I certainly don't disagree with you. DFAIT continues to have services and investments to support artists internationally. They continue to have services in embassies. Spending over $2 million a year in salaries for cultural attachées in cities, frankly, whose economies may not be in great shape, where our artists may not want to go, and where there may not be value for Canadian artists is a kind of static investment, and it isn't the way to go.
I would just end with this, because I think we have to go to the next person: stay tuned with regard to the idea of the $25 million one-time investment for prizes. It will benefit Canadians greatly.