Yes, I'd like to say that there is a way out of this cycle. We see it more and more. As soon as we have an opportunity, as soon as the broadcasters take it seriously in their license renewals that it's time to put a little money and effort behind a Canadian show, we see enormous success.
We have the talent. We see it in every American show. If you look at the cast list--and at the writers, the producers, and the directors--it's chock full of Canadians. It's not that we don't have talent--we need to offer them a job. If there is no work here, why would they stay? When you're making $10,000 a year, why would you stay?
If we can create this little umbrella of an idea that we can give the private broadcasters a reason—that these are the regulations and this is why you have the licence—to produce this kind of stuff, we're more than able to produce it. Once we start doing that and it becomes profitable, then we will start breaking that cycle, but as long as they say they only want to do American shows, we're never going to develop a sustainable Canadian industry.