Could I add a couple of points where there were some disconnects?
We have to bear in mind that this fund is about supporting under-represented genres: drama, children's programs, variety programs, and documentaries. Some suggestions were made at the hearing that, for example, if we were to go down the road of strict mass audience appeal, that could be reviewed and we would find ourselves financing game shows and reality television and so on and so forth, whereas in essence our view is that we'd be replacing private financing that is currently in place. That's one area of disconnect.
I'll go back a bit to Mr. Abbott's question, where there was another disconnect. The CRTC actually, in this latest report, didn't keep that recommendation. On the private side it was originally contemplated in the task force report that another measure should be return on investment. We had a bit of an issue with that, because for the majority of Canadian programs, all Canadian financing goes into the financing structure of the project from the beginning to make sure that the project is made. If we were to create a factor that would be based on return on investment, in most cases that return comes from the sale of the program on international markets, so what would be the primary policy objective? Would it be to make programs to attain the largest possible Canadian audiences, or would it be to try to make programs that will make as much money as possible on international markets? As I said, that recommendation was not brought forth in the second CRTC report.