Our concern is twofold, and we recognize that this is a very difficult issue. The first part is what that language would look like and whether it would, for all intents and purposes, eviscerate the TPM provisions in place. We looked at a variety of different options in that regard and we always came to the same conclusion, which is that in attempting to find that balance, the moment you begin to water down that provision, there are all kinds of opportunity for those who are not going to break the locks, purely for fair dealing purposes, to use it for purposes that none of us here want. That's sort of the first issue.
The second is that we certainly recognize documentary filmmakers, because we represent them. Some of them, but not all of them, have a lot of concerns about this. It depends on who you speak to. One thing to bear in mind is there are ways of obtaining copyrighted material other than through the fair dealing provision, whether it's through the licensing of that material from the copyright holder or seeking permission from the copyright holder to use that material in your documentary. It's not a perfect solution, but it's not as if it's TPM protected, in which case there's an absolute bar against the documentary filmmaker using that material.