Okay. No, that's fine. I'm not arguing with exactly what your quote was, but what I wanted to come back to was this. Could you therefore comment on what an investment program, like putting $100 million into festivals, summer festivals, would mean, how much you think that might generate? You indicated PromArt has about a five-to-one generation multiplier. The substantial increase we put behind Canada Council for the Arts, or the $22 million we're providing to DFAIT to assist in the promotion of artists abroad--can you comment on how these investments are assisting artists, and what that means to them?
On March 2nd, 2009. See this statement in context.