There are probably other things. As you know, co-production treaties have been around for 30 or 40 years. We--government, etc.--have been trying to revise them and modernize them and update them. There are certain provisions in there that would make it easier for producers to engage in co-productions. Within the European context they've made some very small but important measures. As an example, a scriptwriter from a third country is permissible in certain co-production treaties, but not typically between Canada and those countries. What you run counter to immediately is on the creator's side; it's a bit at their expense.
I think there are also some fixes in terms of the ownership of the equity in a production. Suffice it to say that there are a couple of points.