Certainly the vast majority of the theatre companies in the not-for-profit sector will not benefit from the marquee festival funding. It's not aimed at them. It's aimed at the high-level festivals.
The point I was trying to make was that it seems to us at this early point to be an inconsistent policy directive to cut a lot of the international touring and market development, which often seeds the works that finally, when they reach their highest point of popularity, go to those festivals.