No, no, I'm not that republican; I'm an eco-capitalist.
There is a long history of artists being abused by large companies who...and I have to be very delicate here, because they are some of my clients. But there has been a long history of artists being abused by people who find a way to place barriers to entry, and then leverage that, and give the artists, or the sports celebrities, or whatever....
If a gentleman who plays basketball is making $100 million, I can guarantee you there's an owner who's making $1 billion. And it has always been that way.
But now it has shifted. The paradigm has completely changed. It's been disrupted. Everyone is running around like chickens with their heads cut off. And I get it. But now I meet all these bands who create their own content. They place it on YouTube. They monetize it themselves. They don't need record labels. They don't need the government. They don't need anybody. They do it themselves. With the Internet and the advent of mobile, it's a do-it-yourself entrepreneurial world, which is what artists started out being anyway.
My sister is a painter, an artist. I run the business side of what she does, and it's difficult. Artists are all over the place. There will come a time when they will require people to do business for them, but I'm noticing that most of them do it themselves. They find a friend who helps them out, and they make a lot of money.
Like, if you're 16 or 17 years old and you're making $10,000 a month, we have a bigger problem. How are all these giant multinational companies we build going to entice a 16-year-old to work for them for $500 a week? It's not going to happen.
I have that problem now. They're like, “Why would I want to work for you when I can make ten grand a month on YouTube?”
I spoke at Ryerson University two days ago. I was shocked at how many 22- or 23-year-olds in radio and television weren't making a thousand bucks a month on YouTube. I threw that out to them. I said, “Why aren't you making a $1,000 a month on YouTube?”
So I've sort of danced around your question because I don't want to be too controversial, but you obviously see what my side is. I'm like, no, we're going through one of the biggest revolutions since the Industrial Revolution. A lot of people, generally older, are pretty upset because their entire business models have collapsed, and they're just trying to get towards retirement.
You're seeing it happen. In New York eight weeks ago, every single one of the major publishing companies, including Condé Nast, changed their CEOs. Most of them were under 50.
You have to be able to speak both languages. I speak some French and a little English. When I go to Quebec I feel like an idiot. But when I'm talking about digital or analog, I am completely comfortable in both worlds. I have no problem. I can talk to very technical engineers about semantic web and cryptology--all the way up to CEOs of major multinational media corporations. That's my job. I am the guy in the hammock. I'm the age group that has to translate for both.
And that's the future: the future is that I'm not sure what's going to happen next.