copyright material. About 85% of Access Copyright's current revenues, what it collects from educational institutions, is at risk if fair dealing for education is incorporated into Bill C-32. So I stand to lose up to 85% of my income from Access Copyright.
Former industry minister John Manley told you last week to have a look at the new education provisions “in five years' time, to see if some of these extreme expectations...have come true, but in the meantime come down, in balance, on the side of education”.
Actually, in the meantime, teachers across Canada will be encouraged by this new fair dealing exception to freely copy big chunks from a book of mine, maybe even a chapter or more, for an entire class without paying Access Copyright--and, through them, me. The collective that represents me and other artists will be forced to cut back drastically and will be less able to represent us effectively. More copying will hurt book sales, as well. With all due respect to Mr. Manley, five years is too long for us to wait while we're being decimated.
In ten years I've had five books published, and for six of those years I've published a literary magazine. The more than a quarter-million dollars of revenue generated by these publications generated tax dollars and infused money into the local community of Cape Breton, benefiting publishers, printers, designers, graphic artists, illustrators, distributors, writers, advertisers, photographers, and booksellers. At a time when rural communities across Canada are experiencing out-migration, my cultural and entrepreneurial contribution has been positive for the economy. And I am only one creator.
Fair dealing for education is not defined in this bill. As other witnesses have mentioned, a Supreme Court ruling lays out a six-part framework for deciding what might be fair. The courts are entitled to consider other factors as well, but the question is to be decided on a case-by-case basis, and protection of an author's financial interest in the work he has created is not a priority in that framework. No one at this point really knows what fair dealing for the purpose of education really means--except more copying without compensation to creators, and more costly lawsuits.
An advantage of living rurally is that one gets to know many of the people who operate local businesses. Several years ago, a local photocopying shop called me because an educator had arrived at the store and wanted to photocopy 100 copies of a children's book that I had written. When told that she couldn't copy the entire book or make so many copies without being in violation of copyright, her response was, “I'll never read another thing he writes. Who does he think he is--Harry Potter?”
Now, what disturbs me is not that the teacher in question didn't realize that Harry Potter was a fictional character, but that she assumed that stealing from me would not matter. Adding education to fair use is an invitation to much more abuse and to protracted legal battles. The practical outcome will be far more copying by teachers, and fewer publishers and writers producing much less material for Canadian readers and Canadian schools. You'll be making my life's work much more difficult to sustain. Please drop the fair dealing exception for education.
Thank you. Merci.