I want to take the argument now from a completely different point of view, which is the difficulties some of your documentary film producers might have accessing stock footage, historic footage, that is presently under copyright. I understand for many projects it's very difficult to get access, and to pay for, and it's becoming more difficult. Is that a problem you see with the budgets that are coming before you?
On November 22nd, 2006. See this statement in context.