I'll just look at five. I'm adding up for five festivals right now, and I'm seeing 10,000 in that number. If you add up the smaller ones that I'm aware of across the country, you can add on, let's say, 40,000 or 50,000 people who will attend these across Canada in a year. That doesn't include the cross-border component. There is also an exportation of fiddlers to play in festivals in the U.S. as well. So you're seeing a lot of people in a lot of locations who take part in these festivals, but there's not only the festivals themselves. The fiddle music is an essential part of a festival, but there's also the spinoff effect, what goes on elsewhere in the communities. As I mentioned, there are the bus tours and the hotel rooms.
When I lived on the east coast in New Brunswick, every second Saturday throughout this time of year, you would have a community fiddle do, and people would go from one to the other. You would probably be in Saint-Antoine on one Saturday, Sussex the next Saturday, and up in Plaster Rock or somewhere like that the following Saturday.
All these people moved around, and they kept it alive, but the advantage there is that it's spread by word of mouth.
What we see this bill doing is creating a point of reference, a focal point.