If ever you have more information that you want to share with the committee, we'd be very interested in having more information regarding the privileged access they have. I've been working for Audiogram in Montreal for something like six years and to me Nettwerk has always been the parallel. Nettwerk has evolved so much within the music industry, managing producers, managing songwriters, and getting involved in all these fields. So your advice is well-appreciated.
Specifically, Mr. Mortimer-Lamb, you spoke about the emergence of smartphones.
I hope that we will have a few minutes to talk with Alain Chartrand, the great advocate for francophone culture across Canada, who represents Coup de coeur francophone. He is doing amazing work. I could simply mention Lisa LeBlanc. I believe he was the first to foster her great talent.
My question is for the representatives of the Observatoire de la culture et des communications. Earlier, like Mr. Mortimer-Lamb, you mentioned that people are now investing more in the means to have access to music. With the explosion in the number of music devices, people are investing more in the hardware than in the content. Could you tell us more about that?