Historical factors come into play there. First, the 50% figure varied greatly depending on the envelope and the genre. It was over 50% for drama. At one stage, CBC, in English Canada, became less interested in children's productions. Valerie was right when she said that, in some cases, it was more than 50%, but the percentage was not necessarily the same right across the board.
At one time, a number of decisions were made at Telefilm Canada. Under those circumstances, it was a different kind of competition. The emphasis was on the quality of the subject matter and so on. Knowing that there was not enough money for all the programs they were interested in, the broadcasters issued a lot of licences. The important thing was to spend money on one's own airwaves. Throughout that period, Radio-Canada and CBC were very aggressive when it came to licences. Their percentage went up, especially for dramas.
It is not quite correct to say that the percentage was 50% across the board for all genres. As I recall, that was not the case. When the decision was made to establish the percentage at 37%, that did not mean a gap of 13% in all cases. It would just have been in certain envelopes and for certain genres.
Is that correct, Valerie?