Thank you.
Well, this is a fascinating discussion. I'd prefer to be meeting with each of you over a beer, or a glass of wine, to go further, but I have only five minutes; you're going to have to excuse me.
I want to start with you, Mr. Gaylor. Rip is seen as a manifesto on copyright change, but would it not be the case for many of the documentary filmmakers in Canada today who are not able to access works that have been picked up by corporate interests that control the copyright and will not allow access to footage that otherwise would be in the public domain? Is that a serious legal problem for the development of documentaries in Canada?