Pardon me. Both of you said it. You talk about criteria and guidelines for appointments, to both the Chair and the board. Could we have some examples of ideal criteria and guidelines. Can you give us some examples that have occurred outside Canada? Perhaps that's been done elsewhere, at the BBC, for example.
Lastly, I'll ask you my fourth question. Discussions are currently underway about the distribution of royalties with independent producers. And we know where negotiations with the artists stand. Do you know that?
Those are good questions, aren't they? Thank you.