That's right.
We are trying to understand the motivation for that decision. We understand that it is a pilot project. Of course, we are in a world with international competition. Obviously, our opinion is that the quality of our products will achieve success.
However, few major dramatic series with a budget of at least $2 million per episode are produced every year. We think that there are four to six a year. The impression is that for projects of a certain level of excellence, we don't have directors. There may be a screenwriter and a performer, but many members of our association won't be considered.
We question the logic behind this. Do people think there is a lack of quality, talent or skills in our communities? Quite the contrary. These directors we're talking about work on major international projects and are entirely capable of taking part in these kinds of project. We question this logic. Why do we need such a major shift?