In that kind of model, we're drifting more towards the administrative decisions involved in disseminating the money, as opposed to the artists disseminating the money. Then it becomes a question of which artist, but at least it's the artist.
Mr. Zubot, you talked about how as a musician you make a living through certain revenue streams from wherever you can get them. I'm not asking you what you make; I'm just asking what portion of your revenue you get from these programs. You said you're also a studio musician, and I'm assuming that would be from other sources, maybe CBC or the like. But when it comes to these specific programs, what percentage of your annual revenue are we looking at?