It does seem to be happening in the more recent past, I would say the last five years, where we've been seeing the major U.S. studios using this position they have as grandfathered to take advantage of these smaller independent films, and to take these films that would otherwise be distributed by Canadian distributors and use their system to distribute them. It seems to be a relatively new phenomenon. I think some distributors in the U.S. or owners of U.S. rights are starting to become wise to this idea that they don't have to go through Canadian companies, that they'll just go through their Hollywood brothers, who will distribute it for them in Canada because they're not subject to the policy.
So it seems to be increasing: we see it happen once and then it gets worse, and then it gets worse. That is why I am trumpeting a very loud horn about the distribution policy. I admit I am using strong language for it because we have tried to address it before with government and it seems to be falling on deaf ears. What people need to understand is the important role that distribution plays in the ecosystem. Without distribution, Canadian films won't get produced because the production community can't produce them without help from private funds from distributors, and it's the private funds from us that signal to Telefilm to invest in them as well.