I think you've provided a pretty clear and complete response.
I think the one thing we should mention is that those funds were created originally by the broadcasters. FACTOR and Musicaction were the first ones to be created. It was during the commercial radio review that happened in 1997 and when we issued the new policy in 1998 the CAB, Canadian Association of Broadcasters, proposed to create this new fund, the Starmaker, and Fonds RadioStar, that would bring the established artists to another level and reach the international market, for instance.
We have a few processes going on, so there's not very much more we could say about those things.
I'll just mention that based on our discussions with the music representatives a couple of years ago when we were trying to establish what the issues were that the industry was facing, we asked them the question about the relevance of those funds still, and they said that they each have their role. They play a different role, but they each have their role and they're both relevant. They seem to be wanting to continue with the current structure.