It is partially through.... There seems to be a big structure of funding for the entrepreneurs and the companies. That said, through the arts council in Quebec, the Conseil des arts et des lettres du Québec, or the Canadian Council for the Arts, there is money available that is directly for artists. Only artists can access that money. I don't have the numbers with me, but I think these systems work well. They certainly need more funds to be able to allocate directly to artists, especially as Mr. Petit mentioned, for the creation process, and recording and all that. It is true that sometimes it takes a year or two to get to the right quality of material. It's very difficult for an artist to do that and also have a side job or a day job.
That said, I know there are certainly situations where artists are volunteering to do their own recordings and all that. It hasn't been the case, certainly not for my company. Over the years we've worked with fewer artists but we've supported them, I like to think, more. It's also the notion of quantity versus quality. Personally, we've always tried to go for quality and a little less quantity so that we could use the funds that are available to us and our own money to actually support the artists throughout the process and also throughout the process of promoting and touring. The best I've ever done, it took about three years to recover the whole investment in an artist's project, but the artist was making a living. It was a different case and a different situation, I guess.