Jake Gold is not on my board. That's a little inside joke.
We have a jury system, as I said, and a jury will consider each submission. It's a responsibility to give feedback on a number of dimensions. They score people on a number of dimensions and give them that straight score feedback, in addition to which these music professionals are asked to give the applicants specific feedback on where they thought they were weak, where they were strong, and how they might improve.
I have to say the system works. An anecdote I often tell people is that Dan Mangan once told me—he was a well-known artist from Vancouver who won a number of Juno awards—that he tried the system four times before he succeeded, but every time he was refused he took the advice of the jury and tried to improve. In the end he won multiple Junos. There is a lesson for any young artists who might not make it the first time that if they listen to the jury and try again, they can succeed.