Naturally, there is a close connection, given that this is a single corporation. You are right that these two environments are different on a number of levels. I do not believe that it is only a question of language protection. There is the issue of history in Quebec, which has an impact not only on Radio-Canada/CBC, but also on a number of cultural industries. You talked about film; there is also music.
Quebec has a quite strong star system that has a great power of attraction. The Quebec television industry—I am not only talking about Radio-Canada—has met with enormous success, not only in society as a whole, but when compared to other television industries, also in the area of culture. I know very few cultural businesses that have such high retention rates. It can be easily estimated that, yesterday evening, 75% of Canadian francophones watched a French-language television program that was produced here. That is an enormous audience retention rate for a cultural industry, and that is important.
I believe that there is a consensus among Quebec broadcasters on the importance of the industry and the need to maintain this force, which is enormous. There is a convergence of views among independent producers as well as broadcasters on the importance of rallying around the major objectives in order to maintain this successful industry.
I am not sure if that answers your question.