Let me try. As a lawyer, I'll be able to bring as much to bear to it as I can.
I think there is a concern in this. It's not just our concern; it's an industry-wide concern. It involves historic content. Obviously there's value to these libraries, and there may be people buying Blu-ray discs or downloading things. But just as other forms of content have seen their value decrease, the music industry has had problems from Internet sharing and the distribution changes.
So what is the value of film libraries? These people are selling their libraries. What will they be able to get for them, and what would it make sense for one to pay for them? That's a business decision that honestly is beyond what I really could evaluate. That's a financial decision.
We do think that continuing to make good, viable products will be a strong business. You can do it. You can make money, and obviously Canada has a very strong film sector, and it's had a great history of supporting film. There are a lot of films made here. I can't say to you that I know this film was made here or that film was made here. I could talk to you maybe about some films that were about Canada that I enjoyed, but I'm not a film business person.
I think our intention is to continue in the businesses that Lions Gate has been in historically, but to be concerned about acquisitions, be concerned about big-budget films, and be concerned about things that may be vehicles so that people have an opportunity to hang around in a kind of a chi-chi Hollywood environment, as opposed to making films that are viable, that make money, that are interesting, that people want to see, and that don't take big risk with capital.