Thank you very much, Mr. Chair.
The line of questioning today is really establishing the difficulty for us as legislators in getting our heads around where we belong in this universe.
When I was first elected to Parliament, there was almost a panic on the Hill about digital culture. It was this great threat that was going to destroy everything we ever knew and everything that was good.
At that time, Laurier LaPierre's report came out, A Charter for the Cultural Citizen Online. I thought it was one of the most profound things I'd read on where we could go as a country in fostering.... He wanted to move the discussion from online consumers to our being cultural citizens in a democratic digital world.
Nothing seems to have happened to that report. I've put it down to the fact that it's a “big visioning thing” looking at things in a completely different way, which isn't something we're very comfortable with in the parliamentary realm, so it was put off to the side.
The other analysis of the time came from the famous lobbyist—I won't name him, but I'm sure we've all met him—who asked me if I knew what the Internet was. I never answer those open-ended questions, when a lobbyist asks; I always want to hear what they're going to say. In my mind I was thinking that the Internet might be the greatest possibility since the Library of Alexandria. No, no, he said; the Internet is a highway of stolen goods and child pornography that goes into every child's bedroom in Canada, and what are you going to do about it?
This is, I think, the question that's put to us as parliamentarians. We're good at being reactive, we're good at seeing a threat, we're good at saying that something has to be done. And my concern--you're a historian, which is why I want to hear from you on this--is as follows.
The roller piano was denounced as a threat to musicians and had to be stopped. The record player was a threat to music publishers and had to be stopped. AM radio was a threat to the recording industry that made the record players, and it had to be stopped. FM radio was a threat to AM radio, and it actually was stopped for 40 years. Sony was a threat to Hollywood—Sony was the Boston Strangler of innovation, according to Jack Valenti—and now Sony is suing teenagers to stop the threat to music.
Now, today, we have Google, which broke copyright laws. YouTube was a pirate haven. And then, just this week, the film and television producers said we can't stop the development of BitTorrent, because it is potentially a great new source for getting our movies out. Everyone remembers that two weeks ago BitTorrent was probably the biggest pirate threat in the world.
Where do we come down, as legislators, on the issue of protection and innovation? We're always being asked to stop something. We don't seem to have a framework or focus on, for instance, how do we ensure digital development and not stop technologies that are happening that might end up benefiting our artists?
This is the question that we ask ourselves, and I think most of us are kind of at a loss.