In a short word, yes. It's an industry that's quite integrated between large U.S. productions and indigenous Canadian industry. Those large U.S. productions create the infrastructure, create the sound stages, the equipment rental houses, but also create expertise at the crew level.
We're dealing with the federal government on the temporary foreign worker program, because we're an industry that works side by side and hand in hand with producers to allow through our collective agreements—nothing to do with immigration policy—the bringing in of world- renowned cinematographers and whatnot, working side by side with Canadians.
I can tell you that over the last 20 years the number of U.S. high-end crew has dropped dramatically, because there has been training taking place on set day to day, and people know what's going on; it's that sort of thing.
Yes. The IA is perfectly situated for that. We're across both borders. Our people work all over the world. It's not just Canada and the United States; we work everywhere, because we are the leading technical union supplying those kinds of crafts.