For many of the things, whether it is with respect to music or television at the CRTC, we have our own specific role and our own area, which is regulation of broadcast services. What we're finding as we're looking at the new environment is that you need to be able to reach out to find new ways to help with the consumption of Canadian product. Quotas or other means still work, and certainly work for the industries that we continue to regulate, but in terms of various things that we're doing with respect to cooperation, we do share a lot of data and information with our friends at Canadian Heritage, who were up here in your first meeting on this particular subject.
For example, we leverage some of our regulatory abilities to ask private broadcasters to contribute towards funds that cooperate with the Canada Music Fund with Canadian Heritage. We work with the broadcasters to leverage some of their funds in Starmaker.
The francophone counterpart is Musicaction.
Those are certainly many of our traditional means of collaboration.
We highlighted here that in some of our reviews we found that community radio was a very good place to play or discover new forms of music. Community radio is certainly an area where there is a variety of different music that is not played on commercial radio and where certainly new artists find their spot. That has been an area of additional collaboration, where we've tried to ensure that maybe there is a better source of funding for community radio stations across the nation and have highlighted moneys there.
What are we doing now towards the future? We're certainly looking at reaching out to other regulators around the world to see if there means to collaborate. For example, what are best practices is an easy way to go about it, but also we're working with institutions like the Banff World Media Festival to maybe invite other regulators here.