The difference is as I've stated.
The other thing is that the National Film Board supports emerging filmmakers, but when they're talking about filmmakers, again, they're talking about directors. When we're talking about emerging talent, we're primarily talking about producers. So there is a difference.
If the film board enters into a co-production, they will, in most cases, exercise the rights of approving the script, the people who are involved. They will take the copyright. Now, we do not do that. The reason we do not do that is we are trying to help producers on their way so that they can have the copyright to exploit the rights, so they can derive some revenue. We want them to become business people and self-sustaining. If it's ever going to happen in this environment, I don't know. It's very difficult, as you know, for filmmakers, but that's what we're trying to promote. The film board wants to keep the rights themselves because they're a producer.