I have one thing to add. I think you'll see that some countries are experimenting with this idea of combining private and public distribution, but doing so where there are public service obligations. We've talked a lot about film. With film in Canada, there is very little control over distribution. What is the percentage of Canadian screen time in our theatres? It's under 2%.
So let's not be naive. The public broadcaster has felt that it has an obligation to retain some control over getting its material out widely, including through analog transmission, because that's where people are still getting their radio and they're listening. I know that as they've moved towards terrestrial digital radio, which has been a bit of a flop, quite frankly, they did explore the model of almost always—and I was involved in some of these licence applications—working together to do the multiplexer so that the actual transmitter was broadcasting CHUM as well as the CBC and others.
But it has to be a model where the transmission network, whether it's over-the-air transmission or any other type of network, is on the basis of certain public service goals. Otherwise, the control will shift away and we'll have 2% of screen time on computer screens as well as in our movie theatres.