Yes, absolutely. In fact, it is an economic lever. The cultural reality has several sides. You will hear groups talking about statistics or about the conditions in their sector. However, my reality is that of a company involved in research and creation that has been around for 36 years, that is known for the quality of its work—it's important to say it like it is—but whose very existence was made possible through touring. That kind of cultural outreach is not only limited to the artistic side. A lot of what people want to see abroad involve works that are the product of research and creativity that are new and unconventional. People are curious to know about the kind of things that are being done.
So, there are financial consequences associated with the money that we receive. It represents a very significant portion of our independent income. For one thing, we are a non-profit organization. As a result, we do not operate on the basis of the same logic as a for-profit organization. However, that does not mean that we do not follow sound management principles. After 36 years, we are still here, but achieving the necessary financial balance is never a sure thing. We are having more and more difficulty selling our shows. Our bookings for next year and the following season are not the same as in previous years, because of uncertainty among foreign buyers. They are waiting to see, quite legitimately, whether there will be a contribution towards international transportation costs from the country sending over its artists. Unfortunately, that will no longer be possible.