I will agree with one point your previous panel talked about: marketing is essential. This committee in its previous incarnation spoke in some of your earlier reports, from 2008, and Telefilm spoke about a minimum marketing budget, but it has also talked about a minimum production budget.
You're dealing with the elephant in the room. You're dealing with the studios and what they can produce.
So there's a fine line between trying to encourage young filmmakers, but at the same time not to the point where the budgets are just so small that there are too many sacrifices.... I'll point out again that safety is an issue. These are big, long-running shows; the hours are long, and if you're undermanned in terms of crew because there is no money.... No one's trying to do the wrong thing; there's just no money.