Thank you, Chair.
Thank you to our guests.
I want to get to a specific technical issue with our three guests.
Before I do that, I've been waiting for some time now, Mr. Dinsdale, for you to come here, because I think your story or stories will play an incredibly large part in the 150. I would not presume to know where to start telling the story you want to tell.
No, actually, that's not true: there is one story I'd like you to tell. I'm hoping, from a personal point of view, that the story of the Beothuk in Newfoundland and Labrador is one of those stories. I think that serves as an example of how you can tell the story of nations within a nation in the 150. What an incredible story, as you've mentioned. It is more than the basic narrative that's out there right now.
There is the War of 1812 and there are the constitutional talks of 1987, as you've brought up, but there's so much more to this, and the human element is played out in sound bites of a minute and 30 seconds every night, and quite frankly, that's a shame.
I think 2017 will serve as a pinnacle, a fantastic example not only of creating something for people to visit but also of the message that goes out about the myriad stories across the country.
That being said, yes, I'm very interested in museums. I'm very interested in these centres people visit. But there is another way for people, young and old, who are not able to visit but want to know the story and want to know first nations history. I think there is a substantial investment we can make in the production of content across this country. You mentioned the National Film Board with regard to 1987. Do you think that is a key component?