Sure.
I think Mr. Petrollini alluded to this, but one of the things—and this is a bigger policy question—is maybe relooking at the rules around what Canadian content is. This is something that was in the last policy review 10 years ago.
The point I'd like to make is that if you were looking at what Canadian content is, the current model that has existed in Canada for at least the last 15 years is a point system. The point system is based on 10 points. By contrast, looking at some of the other countries that have similar cultural tests or content tests, Germany has one that looks at local and global content and it goes beyond just the personnel. The Canadian test is just the personnel involved; the German test is much broader. The U.K. test, which is somewhere between the Canadian and the German test, is also much broader in terms of the number of points and the number of things that you can look at as elements of domestic content. It's not just the people involved but where it's shot, whether it has some history related to, in our case, Canada, or the diversity of Canada, and those kinds of things. I think that's actually a bigger policy point, but it's something that would impact the entire system and make it a little easier for producers to access things.