First, let me react to the beginning of your statement, that you cannot have a public broadcaster without the public.
That message comes out very clearly if you talk to France Télévisions or the BBC, that you cannot be an elitist organization. You have to have a mix of programming. That's why I try to say that the public broadcaster must have a mix of programming to attract people to it and in the process show them and give them different programs and different types of programs.
I strongly believe that. If you look at the BBC, they have a concept called “hammocking” where you have a very popular program, a very serious program, a very popular program. That's why they call it a hammock. But without that front end, the EastEnders or something like that, you cannot capture the audience to do the rest.
This is a very critical concept. Quite frankly, I would not want to see the CBC becoming PBS North, which has a 1.5% share and ultimately has lost the respect of the large population in terms of the funding that they need. They don't live off their fundraising campaigns. They do live off government funding.
Now, to your question, I think it's really important to begin to define what is and what is not micromanaging. I think your telling us to do more comedy and to do more variety shows is verging on micromanaging. Telling us to be an all-Canadian service with some “best of the world” is not micromanaging. That is reinforcing what the mandate of the public broadcaster in Canada should be.
As you know, we feel that the biggest hole is entertainment and drama on the English side, and I think it's perfectly legitimate for the committee to endorse or disagree with that as a concept without crossing the line into micromanagement. I'd get very concerned if you told us we have to do six and a half hours and we'd better give up our Friday nights to have comedies. Well, we'll have comedy--I think we're great at it--but the day may come when it's not the right genre to be pushing at any one time, and I'd be a bit concerned if you went down one more level.
But definitely, distinctive, Canadian, reinforcing some of the principles in the act--those principles were there in the 1968 act, yet if you looked at CBC at the time, the programming on prime time was highly American. I think my predecessors and we have moved very much towards doing more Canadian programming in prime time. But again we have to finance it somehow, and we have to attract that audience, because without the audience.... That's why having a hit like Little Mosque doing over a million to us is a home run. It shows it can be done and we can attract people, and quite frankly, you can also use humour to give a very serious message.
So I have to count on--I'll use the word advisedly--the maturity of the committee to decide where the line is in terms of micromanaging.